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This is completely over processed... as was, and as currently is (if that makes sense) is my brain... Like I've mentioned before, I have 1,022 photo to edit and go through from my SPain trip... 453 are from my dslr, which will be mostly for the sake of flickr... but I've still got to worry about the others as I have to put them on other sites so that my family can view them... Basically, I was editing in this photo, and thought it would be best suited for what was consuming my thoughts that day ;)
Day .24.
Close-up portrait of woman with fan. Model: Sarak, awesome Persian woman. Nikon F5 + Pentax Super takumar 50mm f1.4 + Kodak TMAX100 35mm b&w negative film. "Hollywood light" with cool fluorescent light, f2.0 at 1/60sec. Processed with Kodak TMAX RS developer.
Testing Cross processing, please feel free to add your comments or critiques.
Strobist Info:
Canon 580exII triggered via Pocket Wizard TT5 and TT1 on TTL mode mounted on a Beauty Dish camera top and slightly left on a boom. See diagram below
Step 4 - Once the seperations are done it's time to burn the screen. Seen in the photo is the already exposed and washed out screen (for the white ink) set back on top of the light table with the transparency underneath.
Uchafbwyntiau o'r GwyddonLe, a noddir gan Brifysgol Abertawe, ar faes Eisteddfod yr Urdd Brycheiniog a Maesyfed 2018
Highlights from the GwyddonLe science pavilion, which is sponsored by Swansea University, at the Brecon and Radnorshire Urdd Eisteddfod 2018.
PictionID:44403984 - Catalog:14_011619 - Title:Atlas 68D Details: Site 566-B; View During Missile 68D Erection Test; RPI Tanks in Foregrouns Date: 10/27/1960 - Filename:14_011619.TIF - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Just a little experiment. Looks better if you view in the lightbox: Click here
Some old-school data art for the forthcoming Art Machine show at the ANU School of Art. No Meta visualises an xml source character by character; patterns reveal the recurring XML tags as well as their contents.
Mockup frame for a music video I'm planning. Model is generated in Processing and rendered in Blender.
The photo was taken from someone else's flickr account, but unfortunately I forgot who it was.
Animation test can be found here: vimeo.com/9249605
I’m streaming The Gravedigger’s Meditation at my website - www.drawclose.com - through Feb. 28. After that, it will disappear into the land of ‘password protected screener’ as I work to get it shown elsewhere.
The Overcoat : Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, it is stolen; what was a blessing becomes a disaster. Vladimir Nabokov said of Gogol: "When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.”
This animation - - yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the role of copying, language-as-object, record-keeping, and technology to a community’s memory. Yeah there may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.
Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.
The Ostwald process involves reacting ammonia with the oxygen in air to produce nitrogen dioxide. The nitrogen dioxide then reacts with water to produce nitric acid. The process requires a platinnum catalyst which glows red hot because the process is highly exothermic (releases a lot of heat energy). Photographed on 26 June 2006.
The Guardian's 2010 coverage of Wikileaks visualised. The bars map the number of articles on a monthly basis, where 12 o’clock is January. You can see a small peak in April, when the Collateral Murder video was released, bigger peaks in July and October as the Afghanistan and Iraq logs are published and a massive spike in December as “Cablegate” gets going. The article headlines are arranged by date order, but on a uniform scale. Built with Processing and the Guardian Open Platform API.