View allAll Photos Tagged Processing
Experimental shot combining the Summilux @ f/1.4 with a Raynox 250 macro adapter. Note: These two optics work well together but to employ the Raynox snap-on housing with the Summilux you'll need to fit a 46-52mm step-up ring to the lens.
The explosion of the first frame is an effect in Corel VideoStudio. The five following explosions are programmed in Processing
. With Processing you can write code that manipulates the pixels of an image [among other things]. By varying the code subtle differences can be produced as shown in this video.
A few of todays projects. I should show them to you before next steps because half the time they go down hill... we shall see. The face on the right was an afterthought to use up extra paint!
About half way there with next wood form for casting.... Hopefully I'll finish it by Satruday evening. This startd as a 17" x 8" x 3" board of Basswood
Taking my daughter out for a stroll on the stroller in the early morning. Most neurons still asleep. Buckethead in the headphones. Somewhat psychedelic.
...so I finally caved in a took some shots in the RAW mode (well I took them JPG + RAW). I've long been conflicted about processing images too much, however, what finally convinced me is that especially on night shots I can modify things in 2 seconds - things that I'd have to spend minutes to experiment with on the camera. For instance, (as was pointed out in a recent comment) you can slide the WB to get one you like. This is the same as taking lots of pics - typically I will attempt the same shot in several WB modes. Similarly you can switch to Landscape mode or add saturation. These are all things I do on the camera anyway. In addition, if I play with these things in RAW (using a Canon program that came with the Rebel) I will learn more about when to use each - and this will help me achieve my main goal which still remains: taking the best shot right off the camera.
Messing with WB and saturation in RAW does not seem like cheating so I will probably take all crucial shots (and most night shots) in RAW from now on.
In some instance you are under pressure to hurry up. Often other people get impatient. Often you run out of time. Often stuff moves or nice light ends. Often you get eaten up by mosquitos (like today when I took this). Therefore often I don't have time to try 3 WBs and 2 saturation setting for each shot. RAW helps get more and better pictures faster.
In this I only changed the WB slightly and changed it to Landscape mode.
Digital Patterns / Exploring Emergence
Future Learn Creative Coding Monash University
Week 2 / Sketch 05 / Iteration 05 / Screenshot from video
void-k.tumblr.com/post/88674621089/digital-patterns-explo...
These screengrabs are from an application developed for an installation we had running at the Barbarian holiday party on December 14th in Boston. The setup was simple enough.
1) Drunk people.
2) Remote controlled camera and flash umbrellas in a make-shift photobooth.
3) Powermate knob controlling a Mac Automator script which would tell the camera to snap a photo, save the photo to a mac mini, resize the photo and place a copy into a shared folder.
4) MacBook Pro connected to a projector.
5) Processing application which pulls in photos from the Mac Mini and presents them as animated kaleidoscopes which are projected onto the wall above the dance floor.
Crowd-Made Party Visuals!
And now a few words about the presentation. Every 12 seconds, a new photo is pulled from the Mini. I decide randomly if it should be a 6, 12, or 18 pronged kaleidoscope star. I render the kaleidoscoped image to the screen and slowly push it back along the z axis so that it moves away from the viewer. This movement allows me to layer kaleidoscopic slides. The image itself is added as a texture to a bunch of mirror imaged triangles but I rotate the texture at a random speed so sometimes you get a central star gap which allows you to see through to the previous image.
images created in processing for Josh Malamy's "Amino Acids" project
details here: aminoacids.minigolfbirthdayparty.com/
Our coffee farm, Fazenda Nossa Senhora Aparecida. Brasil, 2007.
This set shows pictures of the coffee trees, picking (both mechanical and manual) and processing, as well as the infrastructure used for such. It also shows the social and educational activities we develop in the farm to improve living and working conditions of the farmers and our community.
The farm is located near Pedregrulho, state of São Paulo, in the Alta Mogiana region, highly prized for its coffee quality.
Photos taken by João Guilherme Martins and Marcelo Dantas, among others.
For more information: