View allAll Photos Tagged PushProcessing
2016-02-06
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Ilford HP5 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 14.25min
Menemsha MA - A dark sunset along Dutcher's Dock in the small fishing village of Menemsha on Martha's Vineyard. This is one of the key locations used in the film Jaws. August 2013.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizing filter. Ilford HP5 iso 400 film pushed to 1600.
2013-01-15
model: Emily Barry
MUA: Pierce Bryant
Nikon FE2
Nikon Ai 50mm f/1.4 lens
-yellow lens filter
Kodak Tri-X (1600-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 13.5min
2017-11-25
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Kodak Vision 3 500T (1000-push) 35mm film
-bad development
2011-03-04
model: Alana Pauw
makeup: Kristen Riek
Light reflector/assistant: John Ryan
Mamiya C220
Mamiya-Sekor 55mm f/4.5 lens
Kodak Ektar 100 (400-push) 120 film
Kodak TMAX 400
Canon Elan 7n
50mm f/1.8 II
f/2.8
Kodak TMAX 400 / push EI 3200 / TMAX Developer / 1:4 / 13 min / 20 degrees C
Minolta Autocord L
Chiyoko Rokkor 75mm f/3.5
Ilford HP5+ pushed 2 stops to 1600 in X-tol.
Metered with gossen profisix
Processed and scanned at Nation Photo, Paris.
October 2016.
Rouleau 30 ilford HP5 400@1600 autocord L
12. 2016-10-22 16EV 1/500 f/11 tronc lac inférieur
I've recently started sneaking out of the office for half an hour or so every day to further familiarize myself with my Olympus XA. I still have very little bad things to say about this camera. On this roll I did find a couple of frames where an object which appears to be one of my fingers disadvantageously protrudes into the frame. Clearly, this is the unavoidable downside of shrinking a device down to the minimum.
Other than that, the lens is excellent, the viewfinder is above average and the rangefinder at least usable. One thing I wish was better visibility of the selected shutter speed. One needs to be mindful of the selected aperture and stop down appropriately when conditions are bright or else the camera will happily overexpose the shot and give no indication of doing so.
This particular shot I quickly dismissed until I noticed a peculiar and accidental symmetry between the two bikes and the two people waiting in a similar posture. The square crop was necessary to cut off distracting elements, mostly on the left side.
This was shot on Fuji Acros pushed one stop to ASA 200. With the Olympus and generally when being in the street I prefer smaller apertures to ensure depth-of-field. This was probably shot at f/16. Developed in Rodinal (1+25) for 9 minutes.
Nikon FE-2
Nikkor 50/1.4
Nikkor 35/2.8
Volna-3 80/2.8
Kodak Tri-X @1600
D-76
Focus Aleksievic - Teatro Altrove, 28/29 aprile 2017 Genova
Yashica Mat 124G with Yashinon f3.5/80mm. Kodak Tmax 400 @800 in HC-110 dilution H for 12.5min. 20C
The Leeds Kirkgate market is the largest covered market in Europe, I particularly like the Butcher's and the Fish & game Rows.
en.wikipedia.org/wiki/Leeds_Kirkgate_Market
First time I push this film with HC-110, not bad but I like more how it looks pushed in D-76 and in Tmax developer.
January 12, 2017
Los Angeles, CA
Portra 800 +2
Some photos from this set were included in the liner notes of GospelbeacH's excellent 2017 album "Another Summer of Love"
Praktica LTL-3 with Carl Zeiss Jena 50mm f2.8.
Kodak Portra 160 ISO 35mm film. (push processed).
Processed at home with Tetenal C-41 kit.
Minolta Autocord L
Chiyoko Rokkor 75mm f/3.5
Ilford HP5+ pushed 2 stops to 1600 in X-tol.
Metered with gossen profisix
Processed and scanned at Nation Photo, Paris.
October 2016.
Rouleau 30 ilford HP5 400@1600 autocord L
11. 2016-10-22 12EV 1/250 f/4 lac inférieur
Mamiya C33 camera
Mamiya 105mm lens
Nikon Speedlights
Fuji Acros 100 film
exposed @ ISO 400
Dev'd HC-110 (B) 11:45min @ 64degF
Fixed Kodafix
Scanned Epson V500 scanner
Edited Lightroom 3
2015-10-12
Olympus XA
F.Zuiko 35mm f/2.8 lens
Ilford HP5 400 (800-push) 35mm film
Kodak HC-110 (B) developer
20ºC - 8min
2015-07-25
model: Kaci Burgos
hair by: Sheree McGuirt
wardrobe by: Nicole Gaspar with Forgotten Muse
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Adox Adonal (1+25) developer
20ºC - 18.5min
2017-11-25
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
you can get really close using the hasselblad extension tube. however, every time i take it off the lens i have to adjust the little screw on the the back of the lens before i can reattach it to the camera. i wonder if this is normal! fortunately a small coin does the trick.
2016-02-19
Nikon F2
Nikon Ai 50mm f/1.4 lens
Ilford HP5 400 (1600-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 18min
2014-04-10
Nikon FE2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Adonal (1+50) developer
20ºC - 16.5min
The boychik may be tired after a lovely hike in the forest, but the furball is still ready to go. Monty is a snowdog!
Ilford Pan F Plus - five stops underexposed because, like an idiot, I forgot to change the ISO coming off a roll of Delta 3200. I wildly guessed and developed in Xtol for 15 minutes at around 20 ºC, agitating 10s/min.
2015-07-25
model: Kaci Burgos
hair by: Sheree McGuirt
wardrobe by: Nicole Gaspar with Forgotten Muse
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Acufine developer
20ºC - 5min