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The beginning stage of gluing down the portrait of the Ramses. This was an all day affair.
Note Eric's cat lurking in the corner.
Flying back to Vancouver from Calgary. Blessed with clear skies and a window seat.
January 13th 2015.
Nikon D600 + Nikkor 50mm F1.4
Canada.
I am pleased to announce that my photostream now holds a picture that has been processed by the B&W King pebblebytheriver...............
He did suggest to me that B&W would bring out the really dorky expression i hold in this SP!! (thanks!) He was right!
Thanks Roh x
File name: 08_06_021495
Title: Parade with marching girls - baton twirlers?
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white ; 3 1/8 x 4 1/4 in.
Genre: Film negatives
Subject: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Late, night painting in the studio. The big work light ended up back lighting the washi paper hanging on the line to dry, so I thought it was an interesting effect. I'll have proper posts of these images tomorrow but these are just for fun
people tend to get emotional about the dog part, but it's about putting the dog out of its misery because he's chained to the burning house that is your past and you're sending him to doggie heaven to be free like you're about to be :)
From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Sketches 1983: Go! Discs record company logo; idents for The Box cable TV channels; sleeve of Hawkwind's The Earth Ritual.
No sign of underexposed whites - minimal clipping. I could have stopped the aperture down a little more as you'll see when viewed large. 1/800sec @ f/8, ISO160.
Worked through the first chapter of Tom Igoe's great new book Making Things Talk. I didn't have a stuffed monkey, so I made this Arduino/Processing Pong game with just some normal knobs.
It has been a long time, but finally I have got round to doing my own black-and-white film processing. My first film - in probably 20 years - is Kodak P3200 T-max: developed for 11 min 30 s at 22-23 C in ID-11.
This gear has accumulated over the ages but includes everything I need to do 35mm and 120 film at home.
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)