Westlake Seattle July 2020

Nikon FM with 50mm 1.8D lens. Tri-X 400 film, push processed two stops. Yellow Filter

2018-03-17

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Agfa Rodinal (1+50) developer

20ºC - 16.5min

Pentax 17

Kodak ProImage 100, shot @ 200EI, pushed +1 accordingly.

2014-02-01

model: Zoe Power

location and styling: Lauren Quinn

Olympus XA

F.Zuiko 35mm f/2.8 lens

Kodak Tri-X 400 (800-push) 35mm film

Photographer's Formulary PMK Pyro (1+2+100) developer

21ºC - 17min

Neopan 400 @ 1600

Nikon F2sb | Nikkor 35mm 1.4 AIS | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500

film: ILFORD DELTA400 (push to 1600)

film developer: KODAK T-MAX developer

paper: ILFORD MG IV (SATIN)+ILFORD MG FILTER No.3 1/2

En marge, du défilé du Nouvel An Chinois

Leica M6 - Zeiss Biogon C 35mm f/2.8 - Ilford HP5+ 400 @ 1600 - Ilford LC29 1+9 (7 min 30)

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Press 'L' to enjoy it big on black / Appuyez sur 'L' pour apprécier la photo en grand sur fond noir.

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Toutes vos critiques, commentaires et fav sont les bienvenus !

All criticisms, comments, and fav are welcome !

Merci / Thanks

Picture of me!

Pentax 67 105mm portra 400 pushed to 1600

2011-12-18

Nikon F3

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

2019-01-20

Nikon F3

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)

EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)

EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)

View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...

Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO

#shootfilmbenice #filmphotography #believeinfilm

2014-05-13

Nikon FE2

Nikon Ais 85mm f/1.4 lens

Agfa APX 100 (160-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

hp5 pushed to 3200 in mytol

🎥 Color Graded in Photoshop CS6, it is after all motion picture Fill Minolta x370 50mm 1.7 Cinestill 800T 800iso tungsten balanced 35mm film. Made from Kodak Vision 500t 35mm motion picture film 5219 stock. I pushed the film one Stop to 1600. This was my first time pushing color film. This film on is 🔥🔥

www.youtube.com/watch?v=B-gKhP-DtIg&t=17s

Zhujiajiao, Shanghai, May 2010

Horizon 202

View Large, On Black

hp5 shot at ei 6400 and developed in rodinal 1 + 100

Wife and I planned a fun monday trip down to sandusky to hit up cedar point while there weren't too many kids out of school yet haha! Got so many damn rides in holy shit, here's a little collection of random shots I snapped all around the park; from queue lines to midways to everything in between.

Shot in my olympus pen ees on ektachrome 100, pushed to 200 in rapid e6.

2014-04-10

Nikon FE2

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Adonal (1+50) developer

20ºC - 16.5min

My "darkroom" is a bathroom I share with 3 other people. So, I have to be able to put together and take apart my setup quickly.

[Notes on the image contain info on individual items.]

I would prefer to have a dedicated darkroom space. But a quick DIY setup is doable for B&W film processing.

I'd like to be able to print, but I don't have the space for an enlarger and trays. An Epson Perfection V500 film/photo scanner is what I use in its place.

Things of importance not pictured here: black construction-grade trash bags (in stead of blackout plastic / dark shades) covering the window and door held in place with black painters tape (because it peels-off with out damaging the walls), and the film drying clips hanging from the ceiling-fan in my bedroom.

Olympus XA

35mm f/2.8 lens

Kodak Plus-X (800-push) 35mm film

Kodak Xtol developer

20ºC - 9min

Gare SNCF, Vielleville, Creuse 23 France. Platform mounted point (switch) control cabin, a common sight in rural stations in France.

I could become enthusiastic about this combination of film, developer, and technique. This is a highly contrasty subject, and I think this combination has yielded a pleasant range of image tones. The Prominar lens, four elements in three groups, is very sharp & contrasty, despite having a few cleaning marks.

1960 Komaflex S, f2.8 /65mm Prominar lens. 127 Rollei 80S rated @ 400asa, developed in Diafine: 5 mins pre-soak in water, with vigorous agitation, 5 mins in solution "A", 3 inversions every 15 seconds, 5 mins in solution "B", 30 seconds continuous inversion, 3 inversions for each remaining 45 seconds.

2014-02-27 Kodak Tri-X 400 at 1600 i21

2011-03-04

model: Alana Pauw

makeup: Kristen Riek

Light reflector/assistant: John Ryan

Mamiya C220

Mamiya-Sekor 55mm f/4.5 lens

Kodak Ektar 100 (400-push) 120 film

2018-01-07

model: Nicole Reynolds

clothing and location provided by: Vintage to Vogue Boutique, Greensboro, NC

Nikon F2

Nikon Ai'd 28mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 9.5min

2018-03-17

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Agfa Rodinal (1+50) developer

20ºC - 16.5min

Canon A-1 with Ilford Pan 100, rated 400, stand developed in R09 One Shot diluted 1+150 for three hours, agitation at the one hour and two hour marks.

photo-analogue.blogspot.co.uk/2018/05/ilford-pan-100.html

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Shot on ADOX Silvermax 100 at EI 100.

Black and white negative film in 35mm format.

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Read on at: emulsive.org/photography/35mm-format/innovation-tower-sho...

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Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #PushProcessing

#shootfilmbenice #filmphotography #believeinfilm

Belomo Agat 18K Tmax400 pushed one step in 1995

Fuji GA645, medium yellow filter, Tri-X 400 @ 1600, D-76, Epson V500

wyld stalyns

2014-06-29

Nikon F3

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

2017-11-25

Nikon FE2

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

Kiev-4 with Helios 103 lens; Ilford Pan 100, rated 200, developed in Ilfotec LC29 1+19 for 9 minutes at 20ºC.

photo-analogue.blogspot.co.uk/2018/05/ilford-pan-100.html

Roll of Kodak T-Max 100 pushed to 400 because I'm an idiot. Shot in Yashica 124G processed in D-76 1:2 for 26 minutes, and scanned in Canoscan 8600f. It handled being pushed that much pretty well.

End of the seawall, where they're bringing sand to the beach.

last shot on the roll, we pulled up to the west end of the sea wall as the sun was going down after having been fucking around / taking pictures on the east end of the island. I thought I might have two shots left so I took extra care to hold my hand steady (1/15th or 1/30th can't remember) and compose it the way I wanted, but after I took this one I was only able to advance half a frame further. Glad I had saved even one for w.e reason.

2016-03-18

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20ºC - 10min

2014-10-06

Fujica ST-801

Fujinon EBC 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

FILM: ULTRAFINE XTREME 400 PUSH PROCESSED TO 1600

CAMERA: ZENZA BRONICA SQ-A - 6x6

LENS: Bronica Zenzanon-S 105mm f/3.5

Light: 23watt compact fluorescent = 100watt bulb

DEVELOPER INFO: XTOL 1:1 - 68º - 17.5min

Original (3300px x 3319px)

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Don’t leave your sh1t at the beach

Shot on Kodak Ektar 100 at EI 100

Color negative film in 35mm format

Over processed one stop.

Don’t leave your sh1t at the beachShot on Kodak Ektar 100 at EI 100.Color negative film in 35mm format.Over processed one stop.

Write...

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Read on at: emulsive.org/photography/35mm-format/dont-leave-your-sh1t...

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Filed under: #35mmformat, #Photography, #2018April, #35MmFormatFilm, #ColorNegativeFilm, #EI100, #EMULSIVEDailyPhoto, #ISO100, #Kodak, #KodakEktar100, #Leica, #LeicaM6TTL, #PushProcessing, #VoigtlanderColorSkopar21MmF4

#shootfilmbenice #filmphotography # believeinfilm

Manhattan

Ilford HP5+ @ 1600

Ilford Microphen

Nikon F3 HP | Nikkor 50mm f/1.2 | Ilford HP5 @ 800