Pentax Program Plus (Program A)
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... to the wet, grey weather outside !
HBW !
A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
Canon AE-1 Program (1981)
Canon FD 28 mm F:2.8
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Nik Silver Efex Pro 2
Lightroom 3
Arista Edu 100
Kodak D-76
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25：6). "Mis ovejas oyen mi voz […]" (Juan 10：27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:8.0
Speed:1/1000
ISO:280
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:130.54 m (94.71 - 225.25)
HyperFocal:326.16 m
The San Diego Zoo has become famous for having the largest koala colony as well as the most successful koala breeding program outside of Australia. Our koalas can be seen from walkways around a Queenslander-style “house” that serves as our koala care center, where you can see wildlife care specialists preparing eucalyptus browse for the koalas.
I'd have liked to have got a little further back for this capture but with limited space, this is what I got.
Canon AE-1 Program
Canon fd 50mm f/1.8
Fujicolor C200
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 10 Min. 68 F.
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 90°F
Slightly bleached again.
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:7.1
Speed:1/60
ISO:100
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
Metering Mode:Spot
WB:Auto1
Focus Distance:11.89 m
Dof:inf (3.03 m - inf)
HyperFocal:4.05 m
AF Fine Tune:+11
Program:Manual
Lens:50mm f/1.4 G
F:8.0
Speed:1/60
ISO:640
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (5.56 m - inf)
HyperFocal:10.40 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:3.2
Speed:1/2500
ISO:100
Focal Length:55.0 mm (35 mm equivalent 82.0 mm)
AF Fine Tune Adj:+11
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:On
EV:-1/3
Metering Mode:Spot
WB:Auto1
Picture Control:Standard
Focus Distance:3.98 m
Dof:0.67 m (3.67 - 4.34)
HyperFocal:46.91 m
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
Mortal Engines played live on What's This Called? Saturday, April 14th between Noon and 1 PM Pacific time.
This shot is a multiple exposure with my holga.
You may download this and other programs HERE!
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
Many years ago at the Saarbrücken library I started reading my kid a story from a book of Russian fairy tales. It was quite long (a story of twists and turns it was) so we left the pretty princess emprisonned in an impregnable copper tower to be delivered by her hardy hearted suitor on the next Saturday. Damnation... the book was gone. And the next week it was not back yet. It didn'tshow up the week afterwards either. Then we moved out of Saarbrücken, and to this day, wonder how the story went on. And this is why I insist on owning the books I read. The facade here reminded me of the copper tower, but that still doesn't tell me the end of the story.
Canon AE-1 Program and Canon FD 35-70mm 1:2.8-3.5 S.S.C., Agfa Precisa CT 100 slide film developed at DM and digitalized using the kit lens with extension rings.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)