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This is an image from my "watergrams" series. This is a cameraless image, made in a wet darkroom. Nothing digital about this, except for the selective toning to separate the female body from all the rest.

Just a little experiment. Looks better if you view in the lightbox: Click here

 

the2percent.wordpress.com

Some old-school data art for the forthcoming Art Machine show at the ANU School of Art. No Meta visualises an xml source character by character; patterns reveal the recurring XML tags as well as their contents.

Mockup frame for a music video I'm planning. Model is generated in Processing and rendered in Blender.

The photo was taken from someone else's flickr account, but unfortunately I forgot who it was.

Animation test can be found here: vimeo.com/9249605

Motion visual experiments using vertices data from .obj in PShape object from Processing

 

Processed with VSCO with au5 preset

Plenário do Senado Federal durante sessão deliberativa extraordinária para votar a Denúncia 1/2016, que trata do julgamento do processo de impeachment da presidente afastada Dilma Rousseff por suposto crime de responsabilidade.

 

Em discurso, senador Paulo Paim (PT-RS).

 

Foto: Moreira Mariz/Agência Senado

Processed with VSCOcam with c1 preset

The left overs of the process (Akwatia, Eastern Region, Ghana).

more example sketches for the workshop

Ten points to anyone who can guess what this processor is. :)

Kalitípia. Negativo digital.

Papel Arches Platinum 360 gr.

Emulsionado con 2 capas y virada al oro.

Figurante en Cáceres Evocado -2008-

Testing Cross processing, please feel free to add your comments or critiques.

 

Strobist Info:

Canon 580exII triggered via Pocket Wizard TT5 and TT1 on TTL mode mounted on a Beauty Dish camera top and slightly left on a boom. See diagram below

I’m streaming The Gravedigger’s Meditation at my website - www.drawclose.com - through Feb. 28. After that, it will disappear into the land of ‘password protected screener’ as I work to get it shown elsewhere.

 

The Overcoat : Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, it is stolen; what was a blessing becomes a disaster. Vladimir Nabokov said of Gogol: "When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.”

 

This animation - - yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the role of copying, language-as-object, record-keeping, and technology to a community’s memory. Yeah there may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.

 

Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.

The Ostwald process involves reacting ammonia with the oxygen in air to produce nitrogen dioxide. The nitrogen dioxide then reacts with water to produce nitric acid. The process requires a platinnum catalyst which glows red hot because the process is highly exothermic (releases a lot of heat energy). Photographed on 26 June 2006.

Processed with VSCOcam with c2 preset

Kalitípia. Negativo digital.

Papel Arches Platium 360 gr.

Emulsionado con 2 capas. Virada al Oro.

Stills from the Animus Snakes project. Cropped for portfoliotacularity.

I'm trying to finish this up since I've been letting it slip for the last three months...I'm going to play around with it just a bit more because I feel it's missing something...

still from animation created in Processing, composited in Final Cut Pro. Inspired by Christian Kriegescotte's piano composition for the High Priestess Tarot Major Arcana card.

 

Video here : vimeo.com/124852133

Processed with VSCO with a6 preset

Made with processing.

A simple algorithm positioning 3D cubes randomly on space and rendered with ambient occlusion

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