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nikon EM | 50mm f1.8 | ektar 100

Vatileaks 2, indagati i due autori dei libri-inchiesta Nuzzi e Fittipaldi. L’accusa: “Divulgazione di notizie”

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Flocking algorithm + processing

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We can’t deny the beauty of these patterns but one can’t help but question the static nature of them. Algorithms are as much about variables as they are about output. Freezing them in time, giving them static shape questions how viable is one objects to the next. If they exist in the range, does only personal aesthetic preference decide importance of one over another and where the process plays such an important part how can we ignore their pre and post decessors. Can their physical manifestation exist not just as a single frame and how does this affect their validity. Are these just decoration and if so, does it then matter if they were created using generative tools or just simply drawn as they are?

 

Just a thought..

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Every now and again, I revisit code from many months ago and end up finding GLARING ERRORS and POOR CODING STYLE and after fixing these problems, the code runs exponentially faster than it used to. The ripple code was one of those projects.

 

Originally, I rendered the ripple array directly to the screen, and I was able to get away with about 60x40 squares. After playing with it a bit recently, i realized that I could simply define a color array and use arraycopy to copy it over onto a PImage that i then use to render out the ripple information.

 

Whereas I could do 1 plane of 60x40 elements before, now I could do 500 planes with alpha intormation at the same FPS as I was getting previously.

 

Just goes to show, revisit old code!

Central Processing Area, Handil - East Kalimantan - Indonesia

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Intermediae Madrid

April 2009

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I have this cool app on my phone, that I did this cross process effect on this pic, let me know what you think!

La Fabrique Pola, sun rays and menacing clouds.

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a processing sketch that uses bezier curves to control the speed of a moving object. the brightness is directly proportional to the speed of the moving object.

 

www.mantissa.ca/itp/drawingmachines/week04/gesture/

Working on my entry in Alecia's book for the Moleskine portrait exchange group #4 - see more about the exchange at our group blog.

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Redlands, Ca ---Umbrella Alley

Fuji Velvia processed in c-41

Copia ottenuta da negativo gigante tramite calotipo ('800) su carta vegetale

Experimental program done with processing.

All screenshots have been captured live in real time.

 

More info and videos here: blog.goodthink.biz/particles-typography-3d/

Video: vimeo.com/51206202

January,2008

aesthetic & computing

with Processing

mostwanted-behindthehype.blogspot.com

Haha agora segura SkinHeads

Heavily processed (via AI style transfer) image of Tigger on the table a year ago or so.

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File name: 08_06_021495

Title: Parade with marching girls - baton twirlers?

Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)

Date created: 1934 - 1956 (approximate)

Physical description: 1 negative : film, black & white ; 3 1/8 x 4 1/4 in.

Genre: Film negatives

Subject: Parades & processions

Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.

Collection: Leslie Jones Collection

Location: Boston Public Library, Print Department

Rights: Copyright Leslie Jones.

Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.

Gardener's soap ...looks like grass growing on the inside! ;0)

Late, night painting in the studio. The big work light ended up back lighting the washi paper hanging on the line to dry, so I thought it was an interesting effect. I'll have proper posts of these images tomorrow but these are just for fun

Western Mass Food Processing Center, Greenfield, MA

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