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That's our Master Carpenter. Yes, he's now sporting a work kilt. Seeing the riggers with ZFX wearing them, he decided to embrace his Scottish heritage and go with one of the carpenters kilts. No, it's not his only kilt.
And no, I'm not going to ask him what he's wearing underneath.
Caminante, son tus huellas
el camino y nada más;
Caminante, no hay camino,
se hace camino al andar.
Al andar se hace el camino,
y al volver la vista atrás
se ve la senda que nunca
se ha de volver a pisar.
Caminante no hay camino
sino estelas en la mar.
Making the ordinary beautiful once again. At least beautiful enough for younger generations to appreciate their surroundings. Also a study of light.
Edit:
Sinking. Void. Okay demeanor.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
comparison of two different versions of my post processing.
the upper one was in a hurry, the lower one was not.
(same raw-material)
the upper one took me about 2h,
the lower one about 2 days of work.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
Wharrels Hill. Taken on Chinon 35EE with Ilford XP2. C41 processed and scanned at ASDA. 3rd March 2014
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
I've been writing a book for quite awhile now...i used to hate aton of reading because nothing interested me....so i decided to write something that i would enjoy and could read over and over ;). It might still take me a few years, so don't get excited too soon.
The 12 peat-sculptures were made at plein air sessions during the town festival in Bauska in 2011.
The sessions were taking place at the very centre of the old town, and the visitors could observe the work of the artists and they were even encouraged to participate. In the course of the plein air event, the 12 objects were created within 12 hours. The artists were given an equal amount of peat and provided with the same conditions and equipment for working on sculpture.
The artists who participated are Liga Yuksha, Maris Upzars, Elga Grinvalde, Matiass Yansons, Dmitry Lavrentjev, Martinsh Chivlis, Edgars Ameriks, Roberts Yansons, Yanis Yekabsons, Rudite Yekabsone, Kristaps Strauts, Kalvis Zalitis, Natalia Demshova, Leonid Medvedsky, Verners Lazdans, Natalia Bessonova.
Clearly over-processed but there is something in the exaggerated glow on the trees that intrigues me.
We're testing a new app for internal time tracking . Very brutal, almost makes me want to cry :)
› www.slifelabs.com (cheers Timo)
Martin Rogalla was good enough to process this picture for me touching it up. Visit his photostream here: www.flickr.com/photos/70613318@N00/