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Picture of Assam from probably ten years ago or so when we lived in California, processed by my camera program.

Staying very still until we walk away. Then he'll go under the deck, very slowly. How opossums survive I'll never know.

Processed with Flare

Processed with VSCOcam with s2 preset

Processed with VSCOcam with lv01 preset

The sun rose on fields

snow blown and misted

ghostly swirls and dervishes.

No fog this——

for fog simply lies.

No——this was living

as it arched and twisted,

fingering out to the road

and reaching for me

like the shade of a beloved friend.

There was white inside,

trying to seep out of pores,

I felt it strain

trying to mesh and meld

with this sentient wraith

fingers touching

joining

and suddenly

I am the morning mist

dancing in the crystal air.

 

~Lisa Shields

Spray painting take out food containers and the bottoms of plastic bottles, aka flowers.

 

And now the inside boundary is joined.

Comment faire du vieux avec du neuf...

Comment imaginer que l'on a changé le monde...

Rassurez moi, c'est pas le résultat que je vois ? Ce n'est que le processus...

Kona coal along with some Happy by Me & My Sisters Design for Moda. blogged about here

Taking a step back from a work in progress ~ finding spots that need reworking ..... : 0

processing sketches

Vatileaks 2, indagati i due autori dei libri-inchiesta Nuzzi e Fittipaldi. L’accusa: “Divulgazione di notizie”

Processed with VSCO with a6 preset

(FILES) - Photo taken on March 25, 2005 of a young woman wearing the burka, the head-to-toe Islamic veil passing a book shop in Le Bourget, close to Paris. A group of 58 French MPs on June 18, 2009 are asking for a parliamentary panel to look at ways to curb the wearing of the burka or niqab, which they describe as a "prison" and "degrading" for women and contrary to French secular principles..AFP PHOTO JOEL ROBINE (Photo credit should read JOEL ROBINE/AFP/Getty Images)

This is a shot of a retro-hex half way completed. I've polished the pavilion, but stone is still on the dop. The black you see is the wax I use for dopping, the brass color is the dop itself. (The completed stone is "79_prasio" in my photostream)

Processed with VSCO with a8 preset

Flocking algorithm + processing

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We can’t deny the beauty of these patterns but one can’t help but question the static nature of them. Algorithms are as much about variables as they are about output. Freezing them in time, giving them static shape questions how viable is one objects to the next. If they exist in the range, does only personal aesthetic preference decide importance of one over another and where the process plays such an important part how can we ignore their pre and post decessors. Can their physical manifestation exist not just as a single frame and how does this affect their validity. Are these just decoration and if so, does it then matter if they were created using generative tools or just simply drawn as they are?

 

Just a thought..

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The blocks I completed at the St Louis Modern Quilting Guild sewing day.

 

(Not my choice of fabrics, but I do like it better now that it is organized and ready to sew.)

 

twasbrilligand.blogspot.com/2013/05/low-volume-or-next-ti...

Every now and again, I revisit code from many months ago and end up finding GLARING ERRORS and POOR CODING STYLE and after fixing these problems, the code runs exponentially faster than it used to. The ripple code was one of those projects.

 

Originally, I rendered the ripple array directly to the screen, and I was able to get away with about 60x40 squares. After playing with it a bit recently, i realized that I could simply define a color array and use arraycopy to copy it over onto a PImage that i then use to render out the ripple information.

 

Whereas I could do 1 plane of 60x40 elements before, now I could do 500 planes with alpha intormation at the same FPS as I was getting previously.

 

Just goes to show, revisit old code!

Central Processing Area, Handil - East Kalimantan - Indonesia

Processed with VSCO with a6 preset

Processed with VSCO with hb2 preset

Processed with VSCO with c1 preset

Velvia Cross Processed with Tetenal ColprTec, then color balanced in Lightroom.

Computer, Massive Parallel Processor, Processor Unit & Expansion Unit.

 

This is part of an experimental computer, developed in the mid-1980s by the Goodyear Aerospace Corporation for the Goddard Space Flight Center in Greenbelt, Maryland. The comptuer derives it name from its ability to operate on large arrays of data in parallel, i.e. on many numbers at once. By contrast, computers of conventional design operate on one or at most a few pieces of data per cycle. One intended application for such a design was the analysis of the large amounts of data received by remote sensing satelliltes.

 

The Massively Parallel Processor represented one of several approaches to the problem of processing data in parallel. Nearly all modern supercomputers use parallel processing, although not all follow this machine's architecture.

 

Transferred from NASA to the Museum in 1996.

Transferred from NASA, Goddard Space Flight Center

  

Starting to paint blood on the brain

a processing sketch that uses bezier curves to control the speed of a moving object. the brightness is directly proportional to the speed of the moving object.

 

www.mantissa.ca/itp/drawingmachines/week04/gesture/

nikon ,D3300 has many tricks

Working with Florian Jennet's Processing port of Alex Evans' structured light scanning code. www.mediamolecule.com/2007/12/10/homebrew-3d-scanner/ This image visualizes the path taken by the phase unwrapping algorithm.

Working on my entry in Alecia's book for the Moleskine portrait exchange group #4 - see more about the exchange at our group blog.

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