View allAll Photos Tagged PushProcessing
Flat and down while michael films
Nikon FM2n, Ais 16mm
Provia 100f, pushed to 400
1/125, f/11
Sunpak 120j right
Lumedyne 065 right
2015-07-02
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Agfapan APX 100 (200-push) 35mm film
Adox Adonal (1+25) developer
20ºC - 11min
Canonet QL-17 GIII
Kodak T-Max 100@400
1/30, f4, orange filter
On tumblr: theatreofthemundane.tumblr.com
On Instagram: lemonhats
This shot captures a beautiful tangle of rooftops and textures, layered beneath a sky that hints at impending rain. The gritty quality of Kentmere 400 pushed to 1600 brings out an expressive depth here, transforming the scene into a quiet study of architecture and atmosphere. The Rolleiflex 2.8GX really shines in handling the contrast — the darker shadows in the trees anchor the foreground, leading the eye up toward the intricate, almost woven pattern of rooftops, and finally drawing attention to the cathedral in the background. The gothic spires seem to float, partially obscured by the atmospheric haze, almost like a ghostly silhouette above the modern rooftops below.
There’s a wonderful interplay between the sharp lines of the buildings and the softer, grainier sky, which seems to diffuse any hard light and wrap the scene in a gentle glow. This choice of film and the push to 1600 enhances that delicate grain, giving an almost tactile feel to the image — you can sense the texture in the clay tiles and the wear on the stucco walls. The antennas and chimneys add subtle interruptions to the skyline, modern details juxtaposed against the timeless architecture of the cathedral.
Technically, pushing Kentmere 400 to 1600 was an inspired choice here, adding drama to the clouded sky and bringing out the textures that might otherwise have been lost in a standard exposure. It’s a moody image with a rich tonal range, balancing detail with abstraction, and the Rolleiflex's square format provides a sense of symmetry that really suits this balanced composition. It’s like a love letter to urban architecture, caught in that delicate space between tradition and modernity.
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Rolleiflex 2.8GX, Kentmere 400 forced to 1600.
Epson Perfection V850 with Vuescan, SmartConvert and Lightroom.
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Leica M6 TTL .85 | Leitz 5cm 1.5 Summarit | Ilford Delta 3200 @ 6400 | Kodak HC110b
Wine and ripped jeans exposed knee wedding ring
#PhotographersStillUsingFilm #Johnny_Martyr
#smalltowninertia Tilney1 at home April 2016
Full story coming soon.
#ILFORDHP5PLUS #ADOXADONAL #MAMIYA7II #PUSHPROCESS #HANDDEVELOPED #MENTALHEALTHAWARENESS #SMALLTOWNINERTIA
2011-12-04
Olympus XA
F.Zuiko 35mm f/2.8 lens
(expired) Fujicolor Superia X-tra 400 (800-push) 35mm film
Granada ES - The labyrinth in the old soldiers quarters of the Alcazaba fortress. This is the oldest part of the Alhambra in Granada. August 2014.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Ilford HP5 iso 400 pushed to 1600.
BTW, this is the car from Christine. And I don't mean that it's a Dodge Fury, it's literally the car from the movie.
2018-07-01
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10.5min
Pentax ME Super with 50mm f1.7
Fomapan 100 shot at 400
Developed at home with Kodak D-76 and Tetenal Rapidfixer
The monks wait in the mornings for people to come and give alms which will be they're meal for the day.
This was also a test of Portra 800 rated at 1600 and then pushed +1/2 in development.
Pentax 67II 105mm Portra 800 Fuji Frontier SP3000
We watched this little guy for a friend last week - he was a hoot!
TMax pushed to 1600 in TMax Developer
Nikon F2
Nikon Ai 24mm f/2.8 lens
Arista Premium 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 10min
Kiev 88CM with Arsat C f2.8/80mm, Kodak Tri-X @ 1600 in Rodinal 1+100 stand for 60min.
We are going to Buenos Aires for 3 weeks to spend Xmas and New Year with our family, my presence in Flickr during this days will be very limited so I want to wish a Happy Christmas and all the best for the New Year to my Flickr friends,
God bless you all!!!
Nikon F3, 35mm f/2.5 E Series, Kodak T-Max P3200 (new) @ 3200
Adox APH-09 (Rodinal) 1+25, 9 mins. Inversions first 30 seconds, then 4 times at the top of every minute after.
2011-05-15
Nikon F2
Nikon Non-Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
2011-03-04
model: Alana Pauw
makeup: Kristen Riek
Light reflector/assistant: John Ryan
Mamiya C220
Mamiya-Sekor 80mm f/2.8 lens
Kodak Ektar 100 (400-push) 120 film
2014-12-16
Model: Valeria Sweet
Hair and Makeup by: Chelsey Bryan
Wardrobe by: Bob Smithey with At The Ritz Costumes
Location provided by: Lentz Ison and Marshall Free House
Nikon F3
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
2020-10-02
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
2019-02-09
Pentax Spotmatic II
Fujinon EBC 55mm f/1.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 19min
well, obviously somebody else had to push the shutter - I only have two hands. this is Tri-X 400 pushed to 3200 and stand developed for ~105 mins in Rodinal 1:100. camera used: mamiya c220f.
Nikon FE-2
Nikkor lenses
Kodak Tri-X
D-76 stock
CITTÀ INFERNO
22-25 November 2017, Teatro della Tosse
Actors: Rachele Canella, Melania Genna, Elena Gigliotti, Carolina Leporatti, Licata Demi, Elisabetta Mazzullo, Daniela Vitale, Maurizio Lombardi
Director: Elena Gigliotti
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Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
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Read on at: emulsive.org/photography/35mm-format/scratch-my-back-shot...
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Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #PushProcessing
#shootfilmbenice #filmphotography #believeinfilm
2014-11-08
Nikon F2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min