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Program, pg. 11; "Bringing Beijing Home", Massachusetts Conference on Women held at Simmons College, September 28, 1996
TERRA INDÍGENA WAIMIRI ATROARI (AM-RR), 01/12/2017. Os juízes Alexandre Novaes e Erick Linhares, coordenadores dos programas Justiça Itinerante no Tribunal de Justiça do Amazonas (TJAM) e no Tribunal de Justiça de Roraima (TJRR), respectivamente, reuniram-se com lideranças indígenas da Terra Indígena Waimiri Atroari, localizada na rodovia BR-174, entre os dois estados. O objetivo da reunião foi debater as necessidades dos habitantes da área para que os programas Justiça Itinerante possam atendê-las. Foto: Raphael Alves
Brasília (DF) 04/03/2026 - Ministro da Integração e do Desenvolvimento Regional, Valdez Goes, participa do programa Bom Dia, Ministro. Foto: Fabio Rodrigues-Pozzebom/ Agência Brasil
Thomas Cole - American, 1801 - 1848
The Voyage of Life: Manhood, 1842
West Building, Main Floor — Gallery 60
A man looks up as he kneels with his hands clasped in prayer in a small golden boat on a river that rushes toward craggy rocks in this horizontal landscape painting. The man has pale skin, dark brown hair and beard, and he wears a crimson-red tunic. A winged figurehead at the front of the gold boat holds up an hourglass. The boat sails to our right, away from calm waters to the left toward whitewater rapids along the right edge of the composition. A ridge of tall, jagged, moss-covered rock lines the water’s edge to our left and another channels the water on the opposite side of the river. Closest to us, a barren, blasted tree twists up from the lower right corner. The river passes off the right edge of the canvas, and calm waters beyond extend into the distance. The horizon line comes just under halfway up the composition. Bands of golden yellow break through the deep mauve-pink sky near the horizon line to our right. Diagonal plum-purple streaks suggest falling rain in the distance. A white glow in the upper left corner emanates around a person with long, reddish-blond hair and pale skin, who looks down at the man in the boat. That person wears a white garment and a golden star shines at the forehead. Smudges of fog blue in the sky above the man first read as clouds but upon closer inspection, the cloud-like forms contain the faces of three bearded men.
Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.
From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 95-108, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Thomas Cole, America's leading landscape painter during the first half of the nineteenth century, was born on February 1, 1801 in Bolton-le-Moor, England. Before emigrating with his family to the United States in 1818, he served as an engraver's assistant and as an apprentice to a designer of calico prints. Cole worked briefly as an engraver in Philadelphia before joining his family in Steubenville, Ohio, in 1819. While in Ohio he apparently learned the rudiments of oil painting from an itinerant portrait painter named Stein. In 1823, during a stay in Pittsburgh, Cole began drawing from nature, creating closely observed and intensely expressive images of trees and branches. Later that year he returned to Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts and worked in a variety of art-related jobs.
In April 1825 Cole moved to New York, where his family had also relocated. That summer he made an extensive sketching tour up the Hudson River and into the Catskill Mountains. In late October 1825 three of his landscapes were sold to three prominent figures in the young nation's art community, John Trumbull (1756-1843), William Dunlap (1766-1839), and Asher B. Durand (1796-1886). In January 1826 Cole was elected a founding member of the National Academy of Design, and his works were increasingly in demand with leading patrons such as Daniel Wadsworth (1771-1848) of Hartford and Robert Gilmor, Jr. (1774-1848) of Baltimore.
Although Cole had ample commissions in the late 1820s to paint pictures of American scenery, his ambition was to create a "higher style of landscape" that could express moral or religious meanings. His first major efforts in this vein met with mixed reviews, and he decided study and travel in Europe were necessary. In June 1829 Cole sailed for England, where he studied the works of Old Masters and also met Joseph Mallord William Turner (1775-1851) and John Constable (1776-1837). He subsequently traveled in France and in Italy, with lengthy stays in Rome and Florence. While in Italy he conceived of a multi-part landscape series tracing the rise and fall of an archetypal civilization. Although he failed to interest Gilmor in commissioning the series, upon his return to America in 1832 Cole did manage to convince the retired New York merchant Luman Reed (1785-1836) to support his grand project. The result, the five canvas Course of Empire (New-York Historical Society), was completed in 1836 and received considerable popular attention and generally favorable reviews.
Cole continued to paint American landscapes in the 1830s and early 1840s, but much of his energy in these years went into the creation of complex imaginary works such as The Departure and The Return (1837, National Gallery of Art, Washington, D.C., Corcoran Collection) and the two versions of The Voyage of Life (1839-1840, Munson-Williams-Proctor Institute, Utica, and 1842, National Gallery of Art, Washington, D.C.). In 1836 he married Maria Barstow and settled in Catskill, New York, a small village on the west side of the Hudson and close to the Catskill Mountains. That same year Cole, who was throughout his career a prolific writer of prose and poetry, published his "Essay on American Scenery" in the American Monthly Magazine, in which he expressed many of his most deeply felt convictions about landscape painting.
In 1841 Cole make a second trip abroad, with extensive travel in Italy, including a memorable visit to Sicily that resulted in several views of Mt. Etna. He returned to Catskill in 1842; in 1844 he accepted the young Frederic Edwin Church as a pupil on Daniel Wadsworth's recommendation. In the mid and late 1840s Cole painted many impressive American landscapes, which are notable for an increased accuracy in the depiction of atmosphere and light. At the same time he labored, ultimately without success, to complete a five-part series called The Cross and the World, in which he endeavored to portray the individual's quest for spiritual knowledge and salvation.
Cole's premature death in Catskill on February 11, 1848, was universally mourned and a comprehensive memorial exhibition of his works was quickly organized in New York. His influence on the course of American landscape painting was profound and his works influenced numerous younger painters who matured in the late 1840s and early 1850s, most notably Jasper F. Cropsey and Church.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Maxie in her fly bonnet.
For more information on Painted Bar Stables and our youth adventure program please see www.paintedbarstables.com/youthadventure.html.
Volunteer Honduras La Ceiba Bettina Voelker Health Care + Spanish Immersion programs January 19, 2014: I choose La Ceiba, Honduras Medical/Dental program because I want to learn more about healthcare in Central America. The program allows me to couple this learning experience with improving my Spanish and shadowing physicians and interacting with patients.
www.abroaderview.org/programs/medical-dental/honduras-pre...
#volunteerabroad #honduras #abroaderview
Soldiers from 5th Canadian Division, support planning and preparations for MAPLE ARCH 24 (MA24) in Veles, North Macedonia on July 13, 2024. MA24 focuses on peace support and stability operations, within a multinational brigade. Participating nations studied NATO procedures and tested the coordination, fluency, and effectiveness of their cooperation. Participating nations include North Macedonia, Ukraine, Georgia, Poland, and Lithuania. #MAPLEARCH, #LITPOLUKR, #NATO, #GeorgianDefenceForces, #StrongerTogether, #RelationshipBuilding, #PartnersForPeace, #PlusFortsEnsemble @CAF, @NATO, @GDF
MAPLE ARCH 24 has been conducted annually since 1999 as part of Canada’s Defence Diplomacy efforts, which the Directorate of Military Training and Cooperation (DMTC) coordinates on behalf of Assistant Deputy Minister (Policy) (ADM (Pol)). DMTC is responsible for the delivery of the Military Training and Cooperation Program (MTCP) on behalf of the Department of National Defense (DND) and the Canadian Armed Forces (CAF).
By: Captain Lance Wade
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Des membres de la 5 e Division du Canada appuient la planification de l’opération
MAPLE ARCH 24 (MA24) à Veles, en Macédoine du Nord, le 13 juillet 2024. L’Ex MA24 se concentre sur
les opérations de soutien de la paix et de stabilité au sein d’une brigade multinationale. Les pays
participants ont étudié les procédures de l’OTAN et ont mis à l’épreuve la coordination, la fluidité et
l’efficacité de leur coopération. Les pays participants comprennent la Macédoine du Nord, l’Ukraine, la
Géorgie, la Pologne et la Lituanie.
L’Ex MAPLE ARCH est organisé chaque année depuis 1999 dans le cadre des efforts de diplomatie de
défense du Canada, et la Direction de l’instruction et de la coopération militaires (DICM) en assure la
coordination au nom du sous-ministre adjoint (Politiques) [SMA (Pol)]. La DICM est responsable de
l’exécution du Programme de l’instruction et de la coopération militaires (PICM) pour le compte du
ministère de la Défense nationale (MDN) et des Forces armées canadiennes (FAC).
Par: Capitaine Lance Wade
Buenos Aires, 3 de Septiembre de 2013
“La lección de Gerónimo” es una historia de iniciación acerca de un cazador que entra al monte buscando comida y, una vez allí, debe hacer frente a las fuerzas de la naturaleza. Utilizando la técnica de stop motion (cuadro por cuadro) sobre fondos y decorados realizados con esténcil, jóvenes de la Comunidad Qadhuoqte animaron al cazador Gerónimo en su travesía a través del monte, a partir de las herramientas obtenidas en los talleres de cine animado desarrollados durante 2012 por el Programa Pueblos Indígenas de la Dirección Nacional de Promoción de los Derechos Culturales y Diversidad Cultural.
Jan 03 2008 - Squamish Emergency Program out in training. Here is a walk across broken ice. Need less to say he did not make it. Do not try this at home or out on the ice. _DSC_6699
5 OKTOBER 2013 - Program Penerapan Nilai-Nilai Murni Pelajar-Pelajar Tingkatan 6 daripada sekolah sekitar Putrajaya dan Selangor. Program ini dianjurkan oleh Bhg PenMas.(Gambar Rosman Abu Bakar/CommED)
AAF's Most Promising Multicultural Students Program, February 13–16, 2017, New York City (Photographs by Peter Foley)
www.stvincent.edu | Specifically designed for advanced high school and first-year college students, the Faith and Reason Catholic College Summer Program offers participants a unique opportunity to come to a richer, deeper understanding of the Catholic faith.