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April 20, 2018
Presented by: Ceramics Program, Office for the Arts at Harvard
We are honored to welcome UK potter, Walter Keeler, back to the Ceramics Program for a workshop dedicated to long-time Ceramics Program staff member and friend of Keeler, Terry Hass. Keeler stated, "I love giving workshops, but this one is very special, it is for Terry - loved by all of us - and will celebrate her love of making pottery, her warmth and generosity of spirit." All proceeds from the event will go to fund scholarships to the Ceramics Program in Terry's name. Keeler will demonstrate a new body of work utilizing custom-made dies for the clay extruder to form his brightly colored vessels. Keeler will also show slides to support his life as a potter, his development over the decades and influences and sources of inspiration. Keeler made mention that he will definitely encourage questions and comments during his workshop!
Walter Keeler
Potluck Lunch for those who wish to bring a dish to share.
All proceeds from this event will go to fund scholarships to the Harvard Ceramics Program in honor of Terry Hass: ofa.fas.harvard.edu/honor-terry-hass
Bio (from Wikipedia):
Walter Keeler (b 1942) is a British studio potter and was professor of Ceramics at the University of the West of England from 1994 to 2002. Keeler makes salt glaze pottery influenced by early Staffordshire Creamware.
Keeler was born in London and attended Harrow School of Art, London from 1958 until 1963 where he was trained by Michael Casson. He established his first pottery at Bledlow Bridge, Buckinghamshire in 1965 and in 1976 he moved his studio to Penallt Wales, where he lives with his wife Madoline. Writer Oliver Watson described him as "one of the most important and influential potters of the 1980s."
Keeler's work is held in a number of public collections including Victoria & Albert Museum, National Museum Wales, American Craft Museum, New York, Los Angeles County Museum of Art , Museum of Fine Arts, Houston, USA and the Museum of Modern Art, Tokyo.
Keeler is the president of the South Wales Potters and in 2007 was named Welsh Artist of the Year.
Goldmark Gallery in Rutland, UK presented a major exhibition of Keeler's work in November 2017.
Copyright 2014 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Program from the 1959 observance of Organization Day for the 3d U.S. Infantry Regiment (The Old Guard), September 20, 1959. Organization Day remembers the Battle of Monterey during the War with Mexico.
The USDA Summer Food Service Program is providing daily free breakfast and lunches for all youth 18 and under in Sitka this summer. Partnerships and Alaskans coming together truly help this program happen. This program is operated by Sponsor Kids Kupboard and Administrator Sitka Conservation Society, with generous financial contributions from Sitka Legacy Foundation and the Sitka Tribe of Alaska (STA), and staffing and assistance from Youth Advocates of Sitka, Sitka Tribe of Alaska, and the Sitka School District.
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All rights reserved. Not to be used without explicit permission from the Sustainable Southeast Partnership, Lione Clare.
info@sustainablesoutheast.net
Photos by Lione Clare, Sustainable Southeast Partnership
The Mannie Jackson Center for Humanities renovation is well underway in this image from November 2015. The center, located at the former site of the historic Lincoln School in Edwardsville, will bring together diverse audiences and humanities programming through lectures, readings, dialogues, public service opportunities and humanities programs. Photo by S. Paige Allen, Lewis and Clark Community College photographer.
Pentax Super Program and Cosmicar A 28/2.8. The corners are dark from the hood I used, which I normally use on a Pentax DA35/2.4 on APS-C. I just recently bought this camera and lens, the film was included with the lot, Fujicolor 200. The film is not dated it could be pretty old. It is color film but I thought a black and white conversion would be natural.
Sebuah program baru dari KOMUTER di bidang edukasi yang sasaran utamanya para peserta yang masih duduk di bangku sekolah, sekitar PAUD - TK - SD. Dimana kegiatan tersebut bertujuan untuk menanamkan nilai bagaimana untuk bertransportasi menggunakan kereta api dengan baik.
Kegiatan ini akan berisi tentang :
1. edukasi mekanisme pembelian tiket perseorangan
2. Edukasi mengenai dunia perkeretapian secara umum
3. Edukasi mengenai cinta kereta api.
Launching perdana kegiatan ini akan dilakukan pada :
hari : Kamis
tanggal : 02 Juni 2011
jam : 07.00 WIB - selesai
Tempat : St. Surabaya gubeng
demikian informasi kami sampaikan, bila ada pertanyaan atau konfirmasi kehadiran bisa hubungi langsung :
- Bagus (085646355363)
- Hanung (08563367890)
via bit.ly/17TocdC TV Episodes Online
Click for More TV Episodes Onlineat bit.ly/12siVlD episodes-online/
maymare welfare society president mre.Rukhsana anjum arrange prevent AIDS awareness program cordination with dr.muzzafer
(TAP) Oklahoma Department of Transportation's Technical Assistance Program. Today we are providing Forklift and Flagger Training in Oklahoma City.
these were a pain in the a$$ to put together...cut leather string, brown cardstock cut with paper cutter, fancy paper for the inner program printed from joyce's work, stickers printed from joyce's work. all assembled by joyce, michelle, james, juliyah and me.
On April 22, 14 girls and two coaches from Brazil who are a part of "Las Estrellas," a sports, leadership and English program, came to Knoxville, TN as part of the U.S. Department of State Empowering Women and Girls through Sports Initiative. After the first day, they had already experienced University culture by participating in Dr. Ashleigh Huffman's Service-Learning class and eating in the cafeteria.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.