View allAll Photos Tagged Processing
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This is my edited version of geetarooman's photo.
I did this for the Process my photo (not better, just different) Group (Week 5))
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A previous offering (Not Open) showed the building, this entry shows one of the building’s windows. Two sad lamps tell the story, along with the discarded Styrofoam cup, old telephone, and No Trespassing sign. Could these lamps actually have been for sale, or were they simply used for illumination while the store’s contents was being removed?
This print is available on eBay. 50% of the proceeds will go to the Red Cross in the purchasers name (so that they can get the deduction) to help with their efforts in Haiti.
Another photo of myself. (well my shadow anyway)
I didn't cause myself any danger as there was a little road with no traffic.
Digitally Cross Processed
Changes: bluer sky, darker grays, increased whites in clouds, contrast boosted with corresponding increase (higher) exposure created blacks in shadows.
Blog Oxherding is Fun ~~ on Twitter ~~ Oxherder Arts Gallery
Soul Journal Entry
July 29, 2010
Moleskine #3 / Soul Journal # 17
There is a story behind every page.
For the blog post about this page visit:
Er? ...
Seen in the Lambton quadrant of wellington, on my way to the botanical gardens. Reminded me of the baobab trees from africa.
Post processed with the GEGL c2g filter for that old school nostalgia.
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Experimental shot combining the Summilux @ f/1.4 with a Raynox 250 macro adapter. Note: These two optics work well together but to employ the Raynox snap-on housing with the Summilux you'll need to fit a 46-52mm step-up ring to the lens.
The explosion of the first frame is an effect in Corel VideoStudio. The five following explosions are programmed in Processing
. With Processing you can write code that manipulates the pixels of an image [among other things]. By varying the code subtle differences can be produced as shown in this video.
These screengrabs are from an application developed for an installation we had running at the Barbarian holiday party on December 14th in Boston. The setup was simple enough.
1) Drunk people.
2) Remote controlled camera and flash umbrellas in a make-shift photobooth.
3) Powermate knob controlling a Mac Automator script which would tell the camera to snap a photo, save the photo to a mac mini, resize the photo and place a copy into a shared folder.
4) MacBook Pro connected to a projector.
5) Processing application which pulls in photos from the Mac Mini and presents them as animated kaleidoscopes which are projected onto the wall above the dance floor.
Crowd-Made Party Visuals!
And now a few words about the presentation. Every 12 seconds, a new photo is pulled from the Mini. I decide randomly if it should be a 6, 12, or 18 pronged kaleidoscope star. I render the kaleidoscoped image to the screen and slowly push it back along the z axis so that it moves away from the viewer. This movement allows me to layer kaleidoscopic slides. The image itself is added as a texture to a bunch of mirror imaged triangles but I rotate the texture at a random speed so sometimes you get a central star gap which allows you to see through to the previous image.