Theater & Concert Tickets Programs & Playbills - Ephemera
View allAll Photos Tagged Programming
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
2016-07-15 21.12.26
Check this photo's creation on my website...
www.brandonhilder.com/canadian-recycling-program/
Thanx for Viewin, Favin, and Commentin on my Stream!<
Great Blue Heron hiding out in the lake, Wildwood Lake, Harrisburg, Pennsylvania
Shannon O'Shea Wildlife Photography
After a heartwarming Outreach Program with the kids of Tanay, Rizal.. the group headed for the famous view decks/grills in Antipolo, overlooking the cityscapes of Manila. We ended up on the 3rd level of Eagle's Nest for some refreshments and sunset captures.... this is one of them.
on Explore!... thank you all!
An Eastbound UP tank train passes by the Oak Park green line Subway station, in Oak Park outside Chicago. Leading is UP’s Employee Assistance Program unit, which caught me off guard completely until I saw the stickers on the side.
I haven't been very good at keeping on track with my challenge for the last month and a bit. So i'd made a pact with myself to get caught up. I'm almost there, on more post on Sunday and I'll be back to where I should be. I'm a bit disappointed with for falling behind but it has been difficult keeping up with grade 12 and all that goes along with that. But now that it's officially into fall I feel like that'll give me a boost of inspiration, I love this season, all the fog, rain, leaves....and fog.
I've also got a project underway that I'm very excited about. After having my photography course cut at school things have been challenging, staying motivated to go out and take photos is definitely that hardest thing to do so far. I also really miss being in the art environment and working in my beloved darkroom. But anyways this new project is going to tie into my feelings towards cutting art programs. Im really looking forward to getting into it. Stay tuned my friends and thanks for continuing to check out my work
Program:Manual
Lens:18-105mm f/3.5-5.6 G VR
F:11.0
Speed:1/250
ISO:100
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:4.22 m
Dof:inf (1.09 m - inf)
HyperFocal:1.47 m
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:7.1
Speed:1/60
ISO:100
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
Metering Mode:Spot
WB:Auto1
Focus Distance:11.89 m
Dof:inf (3.03 m - inf)
HyperFocal:4.05 m
AF Fine Tune:+11
Program:Manual
Lens:50mm f/1.4 G
F:13.0
Speed:1/200
ISO:64
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (4.17 m - inf)
HyperFocal:6.40 m
Think of me as programmable soda
Too much cherry?
Baby then you can just add cola
Think of me as programmable soda
'Cause you can
Can be a cruel fella
So okay, then I just back off
The vanilla
Think of me as programmable soda
'cause I've come
I've come to accept that
For lovelies you are a fanatic
But I can't
I can't let that throw me
Into a genital panic
Think of me as programmable soda
Too much cherry?
Baby then you can just add cola
Think of me as programmable soda
When you think
And boy when you drink
When you think of me
~Tori Amos
(in case anyone's curious there are 7 skins and 6 hairstyles all mashed together)
Program:Manual
Lens:24-70mm f/2.8 G VR
F:3.2
Speed:1/2500
ISO:100
Focal Length:55.0 mm (35 mm equivalent 82.0 mm)
AF Fine Tune Adj:+11
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:On
EV:-1/3
Metering Mode:Spot
WB:Auto1
Picture Control:Standard
Focus Distance:3.98 m
Dof:0.67 m (3.67 - 4.34)
HyperFocal:46.91 m
Bronze Star Medal Recipient Staff Sgt. (P) James Slough, the Harrisburg Opportunity Center assistant station commander, talks about how motivation and preparation has helped him have a successful career in the U.S. Army Sept. 30 during the discussion panel at the Youth and Education Services Career Day at the Maple Grove Raceway in Mohnton, Pa. Slough was chosen as the Harrisburg Recruiting Battalion’s Hometown Hero as part of the U.S. Army participation in the 27th Annual Toyo Tires National Hot Rod Association Nationals at the Maple Grove Raceway. Other members of the discussion panel were NHRA Seven-Time World Champion Tony “Sarge” Schumacher and -Time Motorcycle Champion Steve Johnson. U.S. Army photo by Christine June.
The early 393 led me to the start path, chasing through Mechanic Falls, Oxford, Paris and Bryant Pond. Here at Mechanic Falls, you can already see the light starting to draw lower, so the challenge again this time of year is to get some great parting shots but luck was with me today as I had light all the way through Oxford. Seen at the 'Dish' Apartment in downtown Mechanic Falls with a bit of hustle.
It hadn’t even been six hours since I had arrived back him from my trip and I already found myself glued next to one of the local mainlines.
My flight home from Chile on AA912 wasn’t terrible, somehow managing to catch some sleep in a fully packed Boeing 777-223ER, and a lengthy phone call with friends upon arriving back at Miami Int’l Airport at 05:00 would further wake me up that morning. Leaving the house to hunt some train movements seemed like the ideal plan. No room for sleep anymore; after all, the rest of the family was knocked out at that hour. I wasn’t trying to be nuisance at home.
While on the aforementioned phone call, I’d receive confirmation regarding FEC Train 101-27’s consist for the day: a complete “Champion”-painted power set with a solid train of solely intermodal traffic for Port Everglades and Hialeah. Definitely something worth photographing in this day and age of the Florida East Coast Railway. Making it out to Dania Beach around 10:00, a short waiting period would play out while waiting for 101-27 to arrive at Port Everglades and make their setout.
Bypassing the Hialeah-bound freight occupying the East Main by PEV Storage, BLF 723-27 takes on the curve—aptly named by some local buffs as ‘Dania Curve’—at Milepost 347 on its morning southbound revenue run from Orlando Int’l Airport to MiamiCentral, now five miles away from its Aventura station stop. A pair of second order SCB-40’s bracket a five-car BrightBlue train set, a shiny #BLF113 on the point of the train breezing past lush trackside shrubbery. With how regular these trains are along the mainline, they make for fantastic photo angle test subjects… you could say it was warmup. Safe to say this was one of the rare ‘keeper’ test shots from that morning.
•
Dania, FL
FEC Mainline
Date: 01/27/2025 | 10:45
ID: BLF 723-27
Type: Passenger [Intercity]
Direction: Southbound
Car Count: 5
1. BLF SCB-40 #113
2. BLF SCB-40 #120
•
© Vicente Alonso 2025
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:8.0
Speed:1/160
ISO:1400
Focal Length:70 mm
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO
VR:On
WB:Auto0
Picture Control:Auto
Focus Distance:33.50 m
Dof:inf (12.69 m - inf)
HyperFocal:20.39 m
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Dites-moi laquelle vous préférez ?
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Please tell me which one you prefer ?
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[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]