View allAll Photos Tagged PushProcessing
Nikon F3, 35mm f/2.5 E Series, Kodak T-Max P3200 (new) @ 3200
Adox APH-09 (Rodinal) 1+25, 9 mins. Inversions first 30 seconds, then 4 times at the top of every minute after.
2011-05-15
Nikon F2
Nikon Non-Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
2011-03-04
model: Alana Pauw
makeup: Kristen Riek
Light reflector/assistant: John Ryan
Mamiya C220
Mamiya-Sekor 80mm f/2.8 lens
Kodak Ektar 100 (400-push) 120 film
2014-12-16
Model: Valeria Sweet
Hair and Makeup by: Chelsey Bryan
Wardrobe by: Bob Smithey with At The Ritz Costumes
Location provided by: Lentz Ison and Marshall Free House
Nikon F3
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
2020-10-02
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
2019-02-09
Pentax Spotmatic II
Fujinon EBC 55mm f/1.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 19min
well, obviously somebody else had to push the shutter - I only have two hands. this is Tri-X 400 pushed to 3200 and stand developed for ~105 mins in Rodinal 1:100. camera used: mamiya c220f.
Nikon FE-2
Nikkor lenses
Kodak Tri-X
D-76 stock
CITTÀ INFERNO
22-25 November 2017, Teatro della Tosse
Actors: Rachele Canella, Melania Genna, Elena Gigliotti, Carolina Leporatti, Licata Demi, Elisabetta Mazzullo, Daniela Vitale, Maurizio Lombardi
Director: Elena Gigliotti
-
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
-
Read on at: emulsive.org/photography/35mm-format/scratch-my-back-shot...
-
Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #PushProcessing
#shootfilmbenice #filmphotography #believeinfilm
2014-11-08
Nikon F2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
2021-11-07
Nikon F2
Nikon Ai'd 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
model:Alma Hasar
camera: Mamiya RB, 127mm lens.
film: 120 ilford hp5, pushed one stop to 800iso.
location: St Ann's, Nottingham.
Processed & scanned by me.
Clothes & umbrella are model's own.
after a long night @ j & j's engagement party
Leica M6 - Voigtlander Nokton 50mm F1.1 - Fuji Provia 400x (pushed 2 stops)
Nikon F3
Kodak Ektar 100 (pushed two stops)
Nikkor 300mm f4.5 ED-IF AI-s
I was practically laying on the ground to take this shot. Slightly out of focus, handheld shutter speed was way too low. I was at 1/30th f4.5.
2018-03-17
Nikon F90X
Nikon Ai’d 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
2014-05-08
Nikon F2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Print on Thai Unryu paper, inkaid matte precoat and MIS B&W inks.
www.pushprocessed.blogspot.com
Agfa Isoly with Holga lens.
2015-07-12
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Acufine developer
20ºC - 5min
2010-12-18
models: Kaci Burgos and Lauren Jenkins
hair/makeup: Brie Reeder
wardrobe: Bob Smithey (At the Ritz Costumes)
Mamiya 645AF
Mamiya AF 80mm f/2.8 lens
Kodak Portra 400NC (1600-push) 120 film
LED flashlight
Model exposure: 10 seconds (w/ flashlight)
Background exposure: 30 seconds
2021-11-07
Nikon F2
Nikon Ai'd 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
rasiguet asked me if I've ever been to Thailand. I was embarrassed to tell him that, although I've been, I spent all my time either watching Thai Boxing or training at Thai Boxing. I don't know if photography types in Thailand even like the sport. But I'm hooked on it.
This was my best action shot from a couple of nights at Rajadamnoen Stadium in Bangkok. I pushed a Fuji Superia 800 to 1600 ISO (note all the grain noise from the scan) and my Nikon F100 did a phenomenal job of tracking the fighters between the ropes (after the judges had shouted at me for getting too close)
In the interests of disclosure I've cloned out some irrelevant and distracting lights in the background.
This kind of head kick will drop a person like a sack of cement if it connects cleanly. Most western fighters don't have the technique of dodging them and will block them with their hands. It takes a fraction of a second to recover from the shock - giving your opponent time to recover for your counter. But the Thai boxers - trained from childhood - simply throw their heads back out of the way; giving them the chance to counter almost instantly.
2018-07-01
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10.5min
The snow & rain are dampening our new year here in the U.K.
Lucky there are still some old style English pubs about. Nothing nicer than a pint of ale sitting on a recliner next to an open fireplace. Just the spot to knock out a bit of prose or fiction on a dusty ol' typewriter. Could be a novel up there with the likes of Oliver Twist or Sherlock Holmes (of which I saw the film adaptation of last night. It was well paced, slickly edited & darkly humored)
Now then... Where did that pint get off to?!
Canon 7
50mm f/0.95
Ilford SFX 200
Pushed to ISO 800.
Lakes District, U.K.
2009.