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Late, night painting in the studio. The big work light ended up back lighting the washi paper hanging on the line to dry, so I thought it was an interesting effect. I'll have proper posts of these images tomorrow but these are just for fun
i got the woodgrain part up today and then worked more color into the globes. I have another big but subtle more up my sleve.
people tend to get emotional about the dog part, but it's about putting the dog out of its misery because he's chained to the burning house that is your past and you're sending him to doggie heaven to be free like you're about to be :)
Generated with custom programming in processing.org
This is a system of 388,800 particles influenced by 100 random clockwise spins and 100 random counterclockwise spins in a colorfield. Each particle was iterated 10,000 times - taking about three days to run on my beastie machine.
Thanks for looking, any comment is appreciated. The code is open source and I can help anyone out who wants to give it a go.
From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Sketches 1983: Go! Discs record company logo; idents for The Box cable TV channels; sleeve of Hawkwind's The Earth Ritual.
No sign of underexposed whites - minimal clipping. I could have stopped the aperture down a little more as you'll see when viewed large. 1/800sec @ f/8, ISO160.
Worked through the first chapter of Tom Igoe's great new book Making Things Talk. I didn't have a stuffed monkey, so I made this Arduino/Processing Pong game with just some normal knobs.
Polaroid CP3 Experimental process
Have you ever seen something you have been imagining for days and never spoken of, suddenly represented by another artist in Flickr?? Has it ever happened to you that the type of art you do suddenly appears in your favourite artist or bands´ artwork without them having possibly known? This sort of coincidence is known as Synchronicity but a group of artists and I have been observing the amount of times these coincidences happen. It has happened at least once to almost every person. This is a glimpse of what the scientific term of Collective Unconscious means and how it permeates reality, as science has shown before. The experiment we are about to embark on is based not on promoting synchronistic phenomena but merely on registering each time this happens until we have a large list of these synchronistic phenomena and can find general common factors. There is a place where all thoughts from everyone come together, the place where we dream things that happen or that dont, the place of beauty and art, our dreams. If this has happened to you, you would be helping an ongoing investigation if either you just mentioned it has happened to you (the mere affirmative has statistical value) or you kindly described your case as a comment on this journal. I will let all those who participate know the final result.
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)