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Step 4 - Once the seperations are done it's time to burn the screen. Seen in the photo is the already exposed and washed out screen (for the white ink) set back on top of the light table with the transparency underneath.
Just a little experiment. Looks better if you view in the lightbox: Click here
21 | January 21, 2008
Wow - privatize your account and folks come out of everywhere to say 'let me in'.
Some old-school data art for the forthcoming Art Machine show at the ANU School of Art. No Meta visualises an xml source character by character; patterns reveal the recurring XML tags as well as their contents.
I’m streaming The Gravedigger’s Meditation at my website - www.drawclose.com - through Feb. 28. After that, it will disappear into the land of ‘password protected screener’ as I work to get it shown elsewhere.
The Overcoat : Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, it is stolen; what was a blessing becomes a disaster. Vladimir Nabokov said of Gogol: "When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.”
This animation - - yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the role of copying, language-as-object, record-keeping, and technology to a community’s memory. Yeah there may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.
Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.
The Ostwald process involves reacting ammonia with the oxygen in air to produce nitrogen dioxide. The nitrogen dioxide then reacts with water to produce nitric acid. The process requires a platinnum catalyst which glows red hot because the process is highly exothermic (releases a lot of heat energy). Photographed on 26 June 2006.
The Guardian's 2010 coverage of Wikileaks visualised. The bars map the number of articles on a monthly basis, where 12 o’clock is January. You can see a small peak in April, when the Collateral Murder video was released, bigger peaks in July and October as the Afghanistan and Iraq logs are published and a massive spike in December as “Cablegate” gets going. The article headlines are arranged by date order, but on a uniform scale. Built with Processing and the Guardian Open Platform API.
I'm trying to finish this up since I've been letting it slip for the last three months...I'm going to play around with it just a bit more because I feel it's missing something...
still from animation created in Processing, composited in Final Cut Pro. Inspired by Christian Kriegescotte's piano composition for the High Priestess Tarot Major Arcana card.
Video here : vimeo.com/124852133
Made with processing.
A simple algorithm positioning 3D cubes randomly on space and rendered with ambient occlusion
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