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Someone was curious on a forum about how I go about doing a face up, so here we are!
This is a Dollzone Stramonium in tan by the way.
it seems I've lately been inching closer to completing this pet project, so I'm happy to post another image from it. :)
Created with Processing. Based on code from www.ghostagency.net/processing/abstractscape3_int/index.html
Some sketches for Ticonderoga Publications' limited edition of Angela Slatter's collection Black-Winged Angels: ticonderogapublications.com/index.php/our-books/184-black...
Please view it large!!! View On Black
It's amazing how something so small can bloom into something so beautiful.
Gear: Nikon D90
Nikkor 105 mm micro f/2.8 VR G IF-ED
2 profoto heads; 1 with 4x6 softbox, other with snoot
Processing:
5 images blended together in photoshop CS4
adjustments made in lightroom 2 and photoshop cs3
Happy Holidays!
Woke up at 7am and took these just before sunrise. It's hard to do work during evenings now that I've taken the habit of going to bed early. Work is mostly done during mornings when the house is still quiet. Pretty stoked about getting a new studio space next month!
Vancouver, B.C., Canada
December 11 2017.
Nikon D600 + Nikkor 17-35mm F2.89
Bronica ETRs 75mm f2.8
Lomo Purple (100iso)
Cross-Processed to E6 with Unicolor Rapid E6 kit
Scanned with Epson V-550
sketch to inks... finished colors can be seen here: steamcommunity.com/sharedfiles/filedetails/?id=246977555
Process 4.5 is the first in a series of special edition Process publications. Printed in only black on lighweight 70gsm Bond, Process 4.5 purposely contrasts the usual high production qualities of the quarterly journal, as well acting as a platoform to experiment with different formats and production techniques. The publication's content is a reflection and retrospective of the first four editions of Process Journal. Consisting of three major parts, the first a comprehensive essay written by typographer and design-lecturer Brad Haylock. The second a typographic analysis of each of the typefaces featured in editions one to four, including type samples and specimens. And finally, we asked a selection of contributors from editions one to four the simple question: ‘what is your process’. Including responses from Brett Phillips (3 Deep Design), Michael C. Place (Build), Mason Wells (Bibliothèque), Tom Crabtree (Manual) and Tony Brook (Spin).