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Artist concept of Skylab shroud separation. Note that the illustration differs from the more blunt shroud which was actually flown. It is probably an early concept.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
Since 1994, the Healthy Smiles by Direct Relief has provided free dental treatment to 1,800 low-income, uninsured school-age children with severe need. Sponsored by Healthy Smiles, one-day free clinics are hosted by local dentists and Healthy Start programs throughout Santa Barbara County.
This free-clinic event was hosted by Dr. Samuel Burg and was staffed by volunteer dentists and hygienists who provided dental care and education to over 60 children that day.
Receiving services are low-income, uninsured children identified by their schools as needing professional dental care that they would not have been able to receive without the program.
Additionally, children received Dental Packs – toothbrushes, toothpaste and floss – that were donated by multiple healthcare manufacturers to Direct Relief and packed by volunteers at Direct Relief. For some families, event the cost of a toothbrush is too much and children go without. These donated products ensure that children can continue the good oral hygiene practices they learn during their free clinic visitl.
Each year, Direct Relief distributes approximately 1,000 child dental kits and 3,400 family dental kits (each of which serves a family of five) with donated dental supplies, which Direct Relief then allocates to their local partner agencies. These agencies distribute the dental kits to the low-income children and families whom they already serve.
(Photo by Alex Beauchamp)
Caption: Frantic reading commcnced after the registration, as people attempted to understand the program schedule and the layout of facilities and services.
Citation: Mennonite World Conference. Twelfth Mennonite World Conference, 1990, Winnipeg, Canada. Slides by T. Klassen; Script by John Dyck. X-9 Box 52 Folder 4 Slide 8. Mennonite Church USA Archives - Goshen. Goshen, Indiana.
I have to admit that I stole that line from Cyko9, it's genius. Also, I feel like I've unintentionally started a theme week of translucent figures--so I'm gonna just roll with it! Transparent figures 'till Christmas, yeah!
A / T wedding invitation supplementals: Rehearsal Dinner Invite, CD Program cover, Save-the-Date, Mailing Label.
Refugees: A Moral and Economic Imperative
History will record the mass migration of people as a central crisis of our time, creating a rolling, global epicenter of poverty and human suffering. Pope Francis has asked the international community to “confront the reality of those who have been displaced by force.” This luncheon session will be devoted to a high-level discussion on the scope and nature of the refugee crisis, and what the private sector can do to rescue the futures of those men, women, and children permanently displaced by violence.
A Conversation With:
Father Mussie Zerai, Chairman, Habeshia Agency Cooperation for Development
Interviewer: Jorge Ramos, Senior News Anchor and Journalist, Univision
Panel Discussion:
David Miliband, President and CEO, International Rescue Committee
Helle Thorning-Schmidt, Former Prime Minister, Denmark; CEO, Save the Children International
Moderator: Nina Easton, Co-chair, Fortune/Time Global Forum and Chair, Fortune Most Powerful Women International
High school students participating in the Biotechnology Learning Alliance for Bioscience (LAB) Program at Ohlone College. Get information at www.ohlone.edu/instr/biotech/labprogram/
Even if it drags you through thistles and leads you astray. As it always does.
One of the few shots done with AE-1 program
The library is now offering drop-in database programming twice a month. Stop by and learn about the database being featured.
don't use this image on websites, blogs or other media without my explicit permission. © All rights reserve
Her Majesty Queen Rania Al Abdullah at workshop held for participants in the Youth Leadership Program.
Amman, Jordan/ June 6, 2011
جلالة الملكة رانيا العبدالله خلال جلسة حوارية مع المشاركين في برنامج "القيادات الشبابية لأجيال قادرة"
عمان، الأردن/ 6 حزيران 2011
© Royal Hashemite Court
UnionDocs presents the first screening of the Optical Boundaries tour. This program features three filmmakers whose respective works explore a variety of environments as well as the formal properties of the film medium. Though working independently, their films culminate in an examination of the film material as a true document of past and present. Each artist calls attention to the process of separation and recombination through the use of discarded View-master cells, appropriated 16mm nature footage, and a kaleidoscopic amalgam of the new and old world.
Program runtime approximately 60 minutes.
HHOOWWLLby Steve Cossman
USA, 2010, 7 minutes, 16mm
Shot on a Kodak Cine II special effects camera, a collection of recognizable masks are captured and layered on film. The screaming colors fuse together in a choir of haunting forms, slipping and melting on the screens surface.
CRUSHERby Steve Cossman
USA, 2010 video transferred to 16mm
An unabridged photograph translated from its still print. Read left to right, pixel by pixel, CRUSHER mechanically sequences single color as single frame creating organic waves of color.
TUSSLEMUSCLE by Steve Cossman
USA, 2007-9, 5 minutes, 16mm
The work presented is a reflection on humanity’s ecological relationship and the ritual of restoration. The violent pulse speaks with a sense of urgency and chaotic struggle while the hypnotic arrangement keeps us in blinding awe us to its condition. TUSSLEMUSCLE is composed of 7,000 single frames, which were appropriated from view-master reel cells. Each frame was hand-spliced to create a linear film-strip.
tonal tide by Ross Nugent
USA, 2009,9 minutes, 16mm
This camera-less film was conceived as a darkroom performance to expose the potential and vulnerability of the color film stock at hand. Both the image and sound were created by flashing raw stock; a peculiar pattern emerged in the soundtrack area as light was scattered by the edge of the film base.
Spillway Study/ Carpe Diez by Ross Nugent
USA, 2010, 8 minutes, 16mm
This three-projector piece was created as a color separation project using 16mm Kodachrome nature photography footage from the late ‘70s as its source. The original was optically printed onto three strands and arranged to simultaneously abstract and call attention to the forces at hand. Using a primary color filter on each projector (R-G-B) and some precise hand-jiving, I combine the images and tease out a range colors.
Sahara Mosaic by Fern Silva
USA, 2009, 10 minutes, 16mm
An orientalist kaleidoscope that constitutes a geographically complex yet cinematic whole. From Egypt to Las Vegas: the old and the new world are reflected and doubled in this experimental travelogue.
Steve Cossman received his BFA in Sculpture from Albright College and went on to study Animation in the Czech Republic at FAMU. After returning to the United States, he worked as artist assistant to John Chamberlain from 2006-2009 during which his focus turned primarily to film and video work. Currently he lives and works in Brooklyn, NY. There he is founder/director of Mono No Aware, an ‘annual exhibition of expanded cinema’ showcasing contemporary artists who incorporate live projections as part of their work. Cossman believes that ‘time is constantly moving within a framework of units and that this irrepressible motion is the nexus of human experience’. Working to create a resonating interval, he often re-structures a familiar sequence within a patterned visual language causing the viewer to give thought to established perceptional relationships. Recent film screenings of his work include Ann Arbor Film Festival, Chicago Underground Film Festival, Milwaukee Underground Film Festival, Seattle International Film Festival, and VideoEx in Zurich. His work can be found in the collections of the University of Seattle, WA, University of Hartford Art School, and The Len Lye Foundation, New Zealand. A solo show of his video works will be held in March 2011 at Trinity College, CT.
Ross Nugent hails from wilds of Western Pennsylvania. He earned a BA in Film Studies at the University of Pittsburgh and studied film and video production at Pittsburgh Filmmakers, where he began working in media exhibition in 2003. Ross served as the Exhibition Coordinator from 2005-2008, and matriculated to the University of Wisconsin-Milwaukee to pursue an MFA in Film. He is also the Program Manager of the UWM Union Theatre, the Faculty Advisor for the Milwaukee Underground Film Festival, and an instructor in the Film Dept.
His film, video, installation, and sculptural work is rooted in using process-oriented techniques of film production, including contact and optical printing, and examines nostalgia and decay as mediated through cinema. Poetic gestures emerge through hand-manipulation of film material, which serves as the impetus for many of his artistic endeavors. His current work includes live cinema projects. Exhibitions of these multi-projector performances include The Museum of Modern Art (NYC) as part of a group show utilizing Analyst projectors, Mono No Aware (NYC), and recently at the Onion City Experimental Film and Video Festival (Chicago).
Since 2005, Fern Silva has been an active filmmaker whose personal journeys and impulsery disposition give rise to his visionary process. He has created a body of film, video, and projection work that conveys a congruent existence through the aesthetics of reflections and detriments within controlled microcosms. His work has been screened and performed at various festivals, galleries, and cinematheques including International Film Festival Rotterdam, New York Film Festival, Anthology Film Archive, Images Festival, IndieLisboa International Film Festival, Bangkok Experimental Film Festival, Biennale Bandits-Mages Festival, Roulette Gallery, Millennium Film Workshop, White Box Gallery, 119 Gallery, and P.S.1. Fern Silva is from central Connecticut, he received a BFA from Massachusetts College of Art and his MFA from Bard College. Fern will be screening two works as part of this years Views from the Avant-Garde.
2018 SURF program fellows. Photo should only be used in connection with Scripps Oceanography's SURF Program.
Photo credit: Elena Olivo
Copyright: NYU Photo Bureau
The Fall 2010 Student Hackathon brought in hundreds of students from 30 universities to NYU's Courant Institute for 24 hours of creative hacking on New York City startups' APIs.
Selected startups presented their technologies at the beginning of the event, and students formed groups to brainstorm and begin coding on their ideas. Many students worked into the night, foregoing sleep to fulfill their visions.
On Sunday afternoon students presented their projects to an audience including a judging panel, which selected the final winners.
hackNY hosts hackathons one each semester, as well as a Summer Fellows Program, which pairs quantitative and computational students with startups which can demonstrate a strong mentoring environment, a problem for a student to work on, a person to mentor them, and a place for them to work. Startups selected to host a student are expected to compensate student Fellows. Students enjoy free housing together and a pedagogical lecture series to introduce them to the ins and outs of joining and founding a startup.
For more information on hackNY's initiatives, please visit www.hackNY.org and follow us on twitter @hackNY
Eldorado/SP 05/04/2012 - Remanescente de Quilombos, bananal, banana, Quilombo Ivaporunduva.
Foto de Ubirajara Machado
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Children who attended the Stinky Program in 2009 at the East Library in the Clearwater Public Library System in Clearwater, Florida, made a garbage truck from recycled materials.
The Eco-Schools program is an ideal way for the schools to go on board on a path towards improving the environment in both the school and the local community.
goo.gl/BbuzAK #EcoSchoolsProgram