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Goldstone Deep Space Communications Complex
Fort Irwin, California
Goldstone is one of three complexes around the world known as the Deep Space Network (DSN) established to provide the ability to communicate with spacecraft; not only in orbit around the earth, but also in the farther reaches of our solar system. The Deep Space Network complexes, placed 120° apart, provide constant communication with spacecraft as the Earth rotates. In determining the exact position for the site in California, a remote location, free from radio signal interference, was needed. The remote location of the Mojave Desert in California, near the old mining town of Goldstone, was determined to be an optimal location and in 1958 the first antenna was built. Facilities near Madrid, Spain and Canberra, Australia complete the Deep Space Network providing 360 degree coverage for spacecraft tracking.
Some portraits from an old set of Esther. Strobist info: 1 Shoot through umbrella camera left. Feedback is welcome!
The Lowlands of Scotland are called Lallans, also designating the integration, blending, and combination of some Scots dialects. LALLAN center table combines four different materials and finishes as dark walnut veneer, black lacquer, polished and aged bronze. All this components cross and integrate harmoniously, despite of their asymmetry, to create LALLAN.
www.brabbu.com/casegoods/lallan.html
For more information: info@brabbu.com
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new ‎Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
Follow:
That's our Master Carpenter. Yes, he's now sporting a work kilt. Seeing the riggers with ZFX wearing them, he decided to embrace his Scottish heritage and go with one of the carpenters kilts. No, it's not his only kilt.
And no, I'm not going to ask him what he's wearing underneath.
first pass on a painting - 2 hour time lapse. subject is the corner of my room. painting over an old painting. the palette changes has become a subject of greater interest now. signal of intentions, discoveries, deviations, fixations.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
These past two days have been some of the worst in my life. I got my film developed though, and i love all of them. My film from red rocks didn't turn out, but the pictures that did are a great pick me up. sooc film
comparison of two different versions of my post processing.
the upper one was in a hurry, the lower one was not.
(same raw-material)
the upper one took me about 2h,
the lower one about 2 days of work.
Wharrels Hill. Taken on Chinon 35EE with Ilford XP2. C41 processed and scanned at ASDA. 3rd March 2014
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
I've been writing a book for quite awhile now...i used to hate aton of reading because nothing interested me....so i decided to write something that i would enjoy and could read over and over ;). It might still take me a few years, so don't get excited too soon.
The 12 peat-sculptures were made at plein air sessions during the town festival in Bauska in 2011.
The sessions were taking place at the very centre of the old town, and the visitors could observe the work of the artists and they were even encouraged to participate. In the course of the plein air event, the 12 objects were created within 12 hours. The artists were given an equal amount of peat and provided with the same conditions and equipment for working on sculpture.
The artists who participated are Liga Yuksha, Maris Upzars, Elga Grinvalde, Matiass Yansons, Dmitry Lavrentjev, Martinsh Chivlis, Edgars Ameriks, Roberts Yansons, Yanis Yekabsons, Rudite Yekabsone, Kristaps Strauts, Kalvis Zalitis, Natalia Demshova, Leonid Medvedsky, Verners Lazdans, Natalia Bessonova.