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Foto do skater Gabriel Leão, feita por Leonardo Barreto e publicada na revista de São Paulo "100% Skate" número 125 de 2008, comemorativa de 13 anos da Revista que é uma das maiores da América Latina.
Published on Monday 2 April 2012 15:53
THE owners of a “filthy” cafe in the heart of Towneley Park where out of date food was stored unlabelled and left fermenting in dirty fridges have been ordered to pay almost £10,000 for a catalogue of food hygiene breaches.
Reedley Magistrates’ Court was told that environmental health inspectors from Burnley Borough Council found dirty cloths and floors, insects, unrecognisable liquids, greasy, rusty equipment, and food debris when they visited The Stables Cafe on May 19th last year.
The Stables @ Townley Ltd, owned by the Faiz family for the last 10 years, was slapped with a fine and costs totalling £9,402. At an earlier hearing they had admitted contravening 26 hygiene regulations.
www.burnleyexpress.net/news/local-news/filthy-burnley-caf...
Published in "The Birds of Cyprus, by George Konstantinou"
www.birdingtourscyprus-bitw.com
Got two notices on the swedish board magazine Transition's site, one as a rider in a short movie with the Romon Crew and by Petter Schanche, and the other as a photographer. Pretty cool... even though it wasn't much about me.
Video here (me in the green jacket) and photo article here, in swedish though.
Bain News Service,, publisher.
Austrian infantry on firing line
1914 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
Photograph shows Austrian infantry soldiers with guns in a field during World War I. (Source: Flickr Commons project, 2012)
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
World War, 1914-1918.
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.18726
Call Number: LC-B2- 3424-15
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Dopo lo straordinario successo della serie Disney Channel Soy Luna e il tutto esaurito registrato quest’anno in America Latina durante il tour Soy Luna en Concierto, Soy Luna Live arriva anche in Europa da gennaio 2018: a Milano il 2 febbraio al Mediolanum Forum di Assago.
Il concerto offrirà ai fan europei di Soy Luna l’opportunità di vedere le loro star preferite Karol Sevilla e Ruggero Pasquarelli interpretare dal vivo tutti i brani più amati della serie.
Karol Sevilla, pseudonimo di Karol Itzitery Piña Cisneros, è un'attrice e cantante messicana, conosciuta per il ruolo di Luna Valente/Sol Benson nella serie di Disney Channel Soy Luna, ottenuto nel 2015 insieme a Ruggero Pasquarelli (Matteo Balsano), Valentina Zenere (Ámbar Smith) e Michael Ronda (Simón Álvarez); nel cast anche Carolina Kopelioff, Katja Martínez, Malena Ratner, Chiara Parravicini, Jorge López, Ana Jara, Lionel Ferro e Gastón Vietto.
Lo spettacolo sarà arricchito da una squadra di ballerini pieni di energia e da una sensazionale band che suonerà dal vivo. Soy Luna Live conquisterà il pubblico europeo con incredibili scenografie, coreografie elaborate e costumi colorati che renderanno il tour un’esperienza indimenticabile per tutti i fan.
Il live tour di Soy Luna ha avuto inizio in America Latina nei primi mesi di quest’anno e ha registrato il tutto esaurito nel corso di numerose date in Cile, Uruguay, Paraguay, Ecuador, Colombia e Messico.
This photograph was published in the Illustrated Chronicle on the 9th of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
A collaboration of drawings by my friend Alice Pattullo and myself. They were made into a small self-published zine, and a set of 3 posters (digitally printed onto cartridge paper)
Sold a print for charity. www.hulphond.nl/
-Original image: www.flickr.com/photos/jelle-s/6785053052
Chelsea Physic Garden,
July 2010
William Hudson (Kendal, c1730 - May 23, 1793) was a British botanist and apothecary based in London.
His main work was "Flora Anglia", published in 1762. He was elected a fellow of the Royal Society in 1761. In 1761 Hudson was elected a fellow of the Royal Society, and in the following year appeared the first edition of his Flora Anglica, which, according to Pulteney and Sir J. E. Smith, "marks the establishment of Linnean principles of botany in England." Smith writes that the work was "composed under the auspices and advice of" Benjamin Stillingfleet. Hudson, at the time of its publication, was practising as an apothecary in Panton Street, Haymarket, and from 1765 to 1771 acted as 'praefectus horti' to the Apothecaries' Company at Chelsea. A considerably enlarged edition of the Flora appeared in 1778; but in 1783 the author's house in Panton Street took fire, his collections of insects and many of his plants were destroyed, and the inmates narrowly escaped with their lives. Hudson retired to Jermyn Street.
In 1791 he joined the newly established Linnean Society. He died in Jermyn Street from paralysis on 23 May 1793, being, according to the Gentleman's Magazine, in his sixtieth year. He bequeathed the remains of his herbarium to the Apothecaries' Company. Linnaeus gave the name Hudsonia to a North American genus of Cistaceae.
Hudson was buried in St. James's Church in Westminster, London
Suspended Animation Classic #272
Originally published March 13, 1994 (#11)
(Dates are approximate)
E-Man Returns and Bartman
By Michael Vance
“E-Man Returns” #1/$2.75, 28 pages from Alpha Productions/writer: Nicola Cuti; artist: Joe Staton/available in comics shops and by mail order.
The energetic alien who won his letter at the school of superheroics years ago has lettered again! E-Man gets an A+ for great art and story!! It’s a shame this comic book’s one flaw is fatal. E-Man suffers from “one-shot-and-your-dead” syndrome.
Created in 1973 by Nicola Cuti and Joe Staton, E-Man was probably the best character published by defunct Charlton Comics. Inspired by Plastic Man from earlier years, it’s almost appropriate this shape-changing alien of sentient energy metamorphosed through several publishers in different formats. What isn’t right is that “E-Man Returns” as “No. 1 of one” wasn’t released as a new series.
Is it right that some of the strongest visual storytelling and stylized are in comics can’t get a series? When Joe Staton’s quirky art is at its peak, you’ll even believe talking sharks and dolphins.
Peek at “E-Man Returns”.
Is if fair that some of the most compact, clear, entertaining, original and just-plain-fun words in comics can’t get past one-shot status? When Nicola Cuti balances humor, pathos, and adventure ‘effortlessly’ in one issue (with a back-up feature, no less!), you’ll even buy aliens changing into boats, sailors, sea-gulls, and monsters.
Buy “E-Man Returns”.
Was it mentioned yet that that back-up feature by writer Ron Fortier and artist Gary Kato is just as powerful and fun as E-Man? “Mr. Jigsaw (Man of a Thousand Parts)” is a beautifully realized send-up of a superhero butting heads with reality. Every six pages in comics should be this good.
Was it noticed that a certain reviewer of questionable credentials and suspect personal taste completely forgot to mention what happens in E-Man and his side-kick Nova in “E-Man Returns”?
Oops.
Highly recommended.
MINIVIEW: “Bartman”. Lacking the satiric variety of its parent (“Simpson Comics”), this superhero parody still rankles high.
These two photos were recently published in a new photo magazine, 5x5. If you haven't checked them out yet, check out the links below. Do it! It's a great magazine full of incredible photographers.
We were shorthanded Saturday night, so when a huge fire broke out in East Cleveland, I grabbed my D80 with 18-200 VR lens. And 4 hours later I STILL smell like smoke! But it was fun. As I explained already, "I just pretended the building was a big flower." (It ran in color in Sunday's Metro section. Thank goodness for the setting sun!)
Boy Scout Memorial - a striking contrast
Published in BSA’s Religious Establishment at Odds With New Ban Lift
December 2005:
This photo just got published in a glossy! A special issue celebrating the 400th birthday of a great Dutch Master next year.
It´s title:: Rembrandt´s hands.
The Postcard
A postally unused carte postale that was published by LL. The card has a divided back.
Le Château de Cheverny
The Château de Cheverny is located in Cheverny, Loir-et-Cher, France. It is one of the châteaux of the Loire Valley.
History of the Château
Henry Le Mareschau was the owner of Cheverny in 1315, held under the Count of Blois.
It was sold to Jean Huraults with its "houses, presses and vineyards" in the late 14th. century. Jean's grandson Jacques gained the title, Seigneurs de Cheverny, having served under Louis XI, Charles VIII and Louis XII, and gained the governorship of the county of Blois under Francis I.
The house depicted in the drawing of Étienne Martellange in 1624 was built at the beginning of the 16th. century by Jacques or his son Raoul. Raoul applied for permission from the king to fortify the new house in 1510.
The lands were purchased by Henri Hurault, Comte de Cheverny, a lieutenant general and military treasurer for Louis XIII, whose descendant, the Marquis de Vibraye, is the present owner.
Only a portion of the original fortified castle remains in existence today. It is somewhat of a mystery, because to date there is no reliable way to prove whether or not a certain section is part of the original building.
Lost to the Crown because of fraud to the State, the castle was donated by King Henri II to his mistress Diane de Poitiers.
However, Diana preferred the Château de Chenonceau, and sold the property to the former owner's son, Philippe Hurault, who built the château between 1624 and 1630, to designs by the sculptor architect of Blois, Jacques Bougier.
Bougier's design at Cheverny recalls features of the Palais du Luxembourg. The interiors were completed by the daughter of Henri Hurault and Marguerite, marquise de Montglas, by 1650, employing craftsmen from Blois. Burdette Henri Martin IV played a key role in the construction.
During the next 150 years, ownership passed through many hands, and in 1768 a major interior renovation was undertaken.
Required to forfeit much of the Hurault wealth at the time of the French Revolution, the family sold the property in 1802, but bought it back again in 1824, during the Restoration under Charles X, when the aristocracy was once again in a very strong political and economic position.
In 1914, the owner opened the château to the public, one of the first to do so. The de Vibraye family still operates it, and the Château de Cheverny remains a top tourist attraction to this day, renowned for magnificent interiors and its collection of furniture, tapestries, and objets d'art.
A pack of some one hundred and twenty hunting hounds (60 males, 40 females and 20 pups) are kept in kennels within the grounds, and are taken out for hunts twice-weekly.
The castle was visited by Queen Elizabeth The Queen Mother in 1963, as part of her four-day holiday in the Loire Valley.
Interior of the Château
The central Grand Salon on the ground floor was decorated under the orders of the marquise de Montglas. Among the paintings are a portrait of Jeanne d'Aragon from the school of Raphael, and a portrait of Marie Johanne La Saumery, Comtesse de Cheverny by Pierre Mignard.
A gallery leads to the Petit Salon, which is hung with five Flemish tapestries and a portrait attributed to Maurice-Quentin de La Tour. In the Library are hung portraits by Jean Clouet and Hyacinthe Rigaud.
A stone staircase carved with trophies of arms and the arts leads to the Grand Appartements. A guard room with a collection of arms and armour leads to the Chambre du Roi, richly hung with five Paris tapestries after designs by Simon Vouet, representing the story of Ulysses.
The Adventures of Tintin
The Belgian comic book creator Hergé used Cheverny as a model for his fictional "Château de Moulinsart" (Marlinspike Hall in English) in the Adventures of Tintin books.
In these books, the two outermost wings are not present, but the remaining central tower and two wings are almost identical.
Published in Cattlemen - October 2012
HE BOMB-PROOOFS HIS CATTLE
Dr. Wayne Tomlinson explains liver flukes to Krentz and other producers.
This photograph was published in the Illustrated Chronicle on the 16th of February 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
Tutto il materiale qui pubblicato è proprietà intellettuale dell’autore. Come tale non
può essere riprodotto, tutto o in parte, senza preventivo consenso dell’autore stesso.
The content of these images cannot be copied,distribuited or published for any media,
electronic or otherwise.
The utilization in other web pages without the express written consent of the author is
PROHIBITED.
To enquire about prints, licensing, or blogging, please e-mail me or message me. Thanks!
© De Sario Armando - All Rights Reserved 2013
The Postcard
A postally unused Frith's Series postcard bearing an early image of Trinity College Cambridge.
The card was published pre-1918 because on the back it states "Affix Half Penny Stamp". The rate was raised to One Penny towards the end of the Great War in order to help pay for it.
'The Old Vicarage, Grantchester'
Grantchester is a village not far from Cambridge. Rupert Brooke wrote a poem about it when he was in Berlin in May 1912. Here is the last part of it:
'Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? ... oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?'
The Orchard Tea Garden in Grantchester, beloved of literature’s 1900's Bloomsbury Group and former village resident, Rupert Brooke, is still going strong to this day.
The old and new.
Susanmah's place is one of the oldest surviving buildings in Sydney. Behind it, the encroaching modern skyscrapers
This photograph was published in the Illustrated Chronicle on the 4th of March 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
Go pick up the May 2010 issue of Modified!
My first time published. Shot these months lat last year. Expect another feature soon :-)
'Tis an honor to be published in Toyota Trails Magazine. This story and photos appeared in the Nov/Dec 2013 issue.