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Noticed a super bright star (Venus?), the brightest I've seen with my naked eye so I grabbed my Nikon for these shots.
Nikon D600 / Nikkor 85mm F1.4 ai.
March 3 2015.
I am using the cyanotype as one layer in a three color, CMY gum print. The other layers will be on their way soon enough.
Stoked that my illustration work for Sport Chek's #MyNorth campaign got into Communication Art's illustration annual 2015.
Heavily processed version of a Library of Congress ukiyo-e print of a persimmon, lonely on the tree with only a few leaves to keep it company.
drawing with code that I am modifying which is available through this site: www.generative-gestaltung.de/code. Connected to the book Generative Design
Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:
First one was FITS Liberator which I used to stretch the image and make faint dust visible.
Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.
Third one was GIMP which I used to change the value of the image.
Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.
Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.
Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
that one was loooooong to export.
also, i like to share code. so here it is:
import hipstersinc.sunflow.*;
import hipstersinc.sunflow.shader.*;
import hipstersinc.*;
void setup() {
size(800, 600, "hipstersinc.P5Sunflow");
noLoop();
colorMode(HSB,100,100,100,100);
}
void draw() {
background(255);
int hf=int(random(100)); // colors for fill
int sf=int(random(100));
int bf=int(random(100));
int af=int(random(50)); // alpha :)
noStroke();
int numSpheres = 50;
float yStep = width/20;
float y = 40;
for(int i=0; i<numSpheres; i++) {
pushMatrix();
translate(10, -height/8,-100);
rotate(PI/6);
//fill( i*(255/numSpheres), random(100, 200), random(0, 100) );
fill(i*random(hf),sf,bf,af/(i+1));
beginShape(QUADS);
vertex(random(width/2),random(200),-random(300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height),random(-600));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
endShape();
popMatrix();
y += yStep;
}
translate(0,0,-100);
}
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Throughout my honours year, I photographed all my processes and elements which I worked at.
These are a selection of these images
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Another buck I haven't seen on the RS plot before. He is lip curling here, a gland in his mouth tells him if a doe is in estrus. Generally the real rut occurs when temperatures are below 40 degrees. This is probably to keep the bucks from killing themselves chasing does. During the rut, they eat and sleep little and become dehydrated and exhausted. Right now I'd rate this 8-pt as A4 on the alpha scale. I know there are three bigger bucks in the area and suspect there are more.
RAW, PS Elements.
I drilled holes in the base of the antlers and the pedicles, cut the pipe down to the right length and fitted them with some apoxy sculpt. The finished product allows the antlers to stay in place whilst up on the wall however the antlers easily slide on and off for easier transport, or if I wanted to display a different pair of antlers.