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This photograph was published in the Illustrated Chronicle on the 9th of October 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
This photograph was published in the Illustrated Chronicle on the 23rd of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
Created in 2007, for my mom.
A collection of letters that friends & family submitted for mother.
How-To's, and the story behind the piece can be found in the Nov/Dec 2007 edition of Cloth, Paper, Scissors Magazine.
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Published Pro Freelance Photographer
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[Taken in Paris (France) - 01Dec07]
Published on www.rue89.com - "Les roms ne veulent plus être "de la chair à expulsion"".
See all my sold, published, and exhibited photos in this collection : [Sold - Published - Exhibited Works]
See all the photos of this demonstration in this set : 01Dec07 - Rom Demonstration [Event]
See all the photos with written words in this set : [Messages]
Published on Thursday 21 June 2012 12:18
DEMOLITION experts have started to remove the chimney stack of Cupola House - brick by brick.
The stack, which was damaged in the fire last Saturday, has been declared structurally unsound and will need to removed before fire fighters can get into the basement of the building where they suspect there may still be pockets of fire.
A crane arrived at the scene yesterday evening and Anglian Demolition & Asbestos Ltd started to remove bricks using an electric hand breaker this morning.
Once removed the bricks will be allowed to fall down the chimney stack.
The demolition of the chimney stack is expected to take about three days, dependant on weather.
Blogged at apinnick.wordpress.com/2010/04/04/matzah-trek/. Appeared in Appeared in "http://www.amny.com/eat-and-drink/jewish-delis-nyc-deli-man-taught-us-valuable-lessons-1.10026087"
Juliette Lewis
Brooklyn Bowl
Brooklyn, NY
Saturday, August 6th, 2016
© 2016 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
published in Dawn Images
hair & makeup: Sajid
outfits: Kash Hussain
fashion editor: Madeeha Syed
photography: Fayyaz Ahmed
88 opens fire
Collings Foundation 2008
2015 Published - Book by Scott Lee Thompson
German World War II Reenacting
The Wehrmacht In Living History
Publisher: Schiffer Publishing
www.schifferbooks.com/german-world-war-ii-reenacting-the-...
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Opening-act for Miyavi, at Fabrique in Milan JTR Sickert, with Sonya Scarlet of Theatres des Vampires as special guest.
The band was formed during the Spring of 2005 from an idea of the guitarist/composer of that time, and then producer of electronic music and Tecno DJ, Daniele Rezzaghi. It’s with this fusion of electronic and heavy metal sounds that gave the incipit to the creation of this project. Shortly after, Rez contacted and proposed the idea to his friend and frontman, Billy T Cooper, who accepted enthusiastically. Together, they decided to include a female voice and shortly after, the singer Erika Miraglia was recruited, who positively shared the ideas of the two composers. Together they started work on their first two songs, and with the arrival of the rythmic section, made up from Pora “the King” B on drums and Klaus Mantovani, on bass, the band was completed.
The band now took on the name JTR Sickert, acronym of the 19th Century painter, Walter Richard Sickert, considered by the criminalist writer Patricia Cornwell, to be Jack The Ripper. Hence JTR
- Billy T Cooper (Vocal)
- Daniele Rezzaghi (Rhythm Guitar And Synthesizer)
- Zap (Lead Guitar)
- Emy Zona (Vocal)
- Klaus Mantovani (Bass)
- Federico Bonora (Drum)
i was very proud to participate in the inside-out | be the change project in athens, greece. on friday, june 21st, 2013, a group of young people plastered some portraits that i shot, along with extraordinary photographers, around klafthmonos square. this was one action of many, in which a new generation is being the change they want to see.
more information:
athens youth being the change they wish to see
Creator: Chicago Park District (Chicago, Ill.). Traffic Engineering Section
Description: Edgewater Beach Hotel at upper right.
Notes: Existing print. Negative scratched.
Date: December 12 1936
Geographic coverage: Edgewater
Collection: IDOT Chicago Traffic Photographs (University of Illinois at Chicago)
Repository: Special Collections and University Archives, University of Illinois at Chicago Library
Credit Line: [file name], Illinois Department of Transportation Chicago Traffic photographs, Department of Special Collections, The University Library, The University of Illinois at Chicago
File Name: IDOT_2f_173_5837
Rights: This image may be used freely, with attribution, for research, study and educational purposes. For permission to publish, distribute, or use this image for any other purpose, please contact Special Collections and University Archives, University of Illinois at Chicago Library at lib-spec@uic.libanswers.com
For more images from the collection, visit collections.carli.illinois.edu/cdm/landingpage/collection...
© sergione infuso - all rights reserved
follow me on www.sergione.info
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this page without written permission and consent.
-----------------------------
Lo sposalizio è stato il corpo e il pane della comunità. Il mattone fondante della comunità. Veniva consumato con il cibo e con la musica. Una specie di eucarestia in cui la nuova coppia veniva ingerita dalla comunità che gli si stringeva intorno avvolgendola di stelle filanti nell’ultimo, infinito ballo dei “ziti” (che così si chiamano tanto gli sposi quanto la pasta). La musica aumentava vorticosamente di ritmo fino ad assorbire la coppia che finiva per girare avvolta come uno spiedo in una girandola colorata di fili di carta. A quel punto era digerita e pronta per generare e rinnovare la comunità. Questa musica che accompagnava il rito era musica umile, da ballo, adatta ad alleggerire le cannazze di maccheroni e a “sponzare” le camicie bianche, che finivano madide e inzuppate, come i cristiani che le indossavano. Un repertorio di mazurke, polke, valzer, passo doppio, tango, tarantella, quadriglia e fox trot, che era in fondo comune nell’Italia degli anni ‘50, ‘60, e che si è codificato come una specie di classico del genere in un periodo nel quale lo “sposalizio” è stato la principale occasione di musica, incontro e ballo. Poi le tastiere elettroniche hanno preso il sopravvento e gli sposalizi sono diventati matrimoni. L’aria condizionata è entrata in un altro genere di ristorazioni in cui la musica è diventata una specie di dessert più parente del liscio che dell’epoca mitica dei mantici, dei violini e delle farfisa.
A Calitri, in alta Irpinia, negli anni in cui è esistita una comunità, che è poi finita frantumata nelle migrazioni che sono state il sangue vivo dello sviluppo, questa comunità si è rinnovata e celebrata in un luogo cardine del paese: la “casa dell’Eca”. Nei racconti della mia infanzia si è trasformata in “casa dell’Eco”. La casa dove nasceva l’eco. Eco della musica, degli schiamazzi, delle burle, delle feste, luogo del pantheon dei personaggi mitici che fanno una comunità in cui si viene ribattezzati e realmente ri-conosciuti, nel soprannome che la comunità stessa impone, in luogo della chiesa. Da qualche decennio la casa dell’Eco tace, e l’unico eco che si spande è quello dei racconti. Se ci si appendessero dentro le fotografie di tutte le coppie sarebbe un sacrario di guerra. Giovani con la divisa nuziale che andavano ad affrontare, sparacchiando, la vita, dopo la sparecchiatura dei tavoli della casa dell’Eca.
Qualche anno fa, un gruppo di anziani suonatori di quell’epoca aurea non priva di miseria, ha preso l’abitudine di ritrovarsi davanti alla posta nel pomeriggio assolato. Avevano l’aria di vecchi pistoleri in paglietta. A domandargli cosa facessero appostati davanti a quell’ufficio postale, rispondevano che montavano la guardia alla posta, per controllare l’arrivo della pensione. Quando l’assegno arrivava, sollevati tiravano fuori gli strumenti dalle custodie e si facevano una suonata. Il loro repertorio fa alzare i piedi e la polvere e fa mettere a ammollo le camicie sui pantaloni. Ci ricorda cose semplici e durature. Lo eseguono impassibili e solenni, dall’alto del migliaio di sposalizi in cui hanno sgranato i colpi. Hanno nomi da gloria nella polvere: Tottacreta, Matalena, il Cinese, Parrucca. Il più impassibile di loro non aveva nemmeno bisogno di un soprannome, tanto era lapidario il nome originale: Rocco Briuolo. Ora Rocco è andato a suonare “due Paradisi” tra i santi che ha dipinto come fossero suoi compari. Tra santo Canio e santo Liborio. Ora può, come nella vecchia canzone, dire a san Pietro guardando giù, che “il Paradiso nostro è questo qua”. E con ragione, perché la sua umanità, il suo violino e il suo pennello, hanno portato un poco di divino in noi, che l’abbiamo conosciuto. La sua “Banda della Posta” lo accompagna con la filosofia nella quale è vissuto: un lavoro ben fatto, che non si prende mai sul serio. A lui è dedicato questo disco fatto di racconti in musica, cic’ tu cic’ e bottaculo. A quadriglie, a cinquiglie, fino all’incontrè.
Banda della Posta:
Giuseppe Caputo , "Matalena" - violino
Franco Maffucci , "Parrucca"- chitarra e voce
Giuseppe Galgano, "Tottacreta"- fisarmonica
Giovanni Briuolo- chitarra , mandolino
Vincenzo Briuolo- mandolino , fisarmonica
Giovanni Buldo , "Bubù"- basso
Antonio Daniele- batteria
Crescenzo Martiniello, "Papp'lon" - organo
Gaetano Tavarone , "Nino"- chitarre
Mammút
ATP Iceland 2014
Keflavik, Island
July, 2014
©ATP Iceland
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Talk about excited! I was stoked when Phil Massaro of Massaro Ballistic Laboratories told me he wanted me to shoot his mug for the cover if the internationally published Gun Digest magazine. But, was even more stoked when he called and said it was done and awaiting to be put on shelves. Emotional when I actually saw it, and man...it's an awesome feeling. Congrats to us. Haha!
Follow me on Twitter: @jfieldingphoto and on Facebook www.facebook.com/jfieldingphoto
© 2013. All Rights Reserved. Do not use, or copy this image without my consent.
The Postcard
A postally unused Natural Color Postcard published by E.C. Kropp Co. of Milwaukee, Wis. The photography was by the Oregon State Highway Department, and the card was printed in the USA.
On the divided back of the card the publishers have printed a rather uninformative paragraph:
'For those who like to explore,
the Oregon Caves are just the
thing for thrills and excitement.
Lovely as the Palace of the
Mountain King, these dark
mysterious caves extend far
back into the depths of the
Earth's crust.
Trails and paths lead
unerringly to chambers of
rare and grotesque beauty'.
Oregon Caves National Monument and Preserve
Oregon Caves National Monument and Preserve is a protected area in the northern Siskiyou Mountains of southwestern Oregon in the United States. The 4,554-acre (1,843 ha) park is 20 miles (32 km) east of Cave Junction, on Oregon Route 46. The protected area, managed by the National Park Service (NPS), is in southwestern Josephine County, near the Oregon–California border.
History of the Caves
Elijah Davidson, a resident of nearby Williams, discovered the cave in 1874. Over the next two decades, private investors failed in efforts to run successful tourist ventures at the publicly owned site.
After passage of the Antiquities Act by the United States Congress, in 1909 President William Howard Taft established Oregon Caves National Monument, to be managed by the United States Forest Service (USFS).
The growing popularity of the automobile, construction of paved highways, and promotion of tourism by boosters from Grants Pass led to large increases in cave visitation during the late 1920's and thereafter.
Among the attractions at the remote monument is the Oregon Caves Château, a six-storey hotel built in a rustic style in 1934. It is a National Historic Landmark, and is part of the Oregon Caves Historic District within the monument.
In 2014, the protected area was expanded by about 4,000 acres (1,600 ha) and re-designated a National Monument and Preserve. At the same time, the segment of the creek that flows through the cave was renamed for the mythological Styx and added to the National Wild and Scenic Rivers System.
Cave Geology
Oregon Caves is a solutional cave, with passages totalling about 15,000 feet (4,600 m), formed in marble. The parent rock was originally limestone that metamorphosed to marble during the geologic processes that created the Klamath Mountains, including the Siskiyous.
Although the limestone formed about 190 million years ago, the cave itself is no older than a few million years. Valued as a tourist cave, the cavern also has scientific value; sections of the cave that are not on tour routes contain fossils of national importance.
Park Activities
The NPS, which assumed control of the monument in 1933, offers tours of the cave from mid-April until early November.
Activities at the park include cave touring, hiking, photography, and wildlife viewing. One of the park trails leads through the forest to Big Tree, which at 13 feet (4.0 m) is the widest Douglas fir in Oregon.
Lodging and food are available at The Château and in Cave Junction. Camping is available in the preserve at the Cave Creek Campground, at a local USFS campground, and private sites in the area.