View allAll Photos Tagged PushProcessing
2011-05-15
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF lens
Kodak Tri-X (800-push) 120 film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
Iford Pan 400 pushed to 800
Developed in D76 for 16 minutes @ 20 °C
Handheld with Spotmatic F and Super-Multi-Coated Takumar 1:1.8/55
Yellow Filter
This is Mitsuteru Kawai. He performs as Vogli Bonze. He sometimes wears a basket on his head when he plays. His music is frenetic and he sings in a Tuvan throat singing style. I highly recommend you see him perform in his native Japan or on the rare occasions, like this one, that he visits NYC.
Pentax ME Super
Kodak Gold @1600
C41 (slightly old) 5.5 min
2016-02-06
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Ilford HP5 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 14.25min
2012-12-17
Nikon F2
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
2014-05-08
Nikon F2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Olympus OM1 Agfachrome 200 pushed two stops.
Agfachrome was one of my favourite films at this time. It was warmer toned and grainier than Ektachrome. Push it two stops and use a soft focus filter and things started to get quite impressionistic.
2014-07-05
Fujica St-801
Fujinon EBC 50mm f/1.4 lens
(expired) Fujicolor Superia 400 (800-push) 35mm film
2014-02-01
model: Zoe Power
location and styling: Lauren Quinn
Olympus XA
F.Zuiko 35mm f/2.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Photographer's Formulary PMK Pyro (1+2+100) developer
21ºC - 17min
Agfa Standard Model 255 (116 format) with Ilford HP5 Plus 120 film used with 116 backing paper, developed in R09 One Shot 1+25, 8 minutes at 20ºC.
photo-analogue.blogspot.co.uk/2017/11/116-day-november-20...
photo-analogue.blogspot.co.uk/2017/12/agfa-standard-model...
2019-07-21
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
2014-07-05
Fujica St-801
Fujinon EBC 50mm f/1.4 lens
(expired) Fujicolor Superia 400 (800-push) 35mm film
2014-12-16
Model: Valeria Sweet
Hair and Makeup by: Chelsey Bryan
Wardrobe by: Bob Smithey with At The Ritz Costumes
Location provided by: Lentz Ison and Marshall Free House
Nikon F3
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
Yashica Mat 124G with Yashinon f3.5/80mm. Kodak Tmax 400 @800 in HC-110 dilution H for 12.5min. 20C
Just for clarification......
2013-01-28
model: Cora Deitz
wardrobe: Bob Smithey
At The Ritz Costume Rental
Nikon F2
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 17min
2020-11-14
Canon T90
Canon FD 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16.5min
2015-10-12
Olympus XA
F.Zuiko 35mm f/2.8 lens
Ilford HP5 400 (800-push) 35mm film
Kodak HC-110 (B) developer
20ºC - 8min
Minolta SR-T102
Kodak Gold 400 @1600
Unicolor C41, 5min
GOAL: To recreate old 70's/80's/90's candid streetshots of a grittier and dirtier time.
I've always been fascinated by old pictures of NYC. Recently there have been Facebook groups dedicated to reposting some of these normal, everyday candids and street photos of that older, dirtier time.
Fast forward to today, and although there are a lot more pictures being taken (mostly in the form of cellphone selfies [cell-fies?]), they don't capture that same feeling of the denseness of the city and people unaware or uncaring of the photo being taken, going about their normal business.
Specifically, I want to recreate the feeling I get from seeing old pictures of partygoers, revelers, and drunk people coming home at night. All photos taken on film, naturally, to heighten this recreation of a bygone era.
Iford Pan 400 pushed to 800
Developed in D76 for 16 minutes @ 20 °C
Handheld with Spotmatic F and Super-Multi-Coated Takumar 1:1.8/55
Yellow Filter
Minolta Autocord L
Chiyoko Rokkor 75mm f/3.5
Ilford HP5+ pushed 2 stops to 1600 in X-tol.
Metered with gossen profisix
Processed and scanned at Nation Photo, Paris.
October 2016.
Rouleau 30 ilford HP5 400@1600 autocord L
1. 2016-10-08 18:06 17EV 1/500 f/16 passerelle de l'Avre
2012-10-31
Nikon F2 (broken shutter)
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
24ºC - 11.5min
2018-01-07
model: Nicole Reynolds
clothing and location provided by: Vintage to Vogue Boutique, Greensboro, NC
Nikon F2
Nikon Ai'd 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 9.5min
2015-02-14
model: Lizzie Hornshuh
location provided by: Dean Cornelius at Outlawed Restorations
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (1000-push) 35mm film
Acufine developer
21ºC - 5.5min
“Accept the children the way we accept trees—with gratitude, because they are a blessing—but do not have expectations or desires. You don’t expect trees to change, you love them as they are.” —Isabel Allende #abrildeparaules
Voigtländer Vitessa L
Voigtländer Ultron 50mm 1:2
Adox CHM 400, EI 800/29º
2012-01-05
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Kodak Portra 400 (800-push) 120 film
Monolta 360px flash
Minolta SR-T102
Kodak Gold 400 @ 1600
Unicolor C41 5min
More successful color pushing! In-date Kodak Gold 400 (aka Ultramax, obtainable for a wallet-friendly $3.50 a roll) pushed to ISO 1600, and developed in standard C41 for 5 minutes. This is actually 30 seconds LESS than I developed my last couple of color pushes, mostly because I forgot to check my notes, but it was completely sufficient. In fact, I even dialed back the highlights in this one a bit.
For all of you "can't use film in low light conditions" naysayers, here's the world's cheapest current-production color film delivering GREAT results at 1600. Pair that with a 1.8 lens and you can shoot almost anything. And definitely better than digital, at any rate...
2010-02-21
Mamiya C220
Mamiya-Sekor 80mm f/2.8 lens
Kodak T-Max 400 (1000-push) 120 film
Acufine developer
20ºC - 4.75min