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Happy Holidays!
Woke up at 7am and took these just before sunrise. It's hard to do work during evenings now that I've taken the habit of going to bed early. Work is mostly done during mornings when the house is still quiet. Pretty stoked about getting a new studio space next month!
Vancouver, B.C., Canada
December 11 2017.
Nikon D600 + Nikkor 17-35mm F2.89
Things are getting a little more interesting. Brought in the bezier interpolation code to get smoother trails.
Bronica ETRs 75mm f2.8
Lomo Purple (100iso)
Cross-Processed to E6 with Unicolor Rapid E6 kit
Scanned with Epson V-550
sketch to inks... finished colors can be seen here: steamcommunity.com/sharedfiles/filedetails/?id=246977555
Process 4.5 is the first in a series of special edition Process publications. Printed in only black on lighweight 70gsm Bond, Process 4.5 purposely contrasts the usual high production qualities of the quarterly journal, as well acting as a platoform to experiment with different formats and production techniques. The publication's content is a reflection and retrospective of the first four editions of Process Journal. Consisting of three major parts, the first a comprehensive essay written by typographer and design-lecturer Brad Haylock. The second a typographic analysis of each of the typefaces featured in editions one to four, including type samples and specimens. And finally, we asked a selection of contributors from editions one to four the simple question: ‘what is your process’. Including responses from Brett Phillips (3 Deep Design), Michael C. Place (Build), Mason Wells (Bibliothèque), Tom Crabtree (Manual) and Tony Brook (Spin).
This print is for a doll quilt swap I am in (i hope she likes pink!). It was made using the contact paper method of screen printing(there are 3 layers) on top of a vintage print my aunt gave me and uses fabric ink to make sure that is is washable.