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Luchador Collab-o-Mask....
I mailed out wrestler masks made of wood to various artists and asked them to paint their style in to the background of the mask. They worked out their design and returned the mask to Me and I stenciled in the details of the face.
Get one here----> buyart.stensoul.com/collections/lucahdor-collabo-mask
Particle system for Flash Developers. Source code will be online soon alongside other chapter code from Processing for Flash Developers.
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Sunny, sleepy morning July 21, 2016
Very close to the border between Poland and Chech Republic. A mountain resort a bit forgotten after the break up of the kommunist regime. This charming square is not spoilt by modernity and I will provide more information once I have made a print later this summer.
13 x 18 cm
The construction of the camera doea not allow for much movement so pretty heavy vignetting is often present. Not that I mind it it is however not the limitation of the lens. I now found a replacement for this camera, a half plate Imperial Thornton Pickard which will take over for this purpose, travels in Poland.
EV 15 (pinhole assist app) Bright and sunny
10:30 am on July 20th, 2017
f 9 exposed for 1 min 15 sec
dev. 60 min in standard 0.8% gallic acid followed by 2 x 10 min 12% hypo pentahydrate routine.
The first test salt print is telling me to og for lower contast so 105 silver and 3,4% salt would be the next try, light retouching is in place now (after this scan)
Mordancage is kind of hard to explain. Essentially, it takes your b&w image and allows you to manipulate or remove the purest black areas. You can also create these lovely 'veils' of black but again, hard to explain. Once I have a successful image, I will scan it in and show you what I mean! =)
Edit: Ah, I should probably explain what's going on, lol.
1) I placed my print (after it's been soaking in water for a bit) in the mordancage chemicals. It's essential an acid that will bleach your print.
2) The image after it's been bleached for 3 minutes. I left it in for an extra three minutes after this shot.
3) Then I placed it developer so that the grays and other tones will come back. The blacks should be visible and able to be lifted off the print.
You can either completely remove the black or you can move it around. It creates really cool effects.
This is my first Mordançage print! It is soooo sooo fun watching it transform!
The original picture here -> www.flickr.com/photos/brandon11016/8105647185/in/photostr...
Intel Pentium M 735 processor.
A central processing unit (CPU) is the electronic circuitry within a computer that carries out the instructions of a computer program by performing the basic arithmetic, logical, control and input/output (I/O) operations specified by the instructions.
This is my edited version of Belle âme.'s photo.
I did this for the Process my photo (not better, just different) Group (Week 12))
curves and desaturated a little bit in GIMP (the red was very in your face) then a "San Carmen" effect in Aviary... (the Flickr built-in editing app)
I had an interesting conversation with Jeff last week about complex post-processing. His final killer blow was "I definitely don't always want a photo-real look. Often, yes, but just as often I enjoy a "stylized" look - that's the art part of it . . . re-creating what you saw and felt in the moment . . . kind of like dramatized writing as opposed to stale reporting :)"
This point hit home. Specifically, for me, complex post-processing in this context is the steps beyond straight B&W conversion, exposure control, cropping, levels, curves, cloning and healing - stuff I consider to be part and parcel of taking pictures. I really mean moving into 'tricks' such as filters, weird colours, textures, cartoon HDR, toning etc. etc. Jeff suggested to me that I have a play and try a few things out. I think in the past I've only ever resorted to such 'tricks' when my source image is a poor one - attempting to use the tricks to 'rescue' it - and I wonder if this is part of the problem. I've done a bit of 'mucking about' with a few different images and here's the first thing I'm happy to post. Let me know what you think of the processing. If anyone is interested I'll post the straight version for reference.
This is a small part of a giant set of stairs in the garden at Upton House, a National Trust property in Warwickshire - the former home of Lord Bearsted the 2nd chairman of Shell. The garden has three main areas and one of these is a very impressive slope with stairs on one side. Growing in the cracks of the risers was a tiny clump of Aubretia - somehow at odds with the stark stone of the stairs. I'll try and get back in the summer and find out what the plant on the right is - no leaves makes it a bit tricky to identify!
I wanted to magnify the sense of insignificance of the Aubrietia in context of the harshness of its surroundings whilst celebrating its beautiful colour relative to the unrelenting stone.
What do you think? I'm interested in comments on the processing most of all, but composition thoughts welcome too...
The main reason I am on Flickr is to be inspired by other peoples work and receive constructive critiscm on my own, please leave me a comment - however small. Thanks