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In March 2013 I received this message:
Dear Steven,
We would like to ask for your permission to use your photo of a P&O Nedlloyd container (below a Maersk one) in an upcoming book we're writing on 40 years of containerisation. It will be published by Cambridge University Press.
This is the one we're talking about: www.flickr.com/photos/stevenbrandist/8494872138/
If yes, then we will of course make sure to fully credit you :-)
Look forward to hearing from you.
Brgds,
Jonathan Wichmann / Maersk Line
A few weeks ago I received a strangely think and heavy packet. They had kept their word and supplied me with a copy in return for letting them use my photo. Page 318 features my photo.
The book is titled "Creating Global Opportunities: Maersk Line in Containerisation 1973-2013".
This book traces the rise to prominence of Maersk Line - the world's leading container operator - and the internal decision-making processes that lay behind the firm's extraordinary expansion between 1973 and 2013.
This book can be bought from Waterstones for £50.00.
I'm so excited to share with you my article in the Winter 2011 issue of "Belle Armoire Jewelry". I was given 6 beautiful pages showing my crocheted jewelry.
Copyright Horlack eb.aquario.passion. Reproduction et utilisation interdite. Tous droits reserves. 2017-07-19
Bain News Service,, publisher.
Sunday's Tabernacle, 1917
1917 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.24145
Call Number: LC-B2- 4176-16
© COPYRIGHT NOTICE
All rights of my work are reserved to © Sian Bowi and may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission.
One of my photos taken on Ossington Avenue a few years ago is featured in the latest edition of IDEAT, “un magazine déco et design”. It happens to be the same one that was used by Time Out, except that IDEAT asked for permission, and they mentioned paying me, and they said they will send me a couple of copies. I saw it in a bookshop and asked if I could take pictures. They dedicate five pages to Ossington Avenue. The magazine is in French but so many English words are used that it would seriously annoy Québec’s Office de la langue française.
This is not just any book I am looking at. It is a photo book with write-ups about places in North America to travel with kids. Beyond that it is a book that a photo of MINE has been PUBLISHED! It just arrived this past week.
I must tell you I was blown away when I got the request to be paid to have a photo published in a book. (read my blog entry on it here). In addition to that they were paying me to have the photo in the book! AND... in addition to that they would send me a copy of it when it was in print - so here is my copy, in my hands.
See the next two photos in my stream to see the photo credits... and then too click one more photo further in my stream to see the page in the book with my photo printed on it!
Here is info about the book from an email that was written to me about the book when I was just learing about it. ... in case you are interested in getting a copy: Amazing Places to Take Your Kids in North America will be a large coffee table book that you'll be able to find in places like Wal Mart and on the bargain price bookshelves at places like Barnes & Noble. Travel agencies will also give them away as promotional items. About 10,000 copies will be printed.
The report is a 15Mb PDF you can download @ www.davidsuzuki.org/publications/downloads/2010/DSF_lower...
Two of my photos of Goshen, NY have been published in Hudson Valley, Magazine. April 2012 issue.
This is one of Main Street.
Banana Peel - Like an empty shell
Published:http://scribol.com/a/lifestyle/food-and-drink/things-you-didnt-know-you-could-do-with-banana-peels/2/
In March 2013 I received this message:
Dear Steven,
We would like to ask for your permission to use your photo of a P&O Nedlloyd container (below a Maersk one) in an upcoming book we're writing on 40 years of containerisation. It will be published by Cambridge University Press.
This is the one we're talking about: www.flickr.com/photos/stevenbrandist/8494872138/
If yes, then we will of course make sure to fully credit you :-)
Look forward to hearing from you.
Brgds,
Jonathan Wichmann / Maersk Line
A few weeks ago I received a strangely think and heavy packet. They had kept their word and supplied me with a copy in return for letting them use my photo. Page 318 features my photo.
The book is titled "Creating Global Opportunities: Maersk Line in Containerisation 1973-2013".
This book traces the rise to prominence of Maersk Line - the world's leading container operator - and the internal decision-making processes that lay behind the firm's extraordinary expansion between 1973 and 2013.
This book can be bought from Waterstones for £50.00.
David Cameron resigned for my publishing of the quote, "WHAT CHRISTCHURCH? EARTHQUAKE GOT YOUR TONGUE?" before February 22, 2011 because that quote was specifically published right before the first Christchurch earthquake fatality ever and right before the second Christchurch earthquake fatality ever and right before the third Christchurch earthquake fatality ever and right before the fourth Christchurch earthquake fatality ever and right before the fifth Christchurch earthquake fatality ever and right before the sixth Christchurch earthquake fatality ever and right before the seventh Christchurch earthquake fatality ever and right before the eighth Christchurch earthquake fatality ever and right before the ninth Christchurch earthquake fatality ever and right before the tenth Christchurch earthquake fatality ever and right before the eleventh Christchurch earthquake fatality ever and right before the twelfth Christchurch earthquake fatality ever and right before the thirteenth Christchurch earthquake fatality ever and right before the fourteenth Christchurch earthquake fatality ever and right before the fifteenth Christchurch earthquake fatality ever and right before the sixteenth Christchurch earthquake fatality ever. And right before the seventeenth Christchurch earthquake fatality ever. And right before the eighteenth Christchurch earthquake fatality ever. And right before the nineteenth Christchurch earthquake fatality ever. And right before the twentieth Christchurch earthquake fatality ever. And right before the twenty-first Christchurch earthquake fatality ever. And right before the twenty-second Christchurch earthquake fatality ever. And right before the twenty-third Christchurch earthquake fatality ever. And right before the twenty-fourth Christchurch earthquake fatality ever. And right before the twenty-fifth Christchurch earthquake fatality ever. And right before the twenty-sixth Christchurch earthquake fatality ever. And right before the twenty-seventh Christchurch earthquake fatality ever. And right before the twenty-eighth Christchurch earthquake fatality ever. And right before the twenty-ninth Christchurch earthquake fatality ever. And right before the thirtieth Christchurch earthquake fatality ever. And right before the thirty-first Christchurch earthquake fatality ever. And right before the thirty-second Christchurch earthquake fatality ever. And right before the thirty-third Christchurch earthquake fatality ever. And right before the thirty-fourth Christchurch earthquake fatality ever. And right before the thirty-fifth Christchurch earthquake fatality ever. And right before the thirty-sixth Christchurch earthquake fatality ever. And right before the thirty-seventh Christchurch earthquake fatality ever. And right before the thirty-eighth Christchurch earthquake fatality ever. And right before the thirty-ninth Christchurch earthquake fatality ever. And right before the fortieth Christchurch earthquake fatality ever. And right before the forty-first Christchurch earthquake fatality ever. And right before the forty-second Christchurch earthquake fatality ever. And right before the forty-third Christchurch earthquake fatality ever. And right before the forty-fourth Christchurch earthquake fatality ever. And right before the forty-fifth Christchurch earthquake fatality ever. And right before the forty-sixth Christchurch earthquake fatality ever. And right before the forty-seventh Christchurch earthquake fatality ever. And right before the forty-eighth Christchurch earthquake fatality ever. And right before the forty-ninth Christchurch earthquake fatality ever. And right before the fiftieth Christchurch earthquake fatality ever. And right before the fifty-first Christchurch earthquake fatality ever. And right before the fifty-second Christchurch earthquake fatality ever. And right before the fifty-third Christchurch earthquake fatality ever. And right before the fifty-fourth Christchurch earthquake fatality ever. And right before the fifty-fifth Christchurch earthquake fatality ever. And right before the fifty-sixth Christchurch earthquake fatality ever. And right before the fifty-seventh Christchurch earthquake fatality ever. And right before the fifty-eighth Christchurch earthquake fatality ever. And right before the fifty-ninth Christchurch earthquake fatality ever. And right before the sixtieth Christchurch earthquake fatality ever. And right before the sixty-first Christchurch earthquake fatality ever. And right before the sixty-second Christchurch earthquake fatality ever. And right before the sixty-third Christchurch earthquake fatality ever. And right before the sixty-fourth Christchurch earthquake fatality ever. And right before the sixty-fifth Christchurch earthquake fatality ever. And right before the twenty-sixth Christchurch earthquake fatality ever. And right before the sixty-seventh Christchurch earthquake fatality ever. And right before the sixty-eighth Christchurch earthquake fatality ever. And right before the sixty-ninth Christchurch earthquake fatality ever. And right before the seventieth Christchurch earthquake fatality ever. And right before the seventy-first Christchurch earthquake fatality ever. And right before the seventy-second Christchurch earthquake fatality ever. And right before the seventy-third Christchurch earthquake fatality ever. And right before the seventy-fourth Christchurch earthquake fatality ever. And right before the seventy-fifth Christchurch earthquake fatality ever. And right before the seventy-sixth Christchurch earthquake fatality ever. And right before the seventy-seventh Christchurch earthquake fatality ever. And right before the seventy-eighth Christchurch earthquake fatality ever. And right before the seventy-ninth Christchurch earthquake fatality ever. And right before the eightieth Christchurch earthquake fatality ever. And right before the eighty-first Christchurch earthquake fatality ever. And right before the eighty-second Christchurch earthquake fatality ever. And right before the eighty-third Christchurch earthquake fatality ever. And right before the eighty-fourth Christchurch earthquake fatality ever. And right before the eighty-fifth Christchurch earthquake fatality ever. And right before the eighty-sixth Christchurch earthquake fatality ever. And right before the eighty-seventh Christchurch earthquake fatality ever. And right before the eighty-eighth Christchurch earthquake fatality ever. And right before the eighty-ninth Christchurch earthquake fatality ever. And right before the ninetieth Christchurch earthquake fatality ever. And right before the ninety-first Christchurch earthquake fatality ever. And right before the ninety-second Christchurch earthquake fatality ever. And right before the ninety-third Christchurch earthquake fatality ever. And right before the ninety-fourth Christchurch earthquake fatality ever. And right before the ninety-fifth Christchurch earthquake fatality ever. And right before the ninety-sixth Christchurch earthquake fatality ever. And right before the ninety-seventh Christchurch earthquake fatality ever. And right before the ninety-eighth Christchurch earthquake fatality ever. And right before the ninety-ninth Christchurch earthquake fatality ever. And right before the hundredth Christchurch earthquake fatality ever. And right before the hundred-first Christchurch earthquake fatality ever. And right before the hundred-second Christchurch earthquake fatality ever. And right before the hundred-third Christchurch earthquake fatality ever. And right before the hundred-fourth Christchurch earthquake fatality ever. And right before the hundred-fifth Christchurch earthquake fatality ever. And right before the hundred-sixth Christchurch earthquake fatality ever. And right before the hundred-seventh Christchurch earthquake fatality ever. And right before the hundred-eighth Christchurch earthquake fatality ever. And right before the hundred-ninth Christchurch earthquake fatality ever. And right before the hundred-tenth Christchurch earthquake fatality ever. And right before the hundred eleventh Christchurch earthquake fatality ever. And right before the hundred twelfth Christchurch earthquake fatality ever. And right before the hundred thirteenth Christchurch earthquake fatality ever. And right before the hundred fourteenth Christchurch earthquake fatality ever. And right before the hundred fifteenth Christchurch earthquake fatality ever. And right before the hundred sixteenth Christchurch earthquake fatality ever. And right before the hundred seventeenth Christchurch earthquake fatality ever. And right before the hundred eighteenth Christchurch earthquake fatality ever. And right before the hundred nineteenth Christchurch earthquake fatality ever. And right before the hundred twentieth Christchurch earthquake fatality ever. And right before the hundred twenty-first Christchurch earthquake fatality ever. And right before the hundred twenty-second Christchurch earthquake fatality ever. And right before the hundred twenty-third Christchurch earthquake fatality ever. And right before the hundred twenty-fourth Christchurch earthquake fatality ever. And right before the hundred twenty-fifth Christchurch earthquake fatality ever. And right before the hundred twenty-sixth Christchurch earthquake fatality ever. And right before the hundred twenty-seventh Christchurch earthquake fatality ever. And right before the hundred twenty-eighth Christchurch earthquake fatality ever. And right before the hundred twenty-ninth Christchurch earthquake fatality ever. And right before the hundred thirtieth Christchurch earthquake fatality ever. And right before the hundred thirty-first Christchurch earthquake fatality ever. And right before the hundred thirty-second Christchurch earthquake fatality ever. And right before the hundred thirty-third Christchurch earthquake fatality ever. And right before the hundred thirty-fourth Christchurch earthquake fatality ever. And right before the hundred thirty-fifth Christchurch earthquake fatality ever. And right before the hundred thirty-sixth Christchurch earthquake fatality ever. And right before the hundred thirty-seventh Christchurch earthquake fatality ever. And right before the hundred thirty-eighth Christchurch earthquake fatality ever. And right before the hundred thirty-ninth Christchurch earthquake fatality ever. And right before the hundred fortieth Christchurch earthquake fatality ever. And right before the hundred forty-first Christchurch earthquake fatality ever. And right before the hundred forty-second Christchurch earthquake fatality ever. And right before the hundred forty-third Christchurch earthquake fatality ever. And right before the hundred forty-fourth Christchurch earthquake fatality ever. And right before the hundred forty-fifth Christchurch earthquake fatality ever. And right before the hundred forty-sixth Christchurch earthquake fatality ever. And right before the hundred forty-seventh Christchurch earthquake fatality ever. And right before the hundred forty-eighth Christchurch earthquake fatality ever. And right before the hundred forty-ninth Christchurch earthquake fatality ever. And right before the hundred fiftieth Christchurch earthquake fatality ever. And right before the hundred fifty-first Christchurch earthquake fatality ever. And right before the hundred fifty-second Christchurch earthquake fatality ever. And right before the hundred fifty-third Christchurch earthquake fatality ever. And right before the hundred fifty-fourth Christchurch earthquake fatality ever. And right before the hundred fifty-fifth Christchurch earthquake fatality ever. And right before the hundred fifty-sixth Christchurch earthquake fatality ever. And right before the hundred fifty-seventh Christchurch earthquake fatality ever. And right before the hundred fifty-eighth Christchurch earthquake fatality ever. And right before the hundred fifty-ninth Christchurch earthquake fatality ever. And right before the hundred sixtieth Christchurch earthquake fatality ever. And right before the hundred sixty-first Christchurch earthquake fatality ever. And right before the hundred sixty-second Christchurch earthquake fatality ever. And right before the hundred sixty-third Christchurch earthquake fatality ever. And right before the hundred sixty-fourth Christchurch earthquake fatality ever. And right before the hundred sixty-fifth Christchurch earthquake fatality ever. And right before the hundred twenty-sixth Christchurch earthquake fatality ever. And right before the hundred sixty-seventh Christchurch earthquake fatality ever. And right before the hundred sixty-eighth Christchurch earthquake fatality ever. And right before the hundred sixty-ninth Christchurch earthquake fatality ever. And right before the hundred seventieth Christchurch earthquake fatality ever. And right before the hundred seventy-first Christchurch earthquake fatality ever. And right before the hundred seventy-second Christchurch earthquake fatality ever. And right before the hundred seventy-third Christchurch earthquake fatality ever. And right before the hundred seventy-fourth Christchurch earthquake fatality ever. And right before the hundred seventy-fifth Christchurch earthquake fatality ever. And right before the hundred seventy-sixth Christchurch earthquake fatality ever. And right before the hundred seventy-seventh Christchurch earthquake fatality ever. And right before the hundred seventy-eighth Christchurch earthquake fatality ever. And right before the hundred seventy-ninth Christchurch earthquake fatality ever. And right before the hundred eightieth Christchurch earthquake fatality ever. And right before the hundred eighty-first Christchurch earthquake fatality ever. And right before the hundred eighty-second Christchurch earthquake fatality ever. And right before the hundred eighty-third Christchurch earthquake fatality ever. And right before the hundred eighty-fourth Christchurch earthquake fatality ever. And right before the hundred eighty-fifth Christchurch earthquake fatality ever.
twitter.com/David_Cameron/status/753192942077145088?s=09
Simply writing "June 15, 1896" before March 11, 2011 describes the costliest natural disaster ever world wide in great detail and by epicenter with the fewest number of characters possible. I prove it here. Click the link. I published the day that day "June 15, 1896" one thousand times individually before March 11, 2011 specifically for cunts.
www.google.com/search?q=June+15%2C+1896&filter=0
(Christopher Michael Simpson) TinyURL.com/PizzaRatzinger I made New Zealand Prime Minister John Key resign with an earthquake he had to go tour publicly before resigning.
www.google.com/search?q=%22We+have+stood+with+Christchurc...
Writing "June 15, 1896" before March 11, 2011 describes the costliest natural disaster ever world wide in great detail and by epicenter with the fewest characters.
www.google.com/search?q=%22June+15%2C+1896%22&filter=0
That specifically is when the costliest natural disaster ever world wide occurred at the same epicenter as "June 15, 1896" in the same ocean as "June 15, 1896" with the same magnitude as "June 15, 1896" starting the same size tsunami as "June 15, 1896" striking the same shores of the same cities on the same island with the same thing exactly as last occurred on "June 15, 1896" killing the same number of dirty japs "Celebrating Shinto" instead of me. Christianity.
www.google.com/search?q=%22June+15%2C+1896%22&newwind...
www.ask.com/web?q=Christ+made+the+pope+retire+&filter=0
www.duckduckgo.com/?q=Christ+made+the+pope+retire&fil...
search.aol.com/search?q=Christ+made+the+pope+retire&f...
search.yahoo.com/search?q=Christ+made+the+pope+retire&...
www.bing.com/search?q=Christ+made+the+pope+retire&fil...
www.google.com/search?q=Christ+made+the+pope+retire&f...
www.ask.com/web?q=Christ+made+the+pope+retire&filter=0
www.duckduckgo.com/?q=Christ+made+the+pope+retire&fil... search.aol.com/search?
This photograph was published in the Illustrated Chronicle on the 16th of July 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
This shot has been selected as a finalist in the Photographer's Forum 29th Annual Spring Photography contest; it will be published in the Best of Photography 2009 book! I will find out whether I'm an Honorable Mention or above in mid-August.
So excited!!
The Postcard
A postally unused postcard that was published by the Photochrom Co. Ltd. of London and Tunbridge Wells. The card was posted in Edinburgh using a three-halfpenny stamp on the 10th. June.
It was sent by Mary C. Taylor to:
Frau Auguste Grünhauser,
Hauptstraße 65,
Wien III,
Oesterreich.
The year of posting is not legible, but we do know that the 1½d. postal rate for postcards sent abroad from the UK was in force between the 13th. June 1921 and the 30th. April 1940.
The Victoria Embankment
The Victoria Embankment (shown in the photograph) is part of the Thames Embankment, a road and river-walk along the north bank of the River Thames in London.
It runs from the Palace of Westminster to Blackfriars Bridge in the City of London, and acts as a major thoroughfare for road traffic between the City of Westminster and the City of London.
It is noted for several memorials, such as the Battle of Britain Monument, permanently berthed retired vessels, such as HMS President, and public gardens, including the Victoria Embankment Gardens.
History of the Victoria Embankment
The Victoria Embankment was designed by civil engineer Francis Webb Sheilds, who submitted designs to a Royal Commission appointed in 1861.
Following acceptance of the designs, construction was carried out by the Metropolitan Board of Works. This started in 1865, was completed in 1870 under the direction of Joseph Bazalgette.
The Victoria Embankment was one element of a three-part work, the other two parts being the Albert Embankment, from the Lambeth end of Westminster Bridge to Vauxhall; and the Chelsea Embankment, extending from Millbank to the Cadogan Pier at Chelsea, close by Battersea Bridge.
The contractor for the work was Thomas Brassey. The original impetus was the need to provide London with a modern sewerage system. Another major consideration was the relief of congestion on the Strand and Fleet Street.
The embankments were designed as a contribution to "the appropriate, and appropriately civilized, cityscape for a prosperous commercial society."
John Thwaites, the chair of the Metropolitan Board of Works, made note that the embankments were an important step in making London recognised as an exemplary imperial city, and that the embankments were the greatest public work to be taken in London.
This imperial power was represented in the embankments' grandeur, and could be seen in the way they controlled nature, linking the local experience of nature in London to the global rivalries of imperial powers.
The project involved building out on to the foreshore of the River Thames, thereby narrowing the river. The construction work required the purchase and demolition of much expensive riverside property.
The cut-and-cover tunnel for the District Railway was built within the Embankment and roofed over to take the roadway.
The embankment was faced with granite, and penstocks, designed to open at ebb tide to release diluted sewage when rainstorms flooded the system. They were built into it as a means of preventing backups in the drainage system, and of periodically flushing the mud banks.
At ground level, in addition to the new roads, two public gardens were laid out. One of these backs onto the government buildings of Whitehall, and the other stretches from Hungerford Bridge to Waterloo Bridge.
The gardens contain many statues, including a monument to Bazalgette. The section of the gardens between Waterloo Bridge and Charing Cross station also includes a large bandstand, where musical performances are given, and the 1626 watergate of the former York House built for the first Duke of Buckingham.
The Victoria section was the most complex of the three sections. It was much larger, more complex and more significant to the metropolis than the other two embankments. When people refer to "the Embankment" they are almost always referring to that portion of it.
It was officially opened on the 13th. July 1870 by the Prince of Wales and Princess Louise. The total cost of the construction of the Victoria Embankment is estimated to be £1,260,000, and the purchase of property at £450,000.
On the river side, new steamboat piers and landing stairs were designed for river access. Above ground were a tree-lined roadway and pedestrian walkways, surfaced with York paving stone and decorative gaslight posts for the top of the wall. (Two of these posts can be seen on the right of the photograph, with Cleopatra's Needle behind the further one).
Issues in Construction
Construction of the Victoria Embankment proved to be difficult because of the grandness of it. Parliament was assured that three years would be ample time to complete the project, but it wasn't.
In addition to not having a large enough labour force to complete the work on schedule, the project's architect and property appraiser were challenged in successfully securing rights to all the wharves and other property that were required for access and storage during the project's construction.
They also ran into difficulty in acquiring contracts to maintain access to the steamboat landings at Westminster and Hungerford.
In addition, extra time and money were spent experimenting with a new type of cofferdam, a structure used to keep water out of the construction site, which was crucial for building along the tidal Thames.
Electrification of the Victoria Embankment
In December 1878, Victoria Embankment became the first street in Britain to be permanently lit by electricity. The light was provided by 20 Yablochkov candles powered by a Gramme DC generator. On the 16th. March 1879 the system was extended to 40 lamps, and on the 10th. October to 55 lamps.
Previously the street had been lit by gas, and in June 1884, gas lighting was re-established, as electricity was not competitive.
Notable Sites of the Victoria Embankment
Ships permanently moored by the Victoria Embankment include HMS President, HQS Wellington, and PS Tattershall Castle.
Other notable features include the General Charles Gordon Memorial, the Royal Air Force Memorial, the National Submarine War Memorial, the Battle of Britain Monument, Cleopatra's Needle and the modernistic Cleopatra's Kiosk.
It's nice to have another Time Out cover under my belt. This one's out tomorrow. I'll post some more shots from the shoot soon.
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Dopo i successi estivi a Roma e Milano, il southern rock dei Blackberry Smoke torna in Italia per un unico appuntamento, l’11 marzo al Fabrique di Milano.
I Blackberry Smoke difficilmente riescono a stare con le mani in mano: il nuovo album “Like An Arrow” è uscito da appena tre giorni e la band è già pronta a presentarlo in tutto il mondo con una lunga serie di show, tra i quali la data italiana. Le canzoni di quest’ultimo lavoro dimostrano quanto quest’autentica rock band americana abbia una costante voglia di mettersi alla prova con nuove idee, suoni e territori musicali non ancora esplorati. «Siamo perfettamente in sintonia in merito a ciò che vogliamo esplorare», dichiara il cantante e autore Charlie Starr. «Non potremmo mai incidere sempre lo stesso album, nonostante ci siano fans che apprezzerebbero: sarebbe troppo scontato. Se i Beatles o i Led Zeppelin l’avessero pensata così, oggi non li ameremmo così tanto».
“Like An Arrow” prosegue il percorso iniziato con i due precedenti album, “The Whippoorwill” (2012) e “Holding All The Roses” (2015). Si apre col brano più heavy finora scritto dai Blackberry Smoke ed esplora il British rock prima di fare tappa in luoghi sacri come Macon, Woodstock, Muscle Shoals e Tulsa, con Starr e i suoi compagni impegnati a seguire le orme di pilastri della musica quali JJ Cale, The Allman Brothers Band e molti altri. Questa voglia di sperimentare pervade tutta la carriera del quintetto sin dal suo esordio, nel 2001. L’etica da classe operaia e l’attitudine alla jam session ha portato la band ad avere uno zoccolo duro di fan che continua a crescere concerto dopo concerto, con una media di 250 show all’anno.
I Blackberry Smoke sono Charlie Starr (voce, chitarra), Richard Turner (voce, basso), Brit Turner (batteria), Paul Jackson (voce, chitarra) e Brandon Still (tastiere).
Naha Awards collection published in " Salons Unlimited USA " on the left & "Pelluqerias " Spain on the right ,
Hair : Silas Tsang
Photo BABAK www.babak.ca
I received a magazine in the mail yesterday and brought it up to work today to look through. I had no idea why I was sent this magazine, as I did not have a subscription for it or anything. As I was flipping through, I saw a familiar image. It was one of my photos! And then I remembered that a few weeks back, I was Flickrmailed about this photo and if it could be used for a story. I guess I just forgot about it. Anyway, I was thrilled to see one of my photos, with my actual name, not my Flickr name, credited. I never imagined in a hundred years that I would see my name in a magazine. Unless it was announcing the World's Most Beautiful Women over 300 Pounds. I'm still waiting on that article.
This is my photo for March 3, 2009.
This is my first picture i have had published and I'm absolutely oven the moon, really, no pun intended.
I can't even begin to explain how happy this has made me, I'm a total amateur, I'm not a professional photographer, i just like to get out there and take some pictures purely as a hobby when I have a spare 5 minutes, i only just bought my first DSLR 2 months before taking this picture on it.
I was paid for the picture, but the money actually means very little, what I'm really ecstatic about is the fact i now have a free copy of a magazine that has one of my pictures in it, money can't buy that.
3 years taking pictures when i could as a hobby and now i have a picture Published, need a say more ? I'm just so happy.
I don't necessarily agree with black & white photos and especially not night photos, but they paid for it, so the can use it how they like.
The original picture is here.
www.flickr.com/photos/55927440@N04/5557354906/
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I love long exposures, everything to do with night time, the dark, sunrise and sunset.
I like to take pictures mainly at night , sometimes during the day and in dull and fading light and I will sometimes display the time and date the picture was taken too.
I tend to take pictures of Light trails, Motorway traffic, Street lights, Buildings, Landscapes, Bokeh, Night bokeh and Hexagonal Night Bokeh in and around the North East of England.
All of my pictures are 100% natural and untouched in every way without ever been Photo shopped or altered or messed about with in anyway whatsoever, No multi layered photography, No HDR's and No image manipulation of any kind, all of my pictures look just the way they did when I saw them at the time of taking and I'm VERY PROUD of that.
I don't do any photo processing at all, I don't even own any photo software.
All of my starbursts are all 100% natural without using any filters or anything else, as is all my bokeh, night bokeh and hexagonal night bokeh, its all natural, no funny gimmicks at all.
I don't do anything with my pictures apart from take them and then upload them , 99.99999% of my pictures don't even get cropped , they are all 100% natural and untouched and then uploaded.
All of my pictures are copy right, © All rights reserved, you MAY NOT use any of my pictures without my written consent, you also MAY NOT change, alter, adjust or rearrange my pictures in anyway what so ever.
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© All rights reserved.
If you enjoy taking pictures of Car Light Trails At Night please feel free to join the group.
All of my pictures are copy right, © All rights reserved, you MAY NOT use any of my pictures without my written consent, you also MAY NOT change, alter, adjust or rearrange my pictures in anyway what so ever.
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© All rights reserved.