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Escultura marmol de Antonio Canovas (1808) en museo del Hermitage, Sant Petersburgo
Cianotipia sobre papel Montval 300 gr.
" Has two brains; one is lost and the other is out looking for it." ~ Unknown
©Nicky All rights reserved
Fa traditional chief and president of the Timber Association focused on wood works. There are several sections of the operation: reception of wood, wood processing and sales displays (Counter). The wood comes from the forests but also the UTB (government processing unit), sawmills and community forests and unknown sources. The processing is done on a per-order basis. We would like to replant our forests, but for now it is not possible. Yaoundé - Cameroon.
Photo by Ollivier Girard/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
The task was to choose a painting by a favorite artist or by one of the artists proposed: Gustav Klimt, Paul Klee, Theo van Doesburg, Wassily Kandinsky and to recreate it with. The piece could be a variation of the artwork which was provided. I rethought about Wassily Kandinsky‘s – Several Circles painting. I used one geometrical rule: random intersecting ellipses and keyPressed function to draw freely the picture each time. www.openprocessing.org/visuals/?visualID=17214
For further information of this and other projects go to:
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.
Some of my buddies heard I was processing film in my underwear and they requested a photo (of course). Since I'm more than a little bit of a smart-ass this is what they got. :p
Artists at Work: Process Recorded, an experimental exhibition that explored different approaches to the creative process and the way work is archived.
Each day, one of our ten participating artists undertook a performative piece within our Multi-Purpose Hall here at the KCC. Every session, was open to the public and recorded live and broadcast to the KCC video screens: subsequently creating an archive of the 10 days work. The focus was on the artists’ responses to the space, time, camera and audience afforded to them through this exhibition.
Upon completion of this project the 10 day creative process was examined with an artists’ talk followed by a celebratory party.
Participating Artists
14th Sep: Wonwoo LEE
15th Sep: Yoonsuk CHOI
16th Sep: Yeon LEE
17th Sep: Soon-Hak KWON
19th Sep: Ara JO/The Super Egos
20th Sep: Showna KIM
21st Sep: Dari BAE
22nd Sep: Woon ZUNG
23rd Sep: Jung Ju SEO
24th Sep: Magenta Gyoungcinn GANG
Using Peter Kirkeskov Rasmussen's photo 'return the cart' as the source [ www.flickr.com/photos/peterras/15732813631 ] & a bit of Processing code to swaps blocks of pixels inside the image continually . . . the little app creates decay in the image. I'm continuing a series of works meditating on forgetting, recognition, loss, avoidance, etc.
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490
surface sacn
Unfortunatley the 24 hr delay after iodisation was a mistake with this paper, see the scan with transmitted light, serious fogging could be seen emerging after exposure
15 min exposure bright day blue sky f/6,3 whole plate
Winther's tannin process with Sumac extract
Pre-silver brushed 5,2% AgNO3, dried iodised in 4% KJ for 10 min followed by 2 water baths of 10 min each (pure water) blotted off and dried
Sensitized just before exposure with sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double.Exposed moist in a glass sandwich.
Developer brushed and sprayed with 25% alcohol for 1 hr 10 min
Developer consists also of sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double. After brushing sprayed and left wet face up under cover, brushed also just with Sumac extract saving the silver nitrate for later to boost density.
Short wash before 2 x 10 min hypo and 1 hr running water bath
Canson Marker paper was pre-silvered and iodized the day before exposure and processing.
The paper behaved well when prepared pre-silvering and iodisation on the same day as exposure and processing.
" I will be back..."
Model:
Laura Lee
Creative Director:
Christina Tang
Hair / Makeup Stylist:
Angela Sun
Lighting Director:
Scott Prince
Photographer:
Jeremy Lim
Post-Production:
Jeremy Lim
A DM based 23rd TASS OA-10A undergoing the preservation process at the AMARC arrivals area in July 1992.
The plastic spraylat coating has been applied to the canopy and the black undercoat can be seen covering the engine intakes.
23rd TASS OA-10As were used in the Forward Air Controller role and saw action in Operation Desert Storm. OA-10s are no different to 'standard' A-10s, the designation refers to the a/c's role rather than equipment fit.