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The Buildings On The RAF Swinderby Technical Site Have Been Demolished. However, The Foundations, Roads, Street Lights and Road Signs Remain
Photo: Nuwan Niyadurupola.
Published in: Revue de Santé Oculaire Communautaire Vol. 6 No. 7 Janvier 2009 www.revuesoc.com
Published by Curt Teich Co., Chicago
The new Cocktail Lounge at
HOTEL OJIBWAY
provides front-row-center seats for patrons to watch the ships pass only 150 feet away from the large picture windows. Guests of the lounge can watch the Great Lakes' vessels actually going through the Soo Locks.
Cocorosie
Webster Hall
September 25th, 2015
New York City
© 2015 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
The Raven is a narrative poem first published in January 1845, by American writer and poet Edgar Allan Poe. It tells of a talking raven's mysterious visit to a distraught lover, tracing the latter's slow descent into madness. The lover is lamenting the loss of his love, Lenore. The raven, sitting on a bust of Pallas, seems to further instigate his distress with its constant repetition of the word, "Nevermore".
This digital collage I created with Poe's famous poem The Raven in mind. Its one of my favorites. Of course ravens are a central part of the collage. Also used is a dark and stormy background to give it a spooky feel. The bust of pallas has a raven sitting on it as the poem suggests. I also found a cool looking door to be the chamber door. A part of the poem is quoted on a scroll.
This collage can be found on a nice variety of products at Cafepress.com! Check profile for a link!
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Opening-act di Alessandra Amoroso in concerto l’11 ottobre al Mediolanum Forum a Milano, Daniele Magro.
Classe 1989, Daniele Magro nasce ad Agrigento. Da sempre creativo, curioso e appassionato di musica comincia giovanissimo a cantare e a scrivere canzoni.
Nel 2009 partecipa alla seconda edizione di X factor su Rai 2. Conclusasi esce un Ep targato Sony RCA dal titolo "No".
Inizia il suo percorso di songwriter per alcuni dei nomi più promettenti della musica leggera italiana.
Nell'anno 2013 per Emma compone tre brani inseriti nel fortunatissimo disco "Schiena" che raggiunge il multiplatino in poco tempo.
Due singoli estratti dal disco portano la firma di Daniele, "L'Amore Non Mi Basta" smash hit radiofonica riceve il disco di platino certificato F.I.M.I. e
"Trattengo Il Fiato" certificato disco d'oro.
Per Noemi scrive "Tutto l'oro del mondo" inserito nel disco del 2014 Made in London.
Per Michele Bravi scrive "A passi piccoli" contenuto nell'omonimo disco di debutto.
Per Chiara scrive i due singoli "Un Giorno Di Sole", "Il Rimedio, La Vita E La Cura" e "Nomade" tratti dal disco "Un giorno di sole" e ripubblicati nella riedizione post sanremese nel 2015 "Un giorno di sole straordinario".
Per Giusy Ferreri scrive "Come un'ora fa" uno dei tre inediti della sua prima raccolta Hits uscita a Dicembre 2015. Il brano è inoltre il secondo singolo estratto per promuovere il disco.
Ace paperback published 1881
comments by CR:
Federation - H. Beam Piper [0762 - 2017-11-09]
·• Piper's Foundation • (1981) • essay by Jerry Pournelle
·x • Introduction (Federation) • (1981) • essay by John F. Carr
·2 • Omnilingual • [Federation • 1] • (1957) • novelette by H. Beam Piper
·57 • Naudsonce • (1962) • novelette by H. Beam Piper
·114 • Oomphel in the Sky • [Federation] • (1960) • novelette by H. Beam Piper
·173 • Graveyard of Dreams • [Federation] • (1958) • novelette by H. Beam Piper
·201 • When in the Course— • (1981) • novella by H. Beam Piper
In the late 1950's into the 1960's I was of the opine that H. Beam Piper was one of the better writers of science-fiction and was deeply saddened when I read that he committed suicide on November 6, 1964 at the age of 60. I moved on to other authors and literary interest but always retained my recollected admiration for the worlds Piper created that delighted my teen-age years.
Recently at one of the few remaining used paperback bookstores in Massachusetts I found several reprinted titles of his works. The book "Federation" was one of the volumes. I recalled from the story titles having read some of them when first published and eagerly began the book.
I regret to state that I was very disappointed. He ideas and writing style have not aged gracefully. In fact the stories in this collection read like the common space operas the populated the pulps in the 50-60's which in fact they were.
Unfortunate we will never know if Mr. Piper could of developed at a writer, alas today he is a slowly forgotten footnote in the history of science-fiction and none of his titles have been reprinted for mass circulation in many years.
It is a credit to the perseverance to document his works and admiration for Piper that Jerry Pournelle and John F. Carr and others keep his name from science-fiction oblivion. Piper's life story, what little is known about this reclusive man, would I believe make for an very interesting biography.
Photos in front of the Supreme Court of the United States, on the day of the King v Burwell Decision
Published in SCOTUS Health Care Exchange Subsides Stand for Arizonans / Public News Service
Bain News Service,, publisher.
China in N.Y. 4th of July Parade, 1911
1911 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
N.Y.
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.09600
Call Number: LC-B2- 2269-6
Naha collection Published in American Salon Magazine [ here is one page ]
Photography : BABAK www.babak.ca
HAir : Faatemah Ampey
MAke up :Sherri Curtis
Clothing : David Widjaja
Here is the Shoot Video of this set -
www.youtube.com/watch?v=XI-FGcBcLB0&feature=plcp&...
BABAK
Published by The Acmegraph Co. Chicago
Source photo: John J. Lee
www.flickr.com/photos/115892967@N03/14086906226
Brig. Gen. Yesenia R. Roque, National Guard Assistant Director for Army National Guard Personnel and Talent Management, shares her thoughts on the importance of the new Integrated Personnel and Pay System-Army with Virginia National Guard Soldiers assigned to the Staunton-based 116th Infantry Brigade Combat Team April 6, 2019, in Staunton, Virginia. (U.S. Army National Guard photo by Sgt. Saul Rosa)
Alexis Mag Vol.004
like my fb page!
Photography: Shavonne Wong (zhiffyphotography)
Styling: Raudhah Hanafi
Assistants: Jeslin Lee
Hair and Makeup: Julyen Z L.
Model: Amanda Tataryn (Mannequin)
I've been a fan of Sega's last console, the Dreamcast, since before it was introduced to North American gamers on Sept. 9, 1999.
That love should be evident in the article I wrote about the 14th anniversary of the system's release -- www.thegaygamer.com/2013/09/happy-belated-birthday-dreamc... -- as well as in the one I published in honor of its 15th anniversary.
Check out the latter at www.thegaygamer.com/2014/09/15-memories-in-honor-of-the-s...
The Wall of old Jerusalem was built in 1535-1538 by the Muslim Ottoman Empire Sultan Suleiman the Magnificent (1494-1566). In it there are about ten Six point stars as protecting symbol. This motif is found on other city walls such as Byblos, Lebanon; Diyarbakır Turkey; Nish Yugoslavia.
=
Photographed by: Zeev Barkan
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Published: www.youtube.com/watch?v=1CB0McQK9nI
Published on the cover of the January 20th, 2012 edition of the Jeju Weekly.
www.jejuweekly.com/news/articleView.html?idxno=2337
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Please view my stream LARGE on black:
DMac 5D Mark II's photos on Flickriver
Follow me on Twitter @ twitter.com/#!/dmac5dmark2
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The Postcard
A postally unused postcard published in 2001 by BBC Homes & Antiques Magazine. The photography was by Lee Miller.
Lee Miller
Elizabeth "Lee" Miller, Lady Penrose, who was born on the 23rd. April 1907, was an American photographer and photojournalist. She was a fashion model in New York City in the 1920's before going to Paris, where she became a fashion and fine art photographer.
During the Second World War, she was a war correspondent for Vogue, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau.
-- Lee Miller - The Early Years
Lee Miller was born in Poughkeepsie, New York. Her parents were Theodore and Florence Miller (née MacDonald). Her father was of German descent, and her mother was of Scottish and Irish descent.
She had a younger brother named Erik, and her older brother was the aviator Johnny Miller. Theodore always favored Lee, and he often used her as a model for his amateur photography.
When she was seven years old, Lee was raped while staying with a family friend in Brooklyn, and was infected with gonorrhea. In her childhood, Miller experienced issues in her formal education, being expelled from almost every school she attended whilst living in the Poughkeepsie area.
In 1925, at the age of eighteen, Miller moved to Paris where she studied lighting, costume and design at the Ladislas Medgyes' School of Stagecraft. She returned to New York in 1926 and joined an experimental drama programme at Vassar College, taught by Hallie Flanagan, a pioneer of "experimental theatre".
Soon after, Miller left home at the age of 19 to enroll in the Art Students League of New York in Manhattan to study life drawing and painting.
-- Lee Miller's Modeling Career
Miller's father introduced her and her brothers to photography at an early age. She was his model - he took many stereoscopic photographs of his nude teenage daughter - and he also showed her technical aspects of the art.
At the age of 19 Lee nearly stepped in front of a car on a Manhattan street, but was prevented by Condé Nast, the publisher of Vogue. This incident helped launch her modeling career; she appeared in a blue hat and pearls in a drawing by George Lepape on the cover of Vogue on the 15th. March 1927.
Miller's look was exactly what Vogue's then editor-in-chief Edna Woolman Chase was looking for to represent the emerging idea of the "modern girl."
For the next two years, Miller was one of the most sought-after models in New York, being photographed by leading fashion photographers. A photograph of Miller was used to advertise Kotex menstrual pads without her consent, effectively ending her career as a fashion model.
Lee was hired by a fashion designer in 1929 to make drawings of fashion details in Renaissance paintings, but in time grew tired of this and found photography more efficient.
-- Lee Miller's Photographic Career
In 1929, Miller traveled to Paris with the intention of apprenticing herself to the surrealist artist and photographer Man Ray. Although, at first, he insisted that he did not take students, Miller soon became his model and collaborator (announcing to him: "I'm your new student"), as well as his lover and muse.
While Lee was in Paris, she began her own photographic studio, often taking over Ray's fashion assignments to enable him to concentrate on his painting. So closely did they collaborate that photographs taken by Miller during this period are credited to Ray. Together with Ray, she rediscovered the photographic technique of solarisation through an accident - one of Miller's accounts involved a mouse running over her foot, causing her to switch on the light in mid-development.
The couple made the technique a distinctive visual signature, with examples being Ray's solarised portrait of Miller taken in Paris circa 1930, and Miller's portraits of fellow Surrealist Meret Oppenheim (1930), Miller's friend Dorothy Hill (1933), and the silent film star Lilian Harvey (1933).
Not only does solarisation fit the Surrealist principle of unconscious accident being integral to art, it evokes the style's appeal to the irrational or paradoxical in combining polar opposites of positive and negative; Mark Haworth-Booth describes solarisation as:
"A perfect Surrealist medium in which
positive and negative occur simultaneously,
as if in a dream".
Amongst Miller's circle of friends were Pablo Picasso and fellow Surrealists Paul Éluard and Jean Cocteau, the latter of whom was so mesmerized by Miller's beauty that he coated her in butter and transformed her into a plaster cast of a classical statue for his film, The Blood of a Poet (1930).
During a dispute with Ray, regarding the attribution of their co-produced work, Ray is said to have slashed an image of Miller's neck with a razor.
After leaving Ray and Paris in 1932, Lee returned to NYC and established a portrait and commercial photography studio with her brother Erik as her darkroom assistant.
Miller rented two apartments in a building one block from Radio City Music Hall. One of the apartments became her home while the other became the Lee Miller Studio. Clients of the Lee Miller Studio included BBDO, Henry Sell, Elizabeth Arden, Helena Rubinstein, Saks Fifth Avenue, I. Magnin and Co., and Jay Thorpe.
During 1932 Miller was included in the Modern European Photography exhibition at the Julien Levy Gallery in New York. In response to the exhibition, Katherine Grant Sterne wrote a review in Parnassus in March 1932, noting that:
"Miller has retained more of her American character
in the Paris milieu. The very beautiful Bird Cages at
Brooklyn; the study of a pink-nailed hand embedded
in curly blond hair which is included in both the Brooklyn
and the Julien Levy show; and the brilliant print of a
white statue against a black drop, illumine the fact
rather than distort it."
In 1933, Julien Levy gave Miller the only solo exhibition of her life. Among her portrait clients were the surrealist artist Joseph Cornell, actresses Lilian Harvey and Gertrude Lawrence, and the African-American cast of the Virgil Thomson-Gertrude Stein opera Four Saints in Three Acts (1934).
In 1934, Miller abandoned her studio to marry the Egyptian businessman and engineer Aziz Eloui Bey, who had come to NYC to buy equipment for the Egyptian National Railways. Although she did not work as a professional photographer during this period, the photographs she took while living in Egypt with Eloui, including Portrait of Space, are regarded as some of her most striking surrealist images.
In Cairo, Miller took a photograph of the desert near Siwa that Magritte saw and used as inspiration for his 1938 painting "Le Baiser." Miller also contributed an object to the Surrealist Objects and Poems exhibition at the London Gallery in 1934.
By 1937, Miller had grown bored with her life in Cairo. She returned to Paris, where she met the British surrealist painter and curator Sir Roland Algernon Penrose (1900-1984).
Four of her photographs ("Egypt" (1939), "Romania" (1938), "Libya" (1939), and "Sinai" (1939)) were displayed at the 1940 exhibition Surrealism To-Day at the Zwemmer Gallery in London.
More of her work was included in the Museum of Modern Art (MoMA) exhibition Britain at War in New York City in 1941. Her photographs would not be included in another exhibition until 1955, when she was included in the renowned The Family of Man exhibition curated by Edward Steichen, director of the MoMA Department of Photography.
-- Lee Miller in World War II
At the outbreak of World War II, Miller was living in Hampstead in London with Penrose when the bombing of the city began. Ignoring pleas from friends and family to return to the US, Miller embarked on a new career in photojournalism as the official war photographer for Vogue, documenting the Blitz.
Lee was accredited with the U.S. Army as a war correspondent for Condé Nast Publications from December 1942. She teamed up with the American photographer David E. Scherman, a Life correspondent on many assignments. She traveled to France less than a month after D-Day, and recorded the first use of napalm at the siege of St. Malo, as well as the liberation of Paris, the Battle of Alsace, and the horror of the Nazi concentration camps at Buchenwald and Dachau.
Scherman's photograph of Miller in the bathtub of Adolf Hitler's apartment in Munich, with its shower hose looped in the center behind her head and the dust of Dachau on her boots deliberately dirtying Hitler's bathroom, is one of the most iconic images from the Miller-Scherman partnership, and occurred on the 30th. April 1945, coincidentally the same day as Hitler's suicide.
Being one of the first to arrive at Hitler's secret apartments, Miller admits:
"I had his address in
my pocket for years."
After taking the bathtub picture, Miller took a bath in the tub, and slept in Hitler's bed.
During this period, Miller photographed dying children in a Vienna hospital, peasant life in post-war Hungary, corpses of Nazi officers and their families, and finally, the execution of Prime Minister László Bárdossy.
During Miller's work with Vogue in World War II, it became her goal to "document war as historical evidence." The effect of her work was to provide "context for events." Her work was very specific and, like her previous publications and modelling with Vogue, Surrealist.
She spent time composing her photographs, famously framing them from inside the cattle trains. Miller's work with Vogue during wartime was often a combination of journalism and art, often manipulated to evoke emotion.
At the end of the war, Miller's work as a wartime photojournalist continued as she sent telegrams back to the British Vogue editor, Audrey Withers, urging her to publish photographs from the camps.
She did this following a CBS broadcast from Buchenwald by Edward R. Murrow and Richard Dimbleby's BBC broadcast from inside Bergen-Belsen. This was a consequence of people's disbelief at such atrocities. These broadcasters used photographers to show the public what they saw. During World War II, Miller's work was used predominantly to "provide an eye-witness account" of the casualties of war.
-- Lee Miller's Life in Great Britain
After returning to Great Britain from central Europe, Miller started to suffer from severe episodes of clinical depression and what later became known as post traumatic stress disorder (PTSD). She began to drink heavily, and became uncertain about her future.
In November 1946 she was commissioned by British Vogue to illustrate the article, "When James Joyce Lived in Dublin" by Joyce's old friend and confidant Constantine Curran. Following a list given to her by Curran, Miller photographed numerous places and people in Dublin, many with a connection to Joyce.
The article and photographs appeared in American Vogue in May 1947 and British Vogue in 1950. The pictures provide a remarkable record, not just of Joyce's home town, but of Dublin during that time.
In 1946, she travelled with Penrose to the United States, where she visited Man Ray in California. After she discovered she was pregnant by Penrose with her only son, she divorced Aziz Bey and, on the 3rd. May 1947, married Penrose. Their son, Antony Penrose, was born in September 1947.
In 1949, the couple bought Farley Farm House in Chiddingly, East Sussex. During the 1950's and 1960's, Farley Farm became a sort of artistic Mecca for visiting artists such as Picasso, Ray, Henry Moore, Eileen Agar, Jean Dubuffet, Dorothea Tanning, and Max Ernst.
While Miller continued to do the occasional photo shoot for Vogue, she soon discarded the darkroom for the kitchen, becoming a gourmet cook. According to her housekeeper Patsy, she specialized in "historical food" like roast suckling pig as well as treats such as marshmallows in a cola sauce (especially made to annoy English critic Cyril Connolly who told her Americans didn't know how to cook).
She also provided photographs for her husband's biographies on Picasso and Antoni TÃ pies. However, images from the war, especially the concentration camps, continued to haunt her, and she started on what her son later described as a "downward spiral". Her depression may have been accelerated by her husband's long affair with the trapeze artist Diane Deriaz.
Miller was investigated by the British security service MI5 during the 1940's and 1950's, on suspicion of being a Soviet spy.
In October 1969, Miller was asked in an interview with a New York Times reporter what it was that drew her to photography. Her response was:
"It's a matter of getting out on
a damn limb and sawing it off
behind you."
-- The Death of Lee Miller
Lee died of cancer at Farley Farm House in 1977, aged 70. She was cremated, and her ashes were spread through her herb garden at Farley.
-- Lee Miller's Legacy
Miller's work has served as inspiration for Gucci's Frida Giannini and Alexander McQueen. Playwright David Hare comments:
"Today, when the mark of a successful iconographer
is to offer craven worship of wealth, or yet more craven
worship of power and celebrity, it is impossible to
imagine an artist of Lee's subtlety and humanity
commanding the resources of a mass-market
magazine."
Mark Haworth-Booth, curator of The Art of Lee Miller, has said:
"Her photographs shocked people out of their
comfort zone. She had a chip of ice in her heart.
She got very close to things.
Margaret Bourke-White was far away from the
fighting, but Lee was close. That's what makes
the difference - Lee was prepared to shock."
In 1932, for the Poughkeepsie Evening Star, Miller stated that:
"Photography is perfectly suited to women as a
profession. It seems to me that women have a
bigger chance at success in photography than
men.
Women are quicker and more adaptable than
men. And I think they have an intuition that helps
them understand personalities more quickly than
men."
Throughout her life, Miller did very little to promote her own photographic work. That Miller's work is known today is mainly due to the efforts of her son, Antony Penrose, who has been studying, conserving and promoting his mother's work since the early 1980's.
He discovered sixty thousand or so photographs, negatives, documents, journals, cameras, love letters and souvenirs in cardboard boxes and trunks in Farley Farm's attic after his mother's death. He owns the house, and offers tours of the works of Miller and Penrose.
The house is home to the private collections of Miller and Penrose, their own work and some of their favourite pieces of art. In the dining room, the fireplace was decorated in vivid colours by Penrose. Lee's pictures are accessible at the Lee Miller Archive.
In 1985, Penrose published the first biography of Miller, entitled The Lives of Lee Miller. Since then, a number of books, mostly accompanying exhibitions of her photographs, have been written by art historians and writers such as Jane Livingstone, Richard Calvocoressi, and Haworth-Booth.
Penrose and David Scherman collaborated in 1992 on the book Lee Miller's War: Photographer and Correspondent With the Allies in Europe 1944–45.
Interviews with Penrose form the core of the 1995 documentary Lee Miller: Through the Mirror, made with Scherman and writer-director Sylvain Roumette. The audio-book Surrealism Reviewed was published in 2002, and a 1946 radio interview with Miller can be heard on it.
In 2005, Miller's life story was turned into a musical, Six Pictures Of Lee Miller, with music and lyrics by British composer Jason Carr. It was premiered at the Chichester Festival Theatre, West Sussex. Also in 2005, Carolyn Burke's substantial biography, Lee Miller, A Life, was published.
In 2007, Traces of Lee Miller: Echoes from St. Malo, an interactive CD and DVD about Miller's war photography in St. Malo, was released with the support of Hand Productions and Sussex University.
In 2015, an exhibition of Miller's photographs at the Scottish National Portrait Gallery, Lee Miller and Picasso, focussed on the relationship between Lee Miller, Roland Penrose and Pablo Picasso.
In the same year, a work of historical fiction, The Woman in the Photograph, by Dana Gynther, was published. It builds its story around Miller's affair with Ray in Paris circa 1930.
In 2019, a work of historical fiction, The Age of Light, by Whitney Scharer, was published. It tells the story of Miller's life and work, and her relationship with Man Ray.
Published by the Manhattan Post Card Publishing Co.
I picked up three GWB post cards at an antique mall in Ohio.
Back in the spring I talked to Alberta Views at a local festival, and mentioned about my Victoria Park photos, within a couple of months they had agreed to run a photo essay, the article (with text by Gillian Steward) was published in their October 2006 issue!
I'm rather happy...
Finally I managed to scan the beautiful 3 page article in "Ireland of the Welcomes" (March/April Edition, Vol 58 No 2) for all who missed it. I am very happy with their image choice and presentation.
Here you can enlarge and read the article
calaido.blogspot.com/2009/11/ireland-of-welcomes-features...
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Homepage: www.calaido.com
Gallery: www.RingofKerryGallery.com
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© Madeleine Maria Weber
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