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Published on Wired.com's Danger Room blog, 01/26/2010

www.wired.com/dangerroom/2010/01/pentagon-report-calls-fo...

 

09/05/2009

 

War Is Peace

Freedom Is Slavery

Ignorance Is Strength

 

I'm a big fan of weekends.

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Lo sposalizio è stato il corpo e il pane della comunità. Il mattone fondante della comunità. Veniva consumato con il cibo e con la musica. Una specie di eucarestia in cui la nuova coppia veniva ingerita dalla comunità che gli si stringeva intorno avvolgendola di stelle filanti nell’ultimo, infinito ballo dei “ziti” (che così si chiamano tanto gli sposi quanto la pasta). La musica aumentava vorticosamente di ritmo fino ad assorbire la coppia che finiva per girare avvolta come uno spiedo in una girandola colorata di fili di carta. A quel punto era digerita e pronta per generare e rinnovare la comunità. Questa musica che accompagnava il rito era musica umile, da ballo, adatta ad alleggerire le cannazze di maccheroni e a “sponzare” le camicie bianche, che finivano madide e inzuppate, come i cristiani che le indossavano. Un repertorio di mazurke, polke, valzer, passo doppio, tango, tarantella, quadriglia e fox trot, che era in fondo comune nell’Italia degli anni ‘50, ‘60, e che si è codificato come una specie di classico del genere in un periodo nel quale lo “sposalizio” è stato la principale occasione di musica, incontro e ballo. Poi le tastiere elettroniche hanno preso il sopravvento e gli sposalizi sono diventati matrimoni. L’aria condizionata è entrata in un altro genere di ristorazioni in cui la musica è diventata una specie di dessert più parente del liscio che dell’epoca mitica dei mantici, dei violini e delle farfisa.

 

A Calitri, in alta Irpinia, negli anni in cui è esistita una comunità, che è poi finita frantumata nelle migrazioni che sono state il sangue vivo dello sviluppo, questa comunità si è rinnovata e celebrata in un luogo cardine del paese: la “casa dell’Eca”. Nei racconti della mia infanzia si è trasformata in “casa dell’Eco”. La casa dove nasceva l’eco. Eco della musica, degli schiamazzi, delle burle, delle feste, luogo del pantheon dei personaggi mitici che fanno una comunità in cui si viene ribattezzati e realmente ri-conosciuti, nel soprannome che la comunità stessa impone, in luogo della chiesa. Da qualche decennio la casa dell’Eco tace, e l’unico eco che si spande è quello dei racconti. Se ci si appendessero dentro le fotografie di tutte le coppie sarebbe un sacrario di guerra. Giovani con la divisa nuziale che andavano ad affrontare, sparacchiando, la vita, dopo la sparecchiatura dei tavoli della casa dell’Eca.

 

Qualche anno fa, un gruppo di anziani suonatori di quell’epoca aurea non priva di miseria, ha preso l’abitudine di ritrovarsi davanti alla posta nel pomeriggio assolato. Avevano l’aria di vecchi pistoleri in paglietta. A domandargli cosa facessero appostati davanti a quell’ufficio postale, rispondevano che montavano la guardia alla posta, per controllare l’arrivo della pensione. Quando l’assegno arrivava, sollevati tiravano fuori gli strumenti dalle custodie e si facevano una suonata. Il loro repertorio fa alzare i piedi e la polvere e fa mettere a ammollo le camicie sui pantaloni. Ci ricorda cose semplici e durature. Lo eseguono impassibili e solenni, dall’alto del migliaio di sposalizi in cui hanno sgranato i colpi. Hanno nomi da gloria nella polvere: Tottacreta, Matalena, il Cinese, Parrucca. Il più impassibile di loro non aveva nemmeno bisogno di un soprannome, tanto era lapidario il nome originale: Rocco Briuolo. Ora Rocco è andato a suonare “due Paradisi” tra i santi che ha dipinto come fossero suoi compari. Tra santo Canio e santo Liborio. Ora può, come nella vecchia canzone, dire a san Pietro guardando giù, che “il Paradiso nostro è questo qua”. E con ragione, perché la sua umanità, il suo violino e il suo pennello, hanno portato un poco di divino in noi, che l’abbiamo conosciuto. La sua “Banda della Posta” lo accompagna con la filosofia nella quale è vissuto: un lavoro ben fatto, che non si prende mai sul serio. A lui è dedicato questo disco fatto di racconti in musica, cic’ tu cic’ e bottaculo. A quadriglie, a cinquiglie, fino all’incontrè.

 

Banda della Posta:

Giuseppe Caputo , "Matalena" - violino

Franco Maffucci , "Parrucca"- chitarra e voce

Giuseppe Galgano, "Tottacreta"- fisarmonica

Giovanni Briuolo- chitarra , mandolino

Vincenzo Briuolo- mandolino , fisarmonica

Giovanni Buldo , "Bubù"- basso

Antonio Daniele- batteria

Crescenzo Martiniello, "Papp'lon" - organo

Gaetano Tavarone , "Nino"- chitarre

Published by L. Miller and Company, UK 1960's

Capone and Dillinger paintings published October '09 NORTHERN INDIANA LAKES MAGAZINE.

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Daniele Silvestri e Afterhours, al CarroPonte di Sesto San Giovanni a Milano, il 10 settembre 2016, per una serata unica ed esclusiva dedicata ai 40 anni di Radio Popolare.

 

Un vero e proprio doppio concerto, per All You Need is Live!, con entrambe le band in formazione completa, con due live di pari durata, per più di tre ore di musica.

 

Nel 2016 Radio Popolare, la più grande e importante radio indipendente italiana, ha compiuto 40 anni. Un compleanno emozionante e significativo, che abbiamo iniziato a festeggiare il 24 dicembre 2015 (a 40 anni esatti della registrazione della testata) con un grande brindisi natalizio in Piazza Gae Aulenti, che abbiamo celebrato e riempito di ospiti, musica, spettacoli, birra e buon cibo con All You Need Is Pop, festa di tre giorni che nel mese di giugno ha chiamato a raccolta quasi 15mila persone a giugno, all'Ex O.P. Paolo Pini.

 

Sia gli Afterhours che Daniele Silvestri hanno pubblicato quest'anno due album di grande successo e di assoluta qualità, come dimostrato anche dal seguito che i loro tour hanno raccolto. Sono anche, da sempre, grandi amici di Radio Popolare, che li segue e li ospita sin dai loro esordi. Saranno due straordinari headliner per un unico live: due veri concerti full-band nella stessa sera.

 

Gli Afterhours sono un gruppo musicale italiano rock formatosi a Milano nella seconda metà degli anni ottanta. Assieme ai Marlene Kuntz sono considerati i portabandiera dell'indie rock italiano.

 

Manuel Agnelli - voce, chitarra e tastiera

Xabier Iriondo - chitarra

Roberto Dell'Era - basso

Rodrigo D'Erasmo - violino

Fabio Rondanini - batteria

Stefano Pilia - chitarra

 

Back in the spring I talked to Alberta Views at a local festival, and mentioned about my Victoria Park photos, within a couple of months they had agreed to run a photo essay, the article (with text by Gillian Steward) was published in their October 2006 issue!

 

I'm rather happy...

 

full-size view

Finally I managed to scan the beautiful 3 page article in "Ireland of the Welcomes" (March/April Edition, Vol 58 No 2) for all who missed it. I am very happy with their image choice and presentation.

 

Here you can enlarge and read the article

 

calaido.blogspot.com/2009/11/ireland-of-welcomes-features...

  

***

Homepage: www.calaido.com

Gallery: www.RingofKerryGallery.com

FB: www.facebook.com/MadeleineMariaArtist

Twitter: www.twitter.com/MadeleineMWeber

YT: www.youtube.com/MadeleineMariaWeber

 

© Madeleine Maria Weber

***

FDA Consumer, first published in July 1972, focused principally on the information needs of consumers. It succeeded FDA Papers, established in February 1967 to convey the agency’s policies on scientific and regulatory matters. FDA Papers had replaced both the Food and Drug Review (1917) and Notices of Judgment (1908).

 

For more information on FDA History, please visit: www.fda.gov/AboutFDA/WhatWeDo/History/default.htm

  

The Postcard

 

A Photogravure postcard that was published by Judges Ltd. of Hastings. The card was posted in Conway using a 1d. stamp on Tuesday the 3rd. August 1926. The card was sent to:

 

Mrs. Monk,

c/o Mrs. Austen,

52, Church Street,

Broadstairs,

Kent.

 

The pencilled message on the divided back of the card was as follows:

 

"39 Bryn Tirion Park,

Conway.

3-8-26.

I went up Snowdon

yesterday but it was

very cloudy at the top -

I only had just a glance

at the wonderful view.

Weather fine here.

Went through this pass

by armchair coach.

Hope you are well and

having a nice time.

Love,

Herbert.

p.s. I am sending a card

to Gertie."

 

Llanberis Pass

 

The Llanberis Pass is a spectacular 6-mile mountain pass in (Snowdonia) National Park, North Wales. Running between Llanberis and Pen-y-Gwryd, the narrow, winding road sits 359 meters (1,178 feet) above sea level, and is flanked by the towering Snowdon massif and the Glyderau range.

 

-- Hiking & The Llanberis Path: The pass serves as the gateway to Snowdon, with the famous Pen y Pass car park sitting at the summit of the pass.

 

While the Pen y Pass car park acts as the starting point for the Pyg and Miners' tracks, the official Llanberis Path begins directly in the village of Llanberis. It is the longest (approx. 9 miles round trip) but most gradual route up the mountain.

 

Parking at Pen y Pass often fills before dawn in peak season and must be pre-booked.

 

-- Rock Climbing: Carved by glaciers, the pass is world-renowned for traditional (trad) climbing and bouldering. The Dinas Cromlech crag features iconic routes like Cenotaph Corner and Left Wall.

 

-- Bouldering: The Cromlech Boulders and The Grooves Boulder offer excellent bouldering opportunities.

 

Due to the technical nature of these climbs, check out the UK Climbing Llanberis Pass Destination Guide for detailed routes and grade breakdowns.

 

-- Driving & Transport: Known as one of the best and most dramatic driving roads in the UK, the pass is celebrated for its sweeping views and steep, glacial valleys.

 

The A4086 through the pass is very narrow in places with passing places, and livestock (like sheep) frequently wander into the road.

 

To avoid traffic congestion and parking woes, it is highly recommended to use the Snowdon Sherpa Bus Service. These buses run frequently, connecting the Llanberis Park & Ride directly with Pen y Pass and surrounding villages.

 

A Siege in Guadalajara

 

So what else happened on the day that Herbert posted the card?

 

Well, on the 3rd. August 1926, some 400 armed Catholics barricaded themselves in the Church of Our Lady of Guadalupe in Guadalajara, Jalisco, Mexico.

 

They exchanged gunfire with federal troops until they ran out of ammunition and surrendered.

 

According to U.S. consular sources, 18 people were killed and 40 were wounded.

 

The Banning of Parades

 

Also on that day, Italy banned any parades, ceremonies and public demonstrations that were not authorized as "effectively useful".

 

A Volcano Eruption in Bali

 

Also on the 3rd. August 1926, the Mount Batur volcano on the island of Bali in the Dutch East Indies (now Indonesia) erupted for the first time since 1917, and destroyed the village of Karang Anyar, but the residents were able to evacuate safely.

 

The Pura Ulun temple, completed earlier in the year, was spared when the lava stopped at the temple gates.

 

Pioneering Traffice Lights

 

Also on that day, London's first traffic lights came into operation at 11:25 in the morning at Piccadilly Circus.

 

The eight signalling lights supplemented the existing group of traffic policemen in guiding drivers. According to London's Evening Express:

 

"Hundreds of people watched the

red and green flickers in Piccadilly

which told a dozen policemen

when to raise and drop their arms."

 

Tony Bennett

 

The day also marked the birth of Anthony Benedetto in Astoria, Queens, New York.

 

Anthony became the American singer Tony Bennett, known for his signature song 'I Left My Heart in San Francisco'. Tony, who was the winner of 20 Grammy Awards, died in 2023.

 

More on Tony below.

 

Ernest Willows

 

The 3rd. August 1926 also marked the death at the age of 40 of Ernest Willows.

 

Willows was a Welsh aviator, airship builder and pilot. He was killed in an accident along with four other people while taking the group aloft in a balloon.

 

The netting holding the basket to the rest of the balloon came loose, and Willows and his passengers fell 60 feet (18 m) to their deaths.

 

Published in the Schmap Guide. Link here. Link for iPod touch/phone here.

  

Queen's College, Cork was founded by the provisions of an act which enabled Queen Victoria to endow new colleges for the "Advancement of Learning in Ireland". Under the powers of this act, the three colleges of Belfast, Cork and Galway were incorporated on 30 December 1845. The college opened in 1849 with 23 professors and 181 students and a year later became part of the Queen's University of Ireland.

 

On this site (on a hill overlooking the valley of the Lee), the Tudor Gothic quadrangle and early campus buildings were built by Deane and Woodward.

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use this photo without written permission and consent.

 

-----------------------------

 

A cavallo tra il 2010 ed il 2011 un nome più di tutti è emerso tra gli appassionati di pop elettronico, un nome che fa capo ad un duo con base a Manchester. Si tratta degli inglesi Hurts che, con la pubblicazione del loro debutto intitolato Happiness, hanno reso felici tutti gli appassionati di un particolare momento della musica anni ’80 che faceva capo a band come Human League, New Order, Depeche Mode, Ultravox. Con un solo disco, infatti, gli Hurts hanno riscoperto e rivitalizzato quei suoni rendendoli nuovamente attuali attraverso la scrittura di una vera e propria opera pop eccelsa. Con Happiness gli Hurts hanno infatti conquistato sia i neofiti dell’elettro-pop sia chi gli anni Ottanta li ha vissuti in prima persona, grazie a singoli come Better Than Love, Wonderful Life, Stay e Sunday, decretando la loro opera prima come uno degli album di maggiore successo del 2010/2011. Ed è nel 2011 che la band vince la nomination di Best New Band agli NME Awards, con oltre 2milioni di copie vendute in tutto il mondo.

 

Nell’elettro-pop di Adam Anderson e Theo Hutchcraft, con rimandi al rock oscuro di Joy Division, Interpol, Editors e White Lies, si ritrova tutta la magia ed il glam degli anni ’80, una stagione tanto bistrattata quanto apprezzata per il cambio radicale che ha imposto ai canoni della pop-music. Anche dal vivo gli Hurts non tradiscono questa magia: il glam diventa parte integrante dello show che è, sin dagli esordi, uno dei live più affascinanti degli ultimi anni, con esplosioni sonore che flirtano con la dance. Imperdibili.

 

Theo Hutchcraft - voce

Adam Anderson - sintetizzatore, chitarra, pianoforte, tastiere

A studio photograph of a man published by the Novelty Art Studios of 61, Talbot Road Blackpool, 49, Bradshawgate Bolton, and The Walk, Rochdale.

 

The photograph is on a postally unused postcard.

 

On the back is stamped the date 1st. October 1928.

 

So what else happened on the date the photograph was taken? Well, on Monday the 1st. October 1928, George Peppard Jr. was born. He became an American film and TV actor. He starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), he portrayed a character based on Howard Hughes in The Carpetbaggers (1964), and he played the title rôle of the sleuth Thomas Banacek in the early 1970's TV series Banacek.

 

But he is probably best known to younger audiences for his rôle as Col. John "Hannibal" Smith, the cigar-chomping leader of a renegade commando squad, in the 1980's TV show The A-Team.

 

George died of pneumonia on Sunday the 8th. May 1994 in Los Angeles, having lived for 65 years, 7 months and 7 days. He is buried in Northview Cemetery in Dearborn, Michigan.

Description on front of card:

Bird's Eye View of Cincinnati, Ohio, Union Terminal in Foreground

 

Published by: The Union News Co. / Genuine Curteich-Chicago "C.T. Art-Colortone" post card.

 

No. in series: 7

 

Unused.

 

Publisher Note:

The Union News Company was a subsidiary of the American News Company. They sold postcards/view cards, books, newspapers, magazines, and toys in railroad depot restaurants and shops. By the 1950s, the wholesale magazine distribution company had vendors in restaurants, shopping centers, and hotels.

 

Curt Teich emigrated to Chicago in 1895. He had worked as a lithographer in Lobenstein, Germany.

 

He founded the Curt Teich Company in 1898, concentrating on newspaper and magazine printing. He was an early publisher of postcards, but he didn't begin printing them himself until 1908.

 

According to MetroPostcard.com, "As his competition dwindled, his sales expanded and his American factories would eventually turn out more postcards than any other in the United States."

 

The company was best known for its wide range of advertising and postcards of North America. By the 1920s, it was producing so many postcards with borders that they became recognized as a type dubbed "White Border Cards," creating an "era."

 

Curt Teich started using offset presses in 1907, but it took a number of years before he had offset presses made to his satisfaction and many more years for him to perfect the method.

 

His innovations in this printing technique directly led to the production of what we now call "linens" by the early 1930s.

 

The company aided the war effort during the second world war by also printing many military maps.

 

Curt Teich eventually turned management of the company over to his son, but he remained active in company operations throughout its history.

 

Curt Teich died in 1974 and the family business was sold to Regensteiner Publishers who continued to print postcards at the Chicago plant until 1978 when the rights to the company name and processes were sold to the Irish company, John Hinde Ltd. Their California subsidiary now prints postcards under the name John Hinde Curteich, Inc.

 

Source:

www.metropostcard.com/publisherst.html

Published by Ebal, Brazil 1968

This photograph was published in the Illustrated Chronicle on the 8th of March 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

Published by Ebal, Brazil 1969

I created this flower character for a book titled Blossom Buddies, published by teNeues in 2009. The book includes 100 of these plant characters.

This India photograph has been taken in Tamil Nadu, South-India by Dutch travel photographer Hans Hendriksen. Should you want to buy a high-res file for publication, photo print or poster? Visit www.hanshendriksen.net to find all information about the author and how to order or publish his work.

 

Deze foto is gemaakt in Tamil Nadu, Zuid-India door reisfotograaf Hans Hendriksen. U wilt meer zien? Bezoek dan zijn populaire homepage href="http://www.hanshendriksen.net" www.hanshendriksen.net met fotogalerijen uit meer dan 30 landen, info over de auteur en hoe te bestellen/publiceren.

 

Cette India photographie Voyage photo a été prise à Tamil Nadu, l'Inde du Sud par Hendriksen Voyage photographe néerlandais Hans. Si vous voulez acheter un haute-rés. fichier pour la publication, tirage photo ou une affiche? Visite www.hanshendriksen.net pour y trouver toutes les informations sur l'auteur et la façon de commander ou de publier son travail.

 

Este India fotografía viajes foto recibió un disparo en Tamil Nadu India Sur por el fotógrafo de viajes neerlandés Hans Hendriksen. Si usted quiere comprar una de alta resolución de archivo para la publicación, impresión de fotografías o carteles? Visita www.hanshendriksen.net para encontrar toda la información sobre el autor y la forma de orden o publicar su trabajo.

 

Autor dieser Sud Indien Tamil Nadu Reise-Fotografie Galerie ist Hans Hendriksen, ein Niederländischer Reise-Fotograf mit Vorliebe für das Abbilden des Alltags. Mehr auf seiner Homepage www.hanshendriksen.net mit Informationen über den Autor und wie Sie seine Bilder bestellen/publizieren.

 

Эта фотография Индии Тамилнаду Индии путешествий был убит выстрелом в Гаване путешествия голландский фотограф Ханс Хендриксен. Если вы хотите приобрести высокое разрешение файла для печати, печать фото или плакат? Посетите www.hanshendriksen.net, чтобы найти всю информацию об авторе и как заказать или опубликовать его работу.

You know you have a successful hobby when your beignets photo is chosen to be published in the strip joint section of the 2013 New Orleans Meeting Planners Guide. Now, if they could only spell my name right! :)

**Beignets photo taken on my dining room table in Carrollwood Village -- Tampa, Florida / Published by Miles Partnership**

This is the third year for Air2Water located at the Napleton Volkswagen Dealership in Orlando, FL. This show was published in PVW Magazine "Autumn 2018" Issue.

 

All Photos by: IG @stancy media

Twitter: @Shanko700

 

بفضل من الله ٫ تم نشر صفحة خاصة بي في كتيب لجنة شباب الأعمال لعام ٢٠١١ .

 

شكراً لكم و لدعمكم :))

 

--------------------

 

Thanks To God, i was featured in the Book of Jeddah Business Youth Commission For 2011

 

Thank You for your usual support :))

 

Published in Chip Foto-video magazine no.60 , April 2012

"Friends of McMillan Park is a group of community volunteers who support sustainable development and long-term planning for McMillan Park and Washington, DC. We believe that historic preservation and sustainability go hand in hand, and we would love to see McMillan Park set a high standard as a great metropolitan park of the 21st century." - friendsofmcmillan.org/about-us/

---

Select photos published in The Future of D.C.'s Abandoned McMillan Park | Architect Magazine | Urban Design, Urban Development, Developers, Development, Mixed-Use Development, Historic Preservation, McMillan Park, Frederick Law Olmsted

CV29 2094 C Growing your own orchids, Published by Salamander, London (1982)

ISBN 10: 0701815426, ISBN 13: 9780701815424, Rittershausen, Wilma,

This photograph was published in the Illustrated Chronicle on the 11th of March 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

This photograph was published in the Illustrated Chronicle on the 12th of February 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

Published in Sidewalk magazine - Issue 172 (January)

 

Keep a peeper open for him.

 

Website | Contact | Blog

 

This photograph was published in the Illustrated Chronicle on the 29th of February 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

Published by O Globo, Brazil 1940 - 1950

SF Chronicle-3-20-1970

Pentax Spotmatic

Found "in the wild" in the www ...

 

The original photo.

Published by Ebal, Brazil 1968-1975

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use any files on

this page without written permission and consent.

 

-----------------------------

 

La star del blues inglese John Mayall sarà in Italia per tre date il prossimo autunno: sabato 17 ottobre all’Auditorium Manzoni di Bologna, domenica 18 ottobre al Teatro Civico di La Spezia e lunedì 19 ottobre all’Alcatraz di Milano.

 

John Mayall è un cantante, armonicista, chitarrista, e tastierista inglese di fama internazionale, per lungo tempo il punto di riferimento fondamentale per la scena blues del suo paese. Il suo complesso, i Bluesbreakers, ha rappresentato la formazione di transizione e di connessione tra il blues revival degli anni cinquanta e il blues rock degli anni sessanta.

 

La carriera di John Mayall, classe 1933, inizia col singolo “Crawling Up The Hill / Mr. James” e si snoda in una lunga serie di collaborazioni eccezionali, dall’apertura dei primi tour inglesi di John Lee Hooker, T-Bone Walker e Sonny Boy Williamson fino alla formazione dei Bluesbreakers. Sarà questa vera e propria fucina di talenti, che annovera tra i suoi componenti Mick Taylor e Mick Fleetwood, a fargli raggiungere la popolarità nella seconda metà degli anni ’60, grazie a capisaldi del blues inglese quali “John Mayall & The Bluesbreakers with Eric Clapton”. Negli anni ’70 Mayall esplora ulteriormente jazz, rock e blues insieme a performer quali Blue Mitchell, Red Holloway, Larry Taylor e Harvey Mandel; nel 1982 decide di riformare i Bluesbreakers e riesce a convincere Mick Taylor, ormai un Rolling Stone, a partire in tour e a registrare il concerto live “Blues Alive” in compagnia di ospiti eccellenti come Etta James, Albert King, Buddy Guy e Junior Wells.

 

Negli ultimi dieci anni Mayall ha continuato a pubblicare lavori per la sua etichetta online Private Stash Records, tra i quali “Time Capsule” (raccolta di registrazioni live del periodo 1957-62) e “Boogie Woogie Man” (selezione di performance soliste). Il 30 maggio scorso esce il suo ultimo album di inediti, “A Special Life”.

 

Rocky Athas - Guitar

Greg Rzab - Bass

Jay Davenport - Drums

 

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Published on Thursday 21 June 2012 12:18

  

DEMOLITION experts have started to remove the chimney stack of Cupola House - brick by brick.

  

The stack, which was damaged in the fire last Saturday, has been declared structurally unsound and will need to removed before fire fighters can get into the basement of the building where they suspect there may still be pockets of fire.

 

A crane arrived at the scene yesterday evening and Anglian Demolition & Asbestos Ltd started to remove bricks using an electric hand breaker this morning.

 

Once removed the bricks will be allowed to fall down the chimney stack.

 

The demolition of the chimney stack is expected to take about three days, dependant on weather.

 

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