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published via Free Download Minecraft ift.tt/1nC9MYO

Today I was having a quick look at my dad's newspaper ("TA NEA" which if I'm not wrong is the largest circulation daily newspaper in Greece) and my eyes stopped on a photo that looked quite familiar. The photo - which you can see here: i88.photobucket.com/albums/k186/alexring_bucket/AthensBik...

was from last year's Athens Bike Festival, (where I happened to be the official photographer) and it certainly looked a lot like one I had shot back then.

 

I looked at the photo credits and just saw the name of the organizers (which is not strange as in many cases you sell them the photos and they use them at wish without having to mention the photographer as you sell them all your rights too)

 

Mostly out of curiosity I checked my archives and saw that it was indeed a photo of mine, the one you see above. I can say that it feels nice to be published in such a popular media, even if no-one knows it's yours...

 

Btw I have already been contacted to shoot this years Bike Festival (starting at 20 Sept.) Who knows, maybe I'll see another photo of mine in next year's newspapers...

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This is a postcard taken and published by the Aircraft Manufacturing Co. Ltd, commonly known as AIRCO. The company was the largest manufacturer of aircraft during the first world war, their chief designer was Geoffrey De Havilland. At the end of the war they branched out into other things such as air transport, an airline, aerial photography and postcard publishing from their premises at Hendon Aerodrome in north London. The company was bought by British Small Arms in 1920 and liquidated by them, Geoffrey De Havilland went on to greater things. The photograph shows the aerial view looking northeast whilst the aeroplane is flying over the Aldwych and the Strand, on the right is the new Australia House and to the left a number of low rise buildings on the sites later occupied by India House and Bush House. The buildings were collectively known as the Eagle Hut, opened in August 1917 as a rest and recreation centre for American servicemen, it was the idea of four American businessmen based in London and the YMCA. At the opening ceremony in September the American Ambassador was joined by a group of American Civil War veterans living in London, during it’s operation which lasted until August 1919, it was visited by King George V where he sampled his first American pancake. The hut could provide up to 5000 meals per day and accommodate over 400 men in dormitories, it was truly a home from home for the American troops. In March 1919 the local police from Bow Street made several arrests of American servicemen for playing dice in the street outside the Eagle hut. A rumour went around that one of them had been killed by the police, this was not the case but between 1000 and 2000 servicemen besieged Bow Street Police Station and a riot ensued with injuries to both Police and servicemen. Following an investigation into the events, 30 servicemen were arrested, with seven American soldiers and sailors handed over to the American Military Police and the US Navy shore patrol respectively. Four Canadian servicemen appeared at Bow Street Magistrates' Court charged with riot and six other servicemen who were injured in the riot were kept under guard in hospital before a later appearance in court.

This photo is published under Creative Commons Attribution-Share-Alike Licence, means you are free to use this photo with attribution under same licence. For credits, please use following;

 

Owner: Thai National Parks

Link: www.thainationalparks.com

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©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

  

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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 43.630+ Million visitors to my FLICKR site.

  

***** Selected for sale in the GETTY IMAGES COLLECTION on Thursday 4th August 2022

  

CREATIVE RF gty.im/1412160611 MOMENT ROYALTY FREE COLLECTION**

  

This photograph became my 5,688th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.

  

©DESPITE STRAIGHT LINES (Paul Williams)

  

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Photograph taken at an altitude of One metres in the golden hour around sunrise, (Sunrise was at precisely 05:26am), at 05:22am on Thursday May 3rd 2018 off Botany Road and Foreness Close on the sandy shoreline of Botany Bay, the northern most of seven bays in Broadstairs , Kent, England.

  

Thanet offshore windfarm was officially opened on September 23rd 2010 and was for a time, the largest offshore windfarm project in the world. The eight lines of turbines, one hundred of them in total, run north-west to south-east, covering a total area of 35sq km off Foreness Point near Margate. Each turbine is 115 metres high with 44-metre blades, and the project cost between £780-900million

  

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Nikon D850 Focal length: 35mm Shutter speed: 1/50s (Electronic front curtain) Aperture : f/4.0 iso64 RAW (14 bit uncompressed) Image size L 8256 x 5504 FX) Focus mode: AF-C AF-Area mode: sD-Tracking VR (Vibration reduction) ON Exposure mode: Manual exposure Metering mode: Matrix metering White balance: Auto0, 0, 0 (6400K) Colour space Adobe RGB. Nikon Auto Distortion control: ON Vignette control: Normal Picture control: (A) Auto Base: (A) Auto

  

Nikkor AF-S 24-120mm f/4G ED VR. Lee SW150 MKII filter holder. Lee SW150 77mm screw in adapter ring. Lee SW150 0.9 (3 stops) Neutral density graduated soft resin filter. Lee SW150 Filters field pouch.Nikon EN-EL15a battery. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module. Manfrotto 055Xprob Carbon Fiber Tripod 3 Sections. Manfrotto 327RC2 Magnesium Ball Head. Manfrotto quick release plate 200PL-14. Jessops Tripod bag.

  

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LATITUDE: N 51d 23m 18.80s

LONGITUDE: E 1d 26m 15.50s

ALTITUDE: 1.0m

  

RAW (TIFF) FILE: 130.00MB (NEF 89.1MB)

PROCESSED (JPeg) FILE: 28.260MB

  

PROCESSING POWER:

  

Nikon D850 Firmware versions C 1.01 (16/01/2018) LD Distortion Data 2.017 (20/3/18)

  

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.11 15/03/2018). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.

   

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a cadre of climbers on the bridge.

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Published in Black and White Photography magazine, April 2010 (winner, Readers' Pictures).

 

The first in a series of 3 storm pictures taken in Cromer, Norfolk. This was not a good place to stand - in fact, it was probably unsafe - perched on top of some small rocks and boulders, back against the sea wall. The sea was rushing in being encouraged by a howling North Sea wind - it came in further than I thought it would up to my knees. I soon removed myself. Foolish really. Still, at least I got a shot...

 

View on black at: www.flickriver.com/photos/hypvisions/

 

See my new photography blog: thiswayoflight.wordpress.com/

An implied architectural detail spotted on George Street.

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Hooray! Used for a scientific paper: Staphylinidae of Eastern Canada and Adjacent United States - page 99. =)

 

Baeocera Erichson sp.

Have you seen the new 2016 R.M. Williams Outback Magazine calendar guys?

 

My shot of Sheringa on the remote west coast of SA scores January, while my photo of the Sturt's Desert Pea in the Gawler Ranges National Park takes out June!

 

Cheers n beers,

Rob

Instructional booklet talks up the advantages of Kodak Verichrome Pan Film.

Finally sold my first photo on the market. very excited.

REF: doi.org/10.1007/s10530-024-03500-5

 

Published in Biological Invasions, a peer-reviewed journal focusing on the patterns and processes of biological invasions in terrestrial, freshwater, and marine (including brackish) ecosystems.

 

Article: Exploitation of a marine subsidy by a terrestrial invader

 

Authors: C. Winters · G. Jurgela · D. Holway

Department of Ecology, Behavior & Evolution,

School of Biological Sciences,

University of California at San Diego, La Jolla, CA

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I posted a few of my Monarch migration photos on a local facebook site and they were spotted by the local newspaper ! Over 350 people liked my photos and I got to meet a few of them at Lakeland Park ! Some days you just get lucky !!

 

A couple of years ago I was contacted asking if my Mt Gower photo could be used in a book about Mountains in Australia published by the National Library of Australia. I was happy to oblige and after delays due to Covid, a copy arrived in the mail last week. These show my photo and the cover (not my photo).

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Published by La Selva, Brazil 1964

Self published my first book a couple months back. Havent posted a pic on here in a bit. The book is a non-profit book and is a completely independent venture. You can read more about it at www.bookofbeards.com You can also buy a copy there.

  

www.justinjamesmuir.com

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I find it to be ironic that he's cleaning on a log with a big pile of crap on the log

Published as part of a story map in the 2021 annual report of the Centre for Development and Environment (CDE), University of Berne (www.cde.unibe.ch)

 

Special economic zone in the former Tathluang marshes, Vientiane, Lao PDR

Published originally by Harper Ganesvoort, with my permission

Published in Le Train Edition 442 Feb 2025 p.23

I'm not one for bragging, but I just can't help it with this one!

 

I got the front page and also an 8 page article inside the magazine. What a great start to 2014!

 

Huge thanks to everyone who follows and supports me, and to everyone that's helped and inspired me along the way in the light painting world :)

 

Press F to 'Fave'

Press L to view Large on 'black'

  

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I created a series of flower characters for a book titled Blossom Buddies, published by teNeues in 2009. The book includes 100 blossom buddies.

Samples of the diverse colours and textures of the Mojave Desert.

 

I was flying from Las Vegas to Los Angeles when I was treated to this never ending and amazingly varied view of the desert. With no vegetation to speak of the nartural contours and fine textures are visible, and the colours of the soil were starkly visible.

 

The colours are strongly emphasised for effect and artistic licence, but they are taken from the landscape itself.

My smile could NOT get any bigger right now. My first "PUBLISHED" photograph hits news stands today - Photo Life magazine :: August/September 2010 issue. "Ones To Watch - EMERGING PHOTOGRAPHERS - The Best of The 2010 Competition". My M&M's photo (above) was chosen as one of the winners. I'm so excited. I just HAD to share my good news. (I had completely forgot I even entered the contest. I got my magazine in the mail today, started skimming thru the pages and THERE WAS MY PHOTO. Haha!)

 

This is the blurb in the actual magazine...

 

"Going beyond social boundaries, standard techniques and established rules, the images of THE 2010 EMERGING PHOTOGRAPHERS COMPETITION showcase the freshest ideas and trends in today's photography. From over 1500 submissions received, 37 images were selected that exhibit not only incredible photographic skill and talent but also ingenuity and creativity. These up-and-coming Canadian photographers expose the simple wonders of daily life, capture images found in their imaginations, mix ordinary objects with the extraordinary and pique our interest with intriguing subject, compositions, and colours. Demonstrating a fearless and no-taboo approach to photography, the 2010 Emerging Photographers remind us of the importance of a true, uncompromised photographic vision."

 

Thanks so much for your support (and comments) as I continue on this crazy amazing learning experience, rather addiction, called photography. ;)

 

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Published together with many others in my portfolio in The C-41 Photographic Magazine, beautiful italian photography magazine ♥

 

Una de muchas fotos publicadas en mi portfolio en The C-41 Photographic Magazine, bella revista italiana de fotografía ♥

 

www.c-41.it/portfolio/artisti/dimas-melfi/

Published on the front cover of Digital Photo Magazine. I saw an opportunity unfolding that would provide a shot different to the usual photographs of this iconic location. Its not often I achieve exactly what I set out to do, but in this instance, my vision became a reality.

Published in Bournemouth Echo 5th July 2019

Photo published in the January 2009 issue of 'Photolife' magazine.

 

Appeared in Flickr Explore - December 20, 2008

Night life in a big city

Published 1969. An old scan from the archives. Still waiting for a replacement scanner to be shipped to me.

This photograph featured in online article by Tia Ghose called: '' Crows and ravens took over the world because they're spookily smart (and brawny, too) '', in LIVESCIENCE, part of Future US Inc, an International media group and leading digital publisher in America.© Future US, Inc. Full 7th Floor, 130 West 42nd Street, New York, NY 10036.

  

The photograph was previously published by Getty Images on July 14th 2021

  

AN IN DEPTH LOOK AT CORVUS CORONE

  

LEGEND AND MYTHOLOGY

By Paul Williams

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.

  

A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.

  

Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.

  

Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.

  

Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....

  

I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

  

A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.

  

I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.

  

Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

  

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

  

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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 42.202+ Million visitors to my FLICKR site.

  

***** Selected for sale in the GETTY IMAGES COLLECTION on July 14th 2021

  

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This photograph became my 5,375th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.

  

©DESPITE STRAIGHT LINES (Paul Williams)

  

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Photograph taken at an altitude of Sixty four metres at 11:04am on a beautiful morning on Saturday 29th May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.

  

Nikon D850 Focal length 600mm Shutter speed: 1/800s Aperture f/6.3 iso400 Tripod mounted with Gimbal head. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4600k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

     

LATITUDE: N 51d 28m 28.17s

LONGITUDE: E 0d 8m 10.41s

ALTITUDE: 64.0m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 90.6MB

PROCESSED (JPeg) FILE: 46.70MB

    

PROCESSING POWER:

 

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

 

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

  

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