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This of course doesn't look like a patio, but the landlord told us more than once that it will look like one 'in summer' (and as always, he forgot to mention which year). The apartment next to the derelict balcony is not the one I'm living in, but the view is bad enough for anyone who is forced to pass by every day. And btw, it's not a good idea to accuse others of 'compulsive hoarding' if your house is a mess like this!
(In this photo you can also see that Project staircase, started in 2006, is still not finished!)
(Das hier sieht natürlich nicht wie eine Terrasse aus, soll aber laut dem Vermieter 'im Sommer' mal eine werden (wie immer hat er vergessen, das Jahr zu erwähnen). Die Wohnung, die zu dem heruntergekommenen Balkon gehört, ist nicht meine, aber der Anblick ist schon schlimm genug für jeden, der gezwungenermaßen jeden Tag hier vorbeigehen muß. Übrigens ist es keine gute Idee, andere als "Messie" zu beschimpfen, wenn das eigene Haus ein solcher S**stall ist!
(Auf diesem Bild kann man auch erkennen, daß das Projekt Treppenaufgang, angefangen im Jahr 2006, immer noch nicht beendet ist!))
The Sabarmati Riverfront Development Project began as an urban renewal project to significantly improve the spatial structure and habitat conditions of the river and adjoining areas. This project aims to transform Ahmedabad’s historic yet neglected river into a vibrant and vital focus for the city. Ideas for the development of the Sabarmati River began with proposals in the early 1960s. In 1997, the Sabarmati Riverfront Development Corporation Ltd. (SRFDCL) was formed byt the Ahmedabad Municipal Corporation and construction began in 2004.
The development project encompasses both banks of the Sabarmati for a 10.5 kms. stretch, creating approximately 185 hectares of reclaimed land. The Fatewadi Canal is fed by water stored in the Vasna Barrage through releases from the Narmada Canal, this made it possible to store water in the river for irrigation purposes - enabling a public waterfront. The project includes water management systems to minimize flooding in traditionally flood-prone areas and to clean up the Sabarmati with new sewage treatment infastructure. These include providing interceptor sewer lines along both banks of the river to divert sewage to Ahmedabad’s two sewage treatment plants; and building retaining walls which will protect the low-lying areas near the riverbanks from flooding.
A key element of the project is a new linear two-level promenade. The lower promenade with a minimum width of 10 meters, will be just above water level, providing uninterrupted pedestrian access to the water. The upper promenade will host a variety of public buildings, cultural and educational institutions, public parks and plazas and a few areas for commercial development, while new traffic infrastructure will connect the riverfront to the city.
The project aspires to create a unique identity for Ahmedabad by creating a unique skyline for the city. Being a landmark project with far reaching impacts, it is the backbone for rejuvenating inner city neighborhoods adjacent to the riverfront project, thereby spurring future developments within the city.
Official Website
Около пяти месяцев тому у меня родилась идея как можно интересно сфотографировать девушку, далее несколько, а потом это переросло в фото проект "In the water"...
И вот прошло почти пол года все фотографии уже отсняты, отредактирована одна
Спасибо всем кто сотрудничал со мной особое спасибо всем моделям, дизайнерам, визажистам...
Хочу представить вашему вниманию 1 фотокарточку серии
"In the water" это девушку зовут Анна спасибо большое.
Фото серия очень концептуальная и несет большой смысл, но об этом чуть позже.
P.S:
Скоро будет много интересного и новостей.
The Heidelberg Project is an outdoor art project in Detroit, Michigan. It was created in 1986 by artist Tyree Guyton and his grandfather Sam Mackey ("Grandpa Sam") as an outdoor art environment in the McDougall-Hunt neighborhood on the city's east side, just north of the city's historically African-American Black Bottom area. The Heidelberg Project is, in part, a political protest, as Tyree Guyton's childhood neighborhood began to deteriorate after the 1967 riots.
YAHOO! MAKES RP A MORE PURPLE PLACE
“Project Purple” Unveiled to Power Pinoy Passions
MANILA, May 26, 2009 - Yahoo! today demonstrates its place as a highly relevant and essential tool to power Pinoy passions by spearheading a social movement called Project Purple, to help Filipinos Find, Share and Connect to the things that matter most to them.
Project Purple powers Pinoy passions by encouraging Filipinos to be creative, innovative, express opinions and be heard and listened to in a fun and fresh way. It’s an effort that links to Yahoo!’s brand promise to transform the lives of people, societies and economies.
“Project Purple is a social movement and is open to everyone – online and offline. We are rallying Pinoys to be Purple and utilize the internet to aim higher,” said Jojo Anonuevo, general manager, Yahoo! Philippines. “The internet and Yahoo! have become essential services to people and a great equalizer for people to expand their horizons,” Anonuevo added.
Purple is Yahoo!’s corporate colour which reflects the company’s brand personality and philosophy of innovation, uniqueness, creativity and passion. With this campaign, Yahoo! aims to call out to all Filipinos who share this same vision to bring innovation and a positive change in the Philippines. As catalyst for Project Purple, Yahoo! empowers Filipinos through internet services that enable them to pursue their passions. Through a creative mix of online and offline initiatives, Yahoo! Project Purple brings awareness to the things Filipinos are passionate about and how they can be found on Yahoo!.
“The social movement started in the United States with the ‘Start Wearing Purple’ campaign. We are happy to bring this to the Philippines—the very first country outside the US where there are millions of creative, innovative and passionate Pinoys. Today, Yahoo! is excited to connect the country together in this campaign and we expect many more to join us in the coming weeks”, said Anonuevo.
Joining this social movement are top Philippine and global companies as well as popular Pinoy artists. These Purple partners include: Ayala Land, Inc., BlackBerry, Canon Philippines, Globe Telecom, Honda Philippines, Krispy Kreme Philippines, and Nestle Philippines. Participating local artists are: Aaron Roselo, Anjo Bolarda, Bjornik, Beth Parrocha-Doctolero, Christian Tamondong, Paul Imbong, and WeWillDoodle.
Here are some ways that Pinoys can be part of this social movement:
Be Part of Project Purple through Purple Hunt on the Yahoo! Philippines Front Page (www.yahoo.com.ph)
Yahoo! has given the treasure hunt its very own purple twist. Interesting insights about the web and the Philippines will be uncovered through the Yahoo! Purple Hunt micro-site. Participants will be asked to solve online clues and find items located around Metro Manila.
Neither shovel nor compass is required. Purple hunters simply need to log on to the Yahoo! Philippines front page (www.yahoo.com.ph) and click on “Purple Hunt.” The fun begins June 2 and will run up to July 25.
Up for grabs are Purple Krispy Kreme doughnuts and other Yahoo! prizes like Canon digital cameras and Blackberry mobile phones specially designed by Pinoy artists. One lucky purple hunter will drive away with the grand prize—a one-of-a-kind Honda Jazz car sporting purple artwork created by WeWillDoodle.
Attend the Purple Hunt Tour across Metro Manila
Running parallel to the online hunt is the Purple Hunt Tour to be sponsored by the Ayala Malls. As Project Purple sweeps across Metro Manila, Yahoo! booths will provide mall-goers a taste of the Purple life through activities that include:
•‘Purplize’ yourself - Watch you and your friends turn Purple with a few props and a whole lot of digital wizardry. You’ll even get a photo to remember your Purple self by!
•Yahoo! Mobile Surf & Lounge Booths - Our Purple crew will guide you through Yahoo! Mobile and other online services that showcase how Yahoo! makes surfing the web and sustaining connectivity easy and fun.
•Globe Broadband Tattoo Booth - Special ‘Purplized’ Globe Broadband Tattoo Pre-paid Kits will be sold!
•Krispy Kreme Doughnut* Counter - ‘Purplized’ Krispy Kreme Doughnuts will be given away daily, while stocks last!
•Nestle Ice Cream give-away - Nestle ice cream will also be given away daily while stocks last!
Catch the Purple Hunt Tour at Market! Market! on June 5-7, at Greenbelt 3 on June 8-10, at Glorietta 3 on June 11-15,and at Trinoma on June 16-18.
Support Pinoy Talent
Six local up and coming artists have submitted art pieces to Yahoo! for a soon-to-be-released limited edition art book “Purplescape.” It will showcase the perspectives of 20 graphic artists from Brazil, Canada, Indonesia, Korea, Malaysia, Philippines, Singapore, South Africa and the United Kingdom. These graphic artists were chosen based on the works they submitted in response to Yahoo!’s call for their individual renditions of a ‘purple world.’
Popular art-based performance group, WeWillDoodle, will create a one-of-a-kind art piece using the Honda Jazz as ‘canvas.’ The first of its kind, for the group and for Honda, the purple car is one of the must-have prizes in the online treasure hunt.
Find out more about these Pinoy artists by visiting the Yahoo! Philippines Front Page (www.yahoo.com.ph) and clicking on “Purple Hunt”.
For high-res images, please visit the following URL, select the image and click “all sizes”: tinyurl.com/yahoo-ph
Initial planning: the Nautilus project, an attempt to build a Disney-inspired model of the submarine Nautilus from the Jules Verne novel 20,000 Leagues Under the Sea, scaled for 4-inch action figures.
Okay, they're not really "action figures," they're dolls.
Trying to get a sense of scale -- how big should it be? I'm working in an amalgam of standard and metric units: most of the potentially useful pieces I'm finding can be measured in even increments of inches, but I'm sketching my plans in a 1cm = 1 inch scale. I was trying to hold the size to a meter (39 inches), but to get the right look, I think I'll have to extend the length to 42 inches (107cm).
I should probably keep some reference photos at hand. Later I will have to do so, in order to shape some of the sections reasonably accurately. What I'm going for, however, is a "suggestion" of the Disney Nautilus, so at this point what I'm doing is roughing in the approximate shape I want from memory.
Serendipitously, I found a plank that is the exact width I came up with in my plan for the main deck. At present the approach is to create a "waterline model" of how the Nautilus would look floating on the surface of the sea. Creating a full 3-D hull is beyond the scope of this project, although I'll try to craft this so that I might add more detail if I feel so inclined.
I'm thinking I may try to avoid the use of much cardboard, and focus instead on styrofoam and plastic, so the model might actually float. This would facilitate photos later.
There's a good chance this project will not advance beyond the "drawing board" stage.
6 March 2010
Lamborghini Aventador Project.
Due to impossible hard bits and unorganized lego, terminated until an indefinite period of time.
this project is all about trying new things, right? so here's my first real self portrait. yuck.
today was patriotic, of course. happy fourth of july! oh, and it sort of looks better large. i don't know why.
No. 1 - 5: Exploring Canterbury.
Canterbury Cathedral
The Great Cloister.
CLOISTER (Lat. claustrum; Fr. cloitre; Ital. chiostro; Span. claustro; Ger. Kloster). The word "cloister," though now restricted to the four-sided enclosure, surrounded with covered ambulatories, usually attached to coventual and cathedral churches, and sometimes to colleges, or by a still further limitation to the ambulatories themselves, originally signified the entire monastery. In this sense it is of frequent occurrence in earlier English literature (e.g. Shakespeare, Meas. for Meas. i. 3, " This day my sister should the cloister enter"), and is still employed in poetry. The Latin claustrum, as its derivation implies, primarily denoted no more than the enclosing wall of a religious house, and then came to be used for the whole building enclosed within the wall. To this sense the German "Kloster" is still limited, the covered walks, or cloister in the modern sense, being called "Klostergang," or "Kreuzgang." In French the word cloitre retains the double sense.
d k In the special sense now most common, the word "cloister" enotes the quadrilateral area in a monastery or college of canons, round which the principal buildings are ranged, and which is usually provided with a covered way or ambulatory running all round, and affording a means of communication between the various centres of the ecclesiastical life, without exposure to the weather. According to the Benedictine arrangement, which from its suitability to the requirements of monastic life was generally adopted in the West, one side of the cloister was formed by the church, the refectory occupying the side opposite to it, that the worshippers might have the least annoyance from the noise or smell of the repasts. On the eastern side the chapter-house was placed, with other apartments belonging to the common life of the brethren adjacent to it, and, as a common rule, the dormitory occupied the whole of the upper story. On the opposite or western side were generally the cellarer's lodgings, with the cellars and store-houses, in which the provisions necessary for the sustenance of the confraternity were housed. In Cistercian monasteries the western side was usually occupied by the "domus conversorum," or lodgings of the lay-brethren, with their day-rooms and workshops below, and dormitory above. The cloister, with its surrounding buildings, generally stood on the south side of the church, to secure as much sunshine as possible. A very early example of this disposition is seen in the plan of the monastery of St Gall. Local requirements, in some instances, caused the cloister to be placed to the north of the church. This is the case in the English cathedrals, formerly Benedictine abbeys, of Canterbury,
Although the covered ambulatories are absolutely essential to the completeness of a monastic cloister, a chief object of which was to enable the inmates to pass from one part of the monastery to another without inconvenience from rain, wind, or sun, it appears that they were sometimes wanting.
We learn from Osbern's account of the conflagration of the monastery of Christ Church, Canterbury, 1067, that a cloister with covered ways existed at that time, affording communication between the church, the dormitory and the refectory. We learn from an early drawing of the monastery of Canterbury that this cloister was formed by an arcade of Norman arches supported on shafts, and covered by a shed roof. A fragment of an arcaded cloister of this pattern is still found on the eastern side of the infirmarycloister of the same foundation.
The older design was preserved in the South, where "the cloister is never a window, or anything in the least approaching to it in design, but a range of small elegant pillars, sometimes single, sometimes coupled, and supporting arches of a light and elegant design, all the features being of a character suited to the place where they are used, and to that only"
The cloister of a religious house was the scene of a large part of the life of the inmates of a monastery. It was the place of education for the younger members, and of study for the elders.
At Canterbury the monks' school was in the western ambulatory,
For this purpose small studies, known as "carrols," i.e. a ring or enclosed space, were often found in the recesses of the windows. Of this arrangement there are examples at Gloucester, Chester and elsewhere. The use of these studies is thus described in the Rites of Durham: - " In every wyndowe" in the north alley "were iii pewes or carrells, where every one of the olde monkes had his carrell severally by himselfe, that when they had dyned they dyd resorte to that place of cloister, and there studyed upon their books, every one in his carrell all the afternonne unto evensong tyme. This was there exercise every daie." On the opposite wall were cupboards full of books for the use of the students in the carrols. The cloister arrangements at Canterbury were similar to those just described.
The larger monastic establishments had more than one cloister; there was usually a second connected with the infirmary, of which there are examples at Westminster Abbey and at Canterbury; and sometimes one giving access to the kitchen and other domestic offices.
Extracts from Classic Encyclopedia
To see this Large:- farm5.static.flickr.com/4005/4370396300_ae46519c75_b.jpg
Taken on
October 5, 2007 at 12:27
The Lowbrow Tarot Project
Lowbrow Tarot Collectors Book & Deck:
auniakahn.bigcartel.com/product/lowbrow-tarot-book-deck
The Lowbrow Tarot Project showcased 23 amazing artists who used their creative genius and unique style to take on the 22 Major Arcana [+ the card back] and create 23 new works of art in the rugged glow of the lowbrow art movement that was displayed in an exhibition at La Luz de Jesus on October 1, 2010. With the completion of this project, we celebrate the 2 year anniversary with the release of the Lowbrow Tarot Book & Deck.
The books and deck features 23 new and original works, while the book has been expand to showcase 314 color & black/white works by renowned and accomplished artists: Carrie Ann Baade, Christopher Ulrich, Edith Lebeau, Cate Rangel, Kris Kuksi, Chris Mars, Christopher Umana, Chris Conn, Brian M. Viveros, Claudia Drake, Heather Watts, Molly Crabapple, David Stoupakis, Laurie Lipton, Patrick “Star 27” Deignan, Chet Zar, Jessica Joslin, Danni Shinya Luo, Jennybird Alcantara, Angie Mason, Scott G. Brooks, Aunia Kahn and Daniel Martin Diaz.
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
Untitled Music Project play at The Sunflower Lounge in Birmingham, 23 November 2013.
| Band | Promoter | Venue | Publication | Event photos |
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I decided to follow a new direction for this project. Experiencing the current pandemic situation and having to stay quarantined for safety, I was having issues with myself and the artworks I was creating. I felt like it was unimportant to keep making the same kind of sculptures in the current moment. I felt like there were more pressing matters to attend than making cute, fun, little figurines. Plus, all that was filling my mind was anxieties about knowing if my family and friends were safe after checking the news all day every day to see how close and in which locations new cases of the virus were being found. I felt the need to create some more literal art piece which reminded me of the chapter on language in our book, which reminded me of Jenny Holzer's work with the large projections and light signs. I figured I could express what I was feeling and being surrounded with by working in a similar way.
The bottom sign is more of what the news casts were telling people to do, and the top sign is what I was seeing friends and family post on the internet. I also added the part "We are here because we are here.." as a reference to a time in WWI were British soldiers stopped to sing this in the battlefield over and over as a form of expressing how they felt trapped in battle and danger without knowing even the reason for them to be there.
A project I put together with items I had on hand...old cardboard, old vintage prints, fabric remnants and a cut out from a botanical print I had. I like the fact that it's all on cardboard :-)
oahu, hawaii
1973
surfer, north shore
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
My daughter doesn't like dresses, so I remixed this as a tunic and leggings. I kept the shape of the bodice, but lengthened it. It is still fully lined. On the back, I used big covered buttons and longer loops to give it a kind of Sergeant Pepper feel. I mimicked the color band of the sash with solid colored leggings. These were re-purposed from the sleeves of an old shirt, using the existing hems and adding a yoga style waistband. Her headband is one I use a lot; ribbon covered with a snap so I can swap out the yoyos to match her different outfits. For a finishing touch, I used the scraps of my lining fabric to make a necklace (from another Cottage Mama tutorial!). Still dressy, but more practical. :)
SpirosK is the wonderful photographer for this henna project, and Danai Gourd the marvellous model. We shot in an abandoned hotel in the mountains north of Athens, Greece. The hotel was really moody, surreal, post-apocalyptic fairy in a mad maxish setting. This was one of the most fun projects I have worked on with a great crew - assistants, make up artists, everyone gave 110% of their energy to do this.
Henna was a challenge for me, not my normal style. Tried to make it thorny, not too flowery, tribally, but not too tribal, and the raggedy faerie wings were accented with water color pencil.
The cast and crew are:
Spiros K. = Photographer
Kree Arvanitas = Henna artist
Danai Gourd = Model
Jennifer Rage = Makeup Artist
Magdalini = Artist Assistant
Anastasia = Model Assistant
So after the Senior picnic I went straight home to pack all the gear I needed for Denise's cotillion. This is my first time doing photography for an event like this since the other times were video gigs. It was really fun to take pictures and I wish Denise all the blessings for her 18th birthday.
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Nikon D5100
18-55 Kit Lens
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SB800 on camera using TTL