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Red Cross volunteer Carmella Ditmars hands out pillowcases to students during The Pillowcase Project presentation at the Wharton Public Library on July 30.
Photo taken July 30, 2014 in Wharton, NJ
American Red Cross/Erica M. Viviani
Today was such a busy day, and the evening was worse. Meh.
Just a grab shot really. When I got home I did a quick trot to the Chemists to see if my prescription was ready.
It was. I rattle. :)
Upon an early return I caught the culprit responsible for luring me out of the house today!
(Apologies for the confusion from earlier unsigned originals- the mask and tea party illustration- I remembered to sign this one.)
The fear and loathing of project work.
Ryan still trying hard, but nearly had enough for the day.
Cinderella.
NSW.
On September 21st, more than 100 volunteers joined WellLife Network to beautify program locations across New York City and Long Island.
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
Acrylic on cartridge paper, palette knife experimentation. Really captures the energy of the scene.
Completed 2011
Op het Emile Braunplein komt een "stadshal", een polyvalente ruimte, die het Emile Braunplein van de Poeljemarkt (plein naast het stadhuis) zal scheiden.
De kelderverdieping van de stadshal komt uit op het parkje. Zij zal dienst doen als bar/ café als er activiteiten doorgaan in de stadshal.
Er zal een parkje op het Emile Braunplein aangelegd worden, met het fontein, de geknielden, zie foto. Klokke Roeland zal te zien zijn op het Goudenleeuwplein.
Het is nog niet duidelijk wat er gaat gebeuren met de Poeljemarkt.
The GLP was designed for early in the week so that cadets can learn who their teammates are throughout the week.
More photos from the City Encounters event for the Salisbury International Arts Festival
This is Project_Vee by Circus Geeks and Pangottic
This project explores personal identity through personal belongings. Wallets from friends, family and strangers are going to be drawn and documented. The idea is to create an identity system without faces or names, but through possessions. What do the things a person carries around say about them? This is one of my first wallets, hopefully there will be many more to come.
many teenagers + one power outage + many audience member cell phones + one flashlight =
interesting end to a young company show at the theater project.
Wintry weather at Wellington Station. This afternoon the Metservice website said it was 5C but would feel like -3C.
Wednesday, 12th July 2017.
Untitled Music Project play at The Sunflower Lounge in Birmingham, 23 November 2013.
| Band | Promoter | Venue | Publication | Event photos |
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Dennis Kleinjan, left, rancher near Chinook, Mont., and his wife, Laura, worked with Danny Pratt, NRCS district conservationist, on a grazing management system that has increased his productivity. June 2017. Blaine County, Montana.
Is it possible to give a condensed overview of what people think and believe by documenting what they express in bumper stickers? Over the last month I captured every bumpersticker I could get a hold of in my city.
For one of the projects for my photography course, I had to produced a set images that show "The Spirit of the Place". Knowing it fairly well, I chose Tutbury Castle as my subject.
My subject of matter is texture, expressing the emocional depth of that precisely moment. Texture makes us feel and see things in ways we would never have. It makes us laugh, cry, feel angry. I’d like to leave each interpretation to the viewer and appreciate it’s composition.
For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store signs and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
Whittaker's chocolate Easter kiwis. Seen in New World Metro at Wellington Railway station.
Friday, 29th January 2016
Photograph from The Atlas/Eros Project , an ongoing photographic art project.
Model: KeB
Copyright 2011 Russ Matthews. All rights reserved.
Looking down Oslofjorden from Akershus Castle.
Oslofjord
From Wikipedia, the free encyclopedia
The Oslofjord (Norwegian: Oslofjorden) is a bay in the south-east of Norway, stretching from Langesund in the south to Oslo at the head. The bay is divided into the inner (indre) and outer (ytre) Oslofjord at the point of the 17 km long and narrow Drøbaksundet. The entire population situated around the Oslofjord including Oslo is about 1.7 million.
In spite of its name, the Oslofjord is not, geologically speaking, a fjord. In historical times, it was known as Viken (the bay); it is unclear when (and for what reason) it acquired its current name.
Norwegian painter Edvard Munch had a cottage and studio in Åsgårdstrand on the fjord and it appears in several of his paintings, including The Scream and Girls on the Pier.
The fjord was the scene of a key event in the German invasion of Norway in 1940. The invasion, Operation Weserübung, included a planned landing of 1000 troops transported by ship to Oslo. Colonel Eriksen, Commander of the Oscarsborg fortress near Drøbak, mainly maintained for historical purposes, sank the German warship Blücher in the Drøbak narrows.
The fortress resistance blocked the route to Oslo, thus delaying the rest of the group long enough for the royal family, the government and parliament to be evacuated, as well as the national treasury. The result was that Norway never surrendered to the Germans, leaving the Quisling government illegitimate and permitting Norway to participate as an ally in the war, rather than as a conquered nation.
The Oslofjord is one of the nine venues of the Class 1 World Powerboat Championship