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File name: 06_10_022808
Title: The Bridge, Tomahawk, Wisconsin
Created/Published: J. A. Fagan Publishing Co., Madison, Wis.
Date issued: 1930 - 1945 (approximate)
Physical description: 1 print (postcard) : linen texture, color ; 3 1/2 x 5 1/2 in.
Genre: Postcards
Subject: Restaurants
Notes: Title from item.
Collection: The Tichnor Brothers Collection
Location: Boston Public Library, Print Department
Rights: No known restrictions
Published: Managing Cultural Tourism in Town and Cities - Advice and Guidance for Public Authorities and Local Communities, European Commission 2007
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Arriva in Italia per due date live Glenn Hughes, ex bassista e cantante dei Deep Purple, conosciuto da milioni di fan come ‘Voice of Rock’, il 10 Aprile 2019 fa tappa all’Alcatraz di Milano con il suo Classic Deep Purple Live World Tour.
L’artista britannico, inserito tra i grandi della Rock and Roll Hall of Fame ed attuale front-man della rock band Black Country Communion, sarà in tour mondiale con uno show-evento imperdibile, una set list dinamica in omaggio a MK 3 e MK 4 dei Deep Purple, il più influente gruppo rock nella storia della musica.
I Deep Purple fecero un salto di qualità quando l’allora ventenne Glenn Hughes sì separò dal gruppo funk-rock britannico ‘Trapeze’ a metà del 1973. Come bassista e co-vocalist (con David Coverdale), contribuì a indirizzare il leggendario gruppo verso il rock progressivo come in “Burn” (1974), “Stormbringer” (1974) e in “Come Taste the Band” (1975).
Il suo album di debutto come solista “Play Me Out” (1977) ha preceduto i successivi album realizzati con i Black Sabbath e con Gary Moore.
Gli ultimi 25 anni hanno visto un’ondata di lavori da solista e collaborazioni per “Voice of Rock” tra cui la hit “America: What Time Is Love?” con i KLF nel 1992, e quattro album acclamati dalla critica, pubblicati tra il 2010 e il 2018 con il gruppo rock Black Communion con Joe Bonamassa, Jason Bonham e Derek Sherinian.
Lo spettacolo dal vivo include i classici dei Deep Purple: “Burn”, “Stormbringer”, “Might Just Take Your Life” “Mistreated”, solo per citarne alcuni, oltre a brani precedentemente mai eseguiti dal vivo con la line-up originale MK 3.
Sono inoltre presenti materiali classici del periodo del MK 4 con Tommy Bolin, tra cui lo straordinario spettacolo Getting Tighter – lo straordinario funk rock di Hughes ed il capolavoro Coverdale/Hughes “You Keep On Moving”, oltre ai successi della Deep Purple MK 2, tra cui “Highway Star “e “Smoke on the Water”. Questi due brani saranno inclusi nel concerto perché, come sottolinea Glenn, “Ho suonato entrambi questi pezzi durante il mio periodo con i Deep Purple e sono stati i pilastri dei live set quando ero nella band. Come il mio manager mi ha fatto notare, la prima volta che Smoke on the Water è stato suonato dal vivo al Madison Square Garden è stato quando io e David eravamo nel gruppo, nel 1974. Mi piace cantare anche Highway Star.” – Continua Glenn – “Alcuni anni fa, ho arrangiato una versione di Highway Star per l’album di tributo all’anniversario di Machine Head con i miei buoni amici Steve Vai e Chad Smith. Nel prossimo tour non suonerò nulla che non abbia già suonato dal vivo o registrato in studio con i Deep Purple.”
Il successo per Hughes arriva nei primi anni ‘70 coi Trapeze e viene riconfermato nel ’73 quando fa il suo ingresso nei Deep Purple per sostituire il bassista Roger Glover. A partire dal 1992, Hughes ha intrapreso numerosi tour mondiali da solista e più recentemente si è unito a Joe Bonamassa, Derek Sherinian (tastierista dei Dream Theater) e Jason Bonham (figlio del leggendario batterista dei Led Zeppelin John Bonham) per formare il supergruppo Black Country Communion e, sempre in compagnia di quest’ultimo e del chitarrista Andrew Watt, la band California Breed.
I'm so excited to share with you that my Gratitude Pages have been published in the April issue of Art Journaling Magazine! More at my blog.
Published by F W Holloway, Neath.
Posted to Peterborough.
From the hillside above the Lion pub. Villiers Street can be seen crossing the view diagonally
Format: Litografi (etter maleri av Chr. Horneman)
Utgivelsesår / Published: 1913 (Vore Høvdinger 6)
Utgiver / Publisher: F. Bruns Bokhandels Forlag, Trondhjem
Wikipedia: Carsten Anker (1747-1824)
Wikipedia: Asiatisk Kompagni (1730- ca. 1845)
Salmonsens konversationsleksikon: Carsten Anker (1747-1824)
Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim
Arkivreferanse / Archive reference: Ila skole, Va - F9410
Fra Salmonsens konversationsleksikon:
Anker, norsk Slægt, hvis norske Stamfader, Erich Olsson (ell. Olofsson) Ancher (1644-99) antagelig var f. i Göteborg, men som ung Mand indvandrede til Kria, hvor han snart gjorde sin Lykke, dels ved c. 1669 at oprette en Købmandsforretning, men især ved sit Giftermaal med en Datter af den rige Købmand Lauritz Lauritzen. Af hans Sønner blev Bernt A. (1680-1724) Præst til Land, Stamfader for Slægtens Hovedgrene gennem Sønnerne Erik A. (1709-85) og Christian A. (1711-65). Ved Storhandel, udstrakt Erhvervelse af Jordegods og rige Giftermaal hæver disse Brødre Slægten til i 18. Aarh.’s sidste Halvdel at blive den ledende og uden Sammenligning mægtigste inden for det norske, stærkt eksklusive Handelspatriciat. Disse to Liniers Medlemmer blev ved Patent af 14. Jan. 1778 naturaliserede som dansk-norsk Adel under Navnet A. (der tidligere var skrevet Ancher). (Litt.: C. J. Anker, »Stamtavle over Familien A.« [1889]; H. Krog Steffens, »Norske Slægter« [1912]; C. W. Schnitler, »Carsten A. og hans Slægt« i »Eidsvold 1814« [1914]).
2) Carsten (Tank) A., foreg.’s Broder, norsk Statsmand, f. i Fredrikshald 17. Novbr 1747, d. paa Birid Glasværk 13. Marts 1824. Efter at være kommet hjem fra den 6 Aar lange Udenlandsrejse, han 1760-65 foretog sammen med sin ovenn. Broder, indtraadte A. i sin Faders Trælast- og Jernværksforretning i Moss. 1772 havde han sin første diplomatiske Mission, idet han i hele det Aar opholdt sig i Sthlm for som Repræsentant for Norges største Trælasthuse og med Støtte af Regeringen at underhandle med den sv. Regering om at opnaa Flødningsret for Tømmeret fra Trysil-skovene ned over Klara-Elven. Den paafaldende Imødekommenhed, den unge, belevne, smidige og kosmopolitisk dannede Nordmand blev vist af det sv. Hof og af Kong Gustaf III selv, blev af den dansk-norske Regering betragtet som et Udslag af sv. Forsøg paa at faa Indpas i Norge, og dens Minister i Stockholm raadede til at kalde A. tilbage til Kbhvn for at knytte ham til Statstjenesten og derigennem vinde ham og hans mægtige Slægt. Raadet blev fulgt, og 1774 blev A. Sekretær i Kommercekollegiet. 1781 gik han over i Bjergværksdirektoratet, og i Løbet af 10 Aar var han i Rang avanceret til Konferensraad.
Imidlertid var han 1777 ogsaa blevet Medlem af den norske Fabrikdirektion og var 1782-92 en af Lederne for dennes Afløser, det forenede Handels- og Kanalkompagni. Af ganske anden Bet. var dog hans Virksomhed som Direktør (1792-1811) for det mægtige danske »Asiatiske Compagni«, hvis yderst indviklede og omfangsrige Forretninger han ledede med den sjældneste Dygtighed og Energi. Under et Ophold paa 3½ Aar i London fik han afviklet og opgjort sit Selskabs Mellemværende med det engelsk-ostindiske Kompagni. 1811 nedlagde han sine Embeder og flyttede tilbage til sit Hjemland, som han omfattede med de mest trofaste Følelser, og for hvis Interesser han herefter helt vilde ofre sig. Han bosatte sig paa Godset Eidsvold, som han allerede 1794 havde købt.
I over en Menneskealder havde A. været knyttet til de fornemste Kredse i Kbhvn, der havde han fundet sin Hustru, Hedevig Conradine v. Wegener, en Datter af Generalløjtnant og Hofchef W. T. v. W., og der var han ogsaa traadt i Forbindelse med Arveprins Frederik’s unge Søn, Christian Frederik, hvis mangesidig interesserede, tidlig modne og aarvaagne Intelligens, politiske Aspirationer og indtagende Personlighed ganske vandt den aldrende Statsmand, som snart af Prinsen blev betragtet som en faderlig Ven og fortrolig Raadgiver. Dette Venskabsforhold fik senere vidtrækkende hist. Bet., idet A. blev Christian Frederik’s trofaste og indflydelsesrige Støtte under Prinsens senere Ophold i Norge. Det var under Samvirken med A., at denne 16. Febr 1814 sammenkaldte »Notabelmødet« paa Eidsvold, hvor Rigets bedste Mænd indledede den norske Aktion, hvis Maal blev at omstyrte Kiel-Fredens Bestemmelser og grundlægge Norges Selvstændighed. A. blev allerede 2. Marts udnævnt til »Regeringsraad«, og saa snart Forfatningen var istandbragt og Kongedømmet oprettet, 19. Maj til Statsraad. Han kom imidlertid ikke til at deltage i Regeringen, da han allerede i Marts var sendt til England for at virke for Anerkendelsen af Norges Uafhængighed og Christian Frederik’s Interesser –, en diplomatisk Opgave, der under de givne, højst forviklede og for Norges Sag ugunstige Forhold i Europa, trods A.’s kloge Forsigtighed og aldrig svigtende Takt, paa Forhaand var dømt til for saa vidt at mislykkes, som han ikke formaaede at bringe de ledende engelske Statsmænd til at afstaa fra Tilslutningen til Stormagternes og Sveriges Politik. Hans sidste Handling i London blev efter Christian Frederik’s Fald at indlede Forhandlinger med Englands, Ruslands, Østerrigs og Preussens Ministre om Garanti for de bedst mulige Vilkaar for Norges Forening med Sverige.
5. Novbr 1814, Dagen efter Unionens Oprettelse, kaldte den norske Regering ham hjem. A. bar sine Skuffelser med mandig Resignation. Under de helt forandrede Forhold, han forefandt ved sin Hjemkost, følte han sig ikke til Rette, og 5. Maj 1815 tog han sin Afsked som Statsraad og trak sig dermed helt tilbage fra det politiske Liv.
A. var en Mand med videnskabelige og litterære Interesser; han efterlod sig et Bibliotek paa c. 5000 Bd, hvoraf henved 770 Haandskrifter, og talrige Malerier, som dog alt spredtes ved Auktion, men hvoraf meget i de senere Aar er indsamlet i Eidsvoldsbygningens Mindesamling fra 1814. Over A.’s Grav paa Eidsvold afsløredes 16. Maj 1914 et af Jo Visdal modelleret Monument.
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© 2014 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
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Two black and white photographs used in St. Thomas Times-Journal article published June 10, 1954 with captions: Final Graduating Class - Nine young nurses received awards, pins and diplomas at graduation exercises held on Wednesday afternoon in the Alma College Garden Theatre [amphitheatre]. The class was the last to graduate from the old Memorial Hospital on Pearl Street. From left to right are, front row (awards in brackets), Marjorie Martin, Ingersoll (general proficiency in surgery); Madeline Boughner, Southwold; Betty Davis, St. Thomas; and Gloria Clifford, Springfield. Standing behind, left to right, Marjorie Funnell, St. Thomas (Canadian Nurse award); Donna Drake, St. Thomas (general proficiency and valedictorian); Marilynn Mickle, St. Thomas (Dr. Jerrold W. Snell scholarship in obstetrics); Elizabeth Pullen, St. Thomas; Marion Graham, Fingal (general proficiency in medicine" (C8 Sh5 B2 F2 5a) Took Part in Program - Taking part in the graduation exercises for 1954 of the Memorial Hospital School of Nursing were, left to right, front row, Miss Bernice Lewis, Director of the School of Nursing; W.R. Cavanaugh, chairman of the advisory committee; Miss Katherine Foster, intermediate student who received the Elgin County R.N.A.O. general proficiency award; Miss Barbara Harper, junior student, who received a similar award; Reverend G.W. Birch, London, who addressed the graduating class; and Miss Irene Poole, assistant director, School of Nursing. Second row, [Elgin County] Warden Kenneth Williamson; Dr. J.D. Curtis, dean of the St. Thomas medical profession, who led the nurses in the Florence Nightingale pledge; J. Bruce Caldwell, chairman, St. Thomas-Elgin General Hospital provisional board; Reverend E.J. Robertson; Dr. E.L. Brown, chief of medical staff; Dr. K.L. Clark. Back row, Reverend R.B. Craig; Dr. R.J. Bristow; Reeve Elmer Wackley of Springfield, member Memorial Hospital Board of Trustees; and Mahlon Penhale, president of the Board (C8 Sh5 B2 F2 5b).
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All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
Bain News Service,, publisher.
Recruits, Aldershot, H.A.C. Fargo Camp. 1914
1914 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
On negative: 45.
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
Aldershot
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.18525
Call Number: LC-B2- 3394-6
This photograph was published in the Illustrated Chronicle on the 29th of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
My article called "The story of Pink" is published in the latest issue of Daisy Yellow e-zine. Yay! Giveaway on my blog!
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Dopo il trionfale tour di 25 date in Europa a novembre e dicembre 2017, i Queen + Adam Lambert annunciano a sorpresa altri 12 show europei la prossima estate, inclusa un’unica tappa italiana lunedì 25 giugno al Mediolanum Forum di Assago (Milano).
Il grandioso show del 2017-2018 di Queen + Adam Lambert è stato cucito addosso alla band da alcuni dei più innovativi talenti. Il responsabile per il design e la produzione è Ric Lipson di Entertainment Architects Stufish Productions, famosa in tutto il mondo per il suo lavoro all’avanguardia per artisti come Pink Floyd, Rolling Stones e U2, oltre alle cerimonie di apertura e chiusura delle Olimpiadi di Pechino 2008.
Dopo aver illuminato i tour di star come Adele, Peter Gabriel e Kylie Minogue, Rob Sinclair è l’acclamato lighting designer che avrà il compito di far muovere oltre 300 luci durante lo show. I fantastici elementi laser sono opera di ER Productions, che ha lavorato alle cerimonie di apertura e chiusura delle Olimpiadi di Londra 2012 che sono state viste da oltre 900 milioni di persone in tutto il mondo.
Dal punto di vista musicale, la band accoglie tra le sue fila Spike Edney alle tastiere, Neil Fairclough al basso e Tyler Warren alle percussioni.
Fin dalla prima volta insieme sul palco durante la finale di American Idol nel maggio 2009, il sodalizio tra i Queen e Adam Lambert si è dimostrato di enorme successo e ha attualmente all’attivo più di 130 concerti in ogni angolo del globo.
Brian May – electric and acoustic guitars, vocals
Roger Taylor – drums, vocals
Adam Lambert – lead vocals
Freddie Mercury – vocals (pre-recorded)
Additional musicians:
Spike Edney – keyboards, vocals
Neil Fairclough – bass guitars, vocals
Tyler Warren – percussion, additional drums, vocals
Always nice to be published. And very cool that they wanted a drone shot! This one is for the Svenska kyrkan (swedish church) Husie församling.
© sergione infuso - all rights reserved
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You may not modify, publish or use any files on
this page without written permission and consent.
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Choir of Young Believers opens the concert of Depeche Mode.
Choir of Young Believers is the musical project of singer, writer and guitarist Jannis Noya Makrigiannis from Copenhagen, Denmark. The band, which consists of Makrigiannis along with a rotating cast of supporting players, has had multiple No 1 hits in its home country and was named the "Best New Act" at the 2009 Danish Music Awards. COYB’s music combines folk melodies, orchestral instrumentation, and dark lyrics.
Jannis Noya Makrigiannis: vocals, guitar, piano, bass, keyboard, percussion
Cæcilie Trier: cello, backing vocals
Jakob Millung: bass
Bo Rande: brass instruments, keyboard, backing vocals
Sonja Labianca: piano
Lasse Herbst: percussion
Casper Henning Hansen: drums, percussion
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
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Lungo il corso della sua poliedrica carriera che attraversa quattro decenni, la leggenda del jazz Dee Dee Bridgewater, vincitrice di Grammy e Tony Awards, ha raggiunto i più alti livelli musicali, regalandoci la sua interpretazione unica di standards, ma anche facendo intrepidi salti di fede rivisitando i classici del jazz.
L’intrepida viaggiatrice, esploratrice, pioniera e custode della tradizione, tre volte insignita del Grammy, tra cui quello recentissimo nel 2011 per il Best Jazz Vocal Album con Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee, ha pubblicato Midnight Sun, il suo nuovo album, una sorta di lettera d’amore che attraversa tutta la sua pluripremiata carriera, sempre acclamata dalla critica.
La carriera della Bridgewater ha sempre gettato dei ponti tra i diversi generi musicali. Si è guadagnato la sua prima esperienza professionale come membro del leggendario Thad Jones/Mel Louis Big Band, e attraverso gli anni Settanta si è esibita con grandi del jazz come Max Roach, Sonny Rollins, Dexter Gordon e Dizzy Gillespie. Dopo un incursione nel mondo del pop durante gli anni Ottanta, si è trasferita a Parigi e ha iniziato a rivolgere la sua attenzione di nuovo al jazz. Dopo aver firmato con l’Universal Music Group come produttrice, ha pubblicato una serie di titoli di successo partendo da Keeping Tradition nel 1993. Quasi tutti, tra cui l’acclamatissimo tributo a Ella Fitzgerald, Dear Ella, vincitore di due Grammy, sono stati nominate ai Grammy.
Dee Dee Bridgewater Voce
Edsel Gomez Piano
Michael Bowie Basso
Jerome Jennings Batteria
Theo Croker Tromba
Go pick up the May 2010 issue of Modified!
My first time published. Shot these months lat last year. Expect another feature soon :-)
Published in 1882.
More photos in my very active group of books: www.flickr.com/groups/72759907@N00/
(the published photos are in comments) All right, I'm not afraid to promote myself occasionally, and I've got to finally mention this because it's almost your last chance to easily find this issue on the stands or in stores...
This is the Chicago Reader's 1000 Words, Second Annual Photo Issue, which featured a reader contest. I picked it up and saw I had one in the issue...and it was on the table of contents page too. Then I kept looking, and there were more photos of mine...5 in all! It's kind of embarrassing that of the 22 photos, 5 are mine (no one else had more than 3)...when so many great photographers didn't get in there. Also, I never even officially entered the contest; they just picked photos I'd submitted to the Chicago Reader Flickr group. And I'm not even shooting with a "real" camera...and so on.
But I work hard on my photography (I even landed in the hospital due to it last year, though that's more about recklessness than dedication, perhaps) and I'm glad it's been recognized (plus, uh, this makes up for the fact that they've never published any of my shots in the Reader before, just online). This wasn't the first time I got a photo in print in 2008...I'll belatedly have a post about the other one soon....I meant to say something much sooner but New Year's, a family visit, and a Detroit trip intervened...
Many thanks to the Reader* and to all of you who've supported my work! If you can't get an actual copy, it's here (online has 24 photos, not 22)
www.chicagoreader.com/features/stories/photo08/
*In the summer, the editors named me "Best Local Blog 2008" (a tie) and I again feel guilty I've posted so little there recently; I'm working on a sort of relaunch/lots of new content, once again, life has gotten in the way of my posting there...the photo related to that news:
My pic was chosen to be used in an article they were doing on Blackpool bidding to become a World Heritage Site.
This photograph was published in the Illustrated Chronicle on the 31st of January 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
The Sag Harbor Express included the outdoor shower I designed for my little cottage in Montauk in the 2011 East End Home & Garden issue. Although I don't get any credit for either the design or the photograph that I supplied them it's pretty cool to see it in print. Here is a post during the construction, and here was is the original design, it proved to be a bit too risqué.