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File name: 08_06_003756
Title: Chariot at Charles River Speedway
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1917 - 1934 (approximate)
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Chariot racing
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
It all started when we were cleaning out the photo club's locker. We found an old, expired disposable camera inside and nobody knew where it came from. Instead of throwing it out, I took it home and shot the roll in one weekend, eventually cross-processing it in some leftover E6 chemicals I had from my slide film processing. Since this is C41 (Color Negative) film, processed in E6 (Color Slide) chemicals, I expected some wild colors and strange effects. The result is actually strangely accurate to real life...
Part of the stream coming off of Decew Falls by the Morningstar Grist Mill.
It never fails. I always seem to pick things apart. I had this terrific portrait and I was loving it, then I realized I have forsaken the rule of thirds. So I corrected the crop and processed to a sepia tone. Let me know which you prefer.
drawing with code that I am modifying which is available through this site: www.generative-gestaltung.de/code. Connected to the book Generative Design
Stills from audioresponsive app in Processing for a live "flute with electroacoustic voice" performance. The composition, "Cimmerian Isolation", composed by Nathaniel Haering, will be performed by flautist Jaume Darbra Fa in Europe early in 2019.
Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:
First one was FITS Liberator which I used to stretch the image and make faint dust visible.
Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.
Third one was GIMP which I used to change the value of the image.
Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.
Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.
Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
Heavily (or overly) processed (via an on-line filter) ukiyo-e print of a sumo wrestler, who probably would be more than willing to "demonstrate" some moves on me for mangling his picture.
Tools of the trade.
I've been really fortunate for getting projects I love. Spent a week in my studio creating graffiti tags and stencil illustrations for a big national client. Excited to share the work when it's done in a few weeks time. Stay tuned.
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