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I’m streaming The Gravedigger’s Meditation at my website - www.drawclose.com - through Feb. 28. After that, it will disappear into the land of ‘password protected screener’ as I work to get it shown elsewhere.
The Overcoat : Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, it is stolen; what was a blessing becomes a disaster. Vladimir Nabokov said of Gogol: "When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.”
This animation - - yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the role of copying, language-as-object, record-keeping, and technology to a community’s memory. Yeah there may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.
Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.
The Ostwald process involves reacting ammonia with the oxygen in air to produce nitrogen dioxide. The nitrogen dioxide then reacts with water to produce nitric acid. The process requires a platinnum catalyst which glows red hot because the process is highly exothermic (releases a lot of heat energy). Photographed on 26 June 2006.
The Guardian's 2010 coverage of Wikileaks visualised. The bars map the number of articles on a monthly basis, where 12 o’clock is January. You can see a small peak in April, when the Collateral Murder video was released, bigger peaks in July and October as the Afghanistan and Iraq logs are published and a massive spike in December as “Cablegate” gets going. The article headlines are arranged by date order, but on a uniform scale. Built with Processing and the Guardian Open Platform API.
Made with processing.
A simple algorithm positioning 3D cubes randomly on space and rendered with ambient occlusion
RPOHIRE is a Recruitment Process Outsourcing (RPO) company with offshore recruiting services providing offshore recruiters , sourcer, Resume Researcher, Recruitment Consultant ,Resourcer; For more details please visit www.rpohire.com
Built with Processing
import noc.*;
import hipstersinc.sunflow.*;
import hipstersinc.sunflow.shader.*;
import hipstersinc.*;
void setup() {
size(600, 900, "hipstersinc.P5Sunflow");
noStroke();
}
void draw() {
setupCamera();
background(255);
translate(width/2, 50, 0);
rotateX(QUARTER_PI);
rotateZ(QUARTER_PI);
fill(255);
float scl = 30;
int time = minute();
for(int j =0; j<3; j++){
Vector3D pos = new Vector3D(random(-500,500),random(-1000,300),-1000);
Vector3D rot = new Vector3D(0,0,0);
for(int i=0; i<3000; i++) {
float boxSize = 386+random(200);
pushMatrix();
translate(pos.x,pos.y,pos.z);
rotateX(rot.x);
rotateY(rot.y);
rotateZ(rot.z);
scale(random(.1),random(.4),random(.1));
box(boxSize);
Vector3D add = new Vector3D(random(-1,1),random(-1,1),random(-1,1));
add.mult(scl);
pos.add(add);
pos.z = constrain(pos.z,-800,-1400);
add = new Vector3D(random(-1,1),random(-1,1),random(-1,1));
add.mult(.05);
rot.add(add);
popMatrix();
}
}
saveFrame(int(minute()-time)+"minutesRendering.png");
saveFrame(int(minute()-time)+"minutesRendering.tif");
}
void setupCamera() {
P5Sunflow sunflow = (P5Sunflow) g;
//sunflow.camera.setType(SunflowCamera.PINHOLE);
sunflow.camera.setType(SunflowCamera.THINLENS);
sunflow.camera.setFocalDistance(450);
sunflow.camera.setLensRadius(12f);
sunflow.scene.setAaSamples(12);
}
A quick Saturday afternoon painting - I'm trying to loosen up and learn to think in terms of painting instead of drawing+colouring.
Acrylic on an offcut of matt board. The model is me, as usual, leaning sideways to look in a small mirror.
Siguiendo con las primeras fotos, ésta fue la tercera, al mismo procesador Intel Pentium de la primera foto que tomé del cementerio de computadores.
More from my first cross-processed roll, shot on the morning of the Flickl opening. This is the "natural" colour of the film as it came off the scanner - deficient in red, especially in the highlights.