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Over processing again. But I was having a hard time getting something I liked, so I figured I might was well have fun with the best of my worst.
MAM - This Old Guitar
TOTW - Muse (But I may try soemthing more appropriate later.)
Made with Processing.
Using edge detection and random walk to generate an old, grungy photo. I like the way it draws not only the outlines but also some areas.
Inspired by www.openprocessing.org/sketch/59807, but I didn't checked his code.
Code:
www.openprocessing.org/sketch/61722
Video:
Photo:
Train station of Hildesheim, taken in 2011 by me.
Processo da série Ficam os Anéis desenvolvida para a exposição/edital da 46ª Coletiva de Artistas de Joinville (Sistema Municipal de Desenvolvimento Pela Cultura, Secretaria de Cultura e Turismo e Prefeitura de Joinville - SC).⠀
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Agradecimento a todos que contribuíram com a série, lembrando que a convocatória continua aberta para os interessados que queiram partilhar suas histórias.⠀
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#jan #janmo #contemporaryart #artecontemporanea #process #wax #waxseal #lacre #selo #jewelry #ring #love #antiquejewelry #antiquering #ring #blackandwhite #46ªColetivaDeArtistasDeJoinville #ColetivaDeArtistasDeJoinville #SIMDEC
fractal attractor basin for polynomial complex roots with Newton's method generated in processing.
each color (red, blue, gray) represents initial complex number set which converges to one of the three roots.
Douady's rabbit (black region) gives divergent sequence.
work in progress
telesecundaria no.30 Juan Ruiz De Alarcon (8m x 2.80m) mosaico,granito,porcelanite,travertino,cantera.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
What is your design process? For me, I really, really have to think about a design before I even begin to put pencil to paper. I mean REALLY think about it!
These characters were much cuter in my head; I liked them when I drew them, but they need a lot of work once I did them in royal icing. (They kind of remind me of a cross between a Muppet and the old “Rugrats” cartoon characters.) I think I will continue to pursue these little guys ‘cause I really like their “happy” demeanor.
underside of the sketch
implementing this barnacly thing in processing. right now the pattern is just generated by interaction with the mouse. I think I'll make it more independent though.
next up is more complex surfaces. might test out Jesse's nurb's library.
based on these original sketches I made with a rhinoscript which you can see here
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I haven't had the time adjust my more recent landscape shots, so until I get the time, here's a fun shot from the archives, taken last year.
The plant is large-leaved lupine, but the colors have been processed for a colder look. It somehow reminds me of an x-ray. :)
This is a garden variety not naturally occuring in Finland, but you can see it running wild from the gardens near roads here in southern Finland.
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
This is completely over processed... as was, and as currently is (if that makes sense) is my brain... Like I've mentioned before, I have 1,022 photo to edit and go through from my SPain trip... 453 are from my dslr, which will be mostly for the sake of flickr... but I've still got to worry about the others as I have to put them on other sites so that my family can view them... Basically, I was editing in this photo, and thought it would be best suited for what was consuming my thoughts that day ;)
Day .24.
Uchafbwyntiau o'r GwyddonLe, a noddir gan Brifysgol Abertawe, ar faes Eisteddfod yr Urdd Brycheiniog a Maesyfed 2018
Highlights from the GwyddonLe science pavilion, which is sponsored by Swansea University, at the Brecon and Radnorshire Urdd Eisteddfod 2018.
Step 4 - Once the seperations are done it's time to burn the screen. Seen in the photo is the already exposed and washed out screen (for the white ink) set back on top of the light table with the transparency underneath.
This is an image from my "watergrams" series. This is a cameraless image, made in a wet darkroom. Nothing digital about this, except for the selective toning to separate the female body from all the rest.
Just a little experiment. Looks better if you view in the lightbox: Click here