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It turns out the "mystery collection" and "unaccessioned stuff" - www.flickr.com/photos/scrc/2998545754/ - are actually processed in the same way: 1. Remove box from shelf. 2. Open box lid. 3. Look inside box. 4. Describe box contents for collections database.
Another magical day in the archives!
Earlier today, the Guardian's data store released a list showing how much different countries and organizations have pledged to the Haiti eathquake aid effort.
I built a visualization tool to turn these numbers into something real - first, I asked how much money was being spent per citizen of these countries. Then I took that figure and converted it to Avatar minutes: how many minutes of Avatar would this earthquake aid pay for?
Sweden gives up the most Avatar minutes (37 - almost a quarter of the film) while Canada donates just 3 minutes of Avatar time per citizen (which probably wouldn't even make it through the credits).
These images are a screenshot from a tool which allows you to explore the data in detail.
blog.blprnt.com/blog/blprnt/finding-perspective-haiti-ear...
Built in Processing v.1.0
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
found a better codec, this is a quick capture of the current state of the barnacle applet
barnacled surface on two nurbs surfaces, 2nd one is a "shell" kind of idea....as in sea shell
right now the whole thing is composed on the barnacles but I think I will have some solid, unbarnacled portions as well.....
can map it to nurbs surfaces in processing now
1st surf shown defined in processing, 2nd shown imported from rhino
I need to use a better codec, the quality of this capture is poor
I don't know what Nat's character is called so I titled this based on what I did to the photo. I used Topaz Adjust's Dark - Night faded to 65% on the Overlay mode and Nik Software's Color Efex Pro - Pro Contrast / Cross-Processing & Film Grain filters. Light pattern created with MagMod's MagBeam with stencil.
Cosplayer: Nat Archaic
…I went yesterday and it’s getting worse (the insanity not the bitch) - until I stop studying at least. I can’t explain the picture. Don’t search for its intent, because there isn’t any. For those, who think I’m a bitch, maybe, but I have no comment. I’m not saying the picture is nice or well done (it is my first work with Photoshop), but since Flickr has became something like my blog (not exactly, but almost), I would like to put this image into my photostream as well. Supported by cooks - thanks. The wall wasn't captured by me - its author is OlliK, view the original picture at: www.flickr.com/photos/ok6/471247560/ - thanks to him too.
Another one from Salsa Congress 2010 Bangalore. Have quite a few from this series. I got bored and tried to process this one a little differently. Definite inspiration is a lot of the awesome vector art I see around me. To me, her pose is somehow uplifting and full of hope and also conveys a sense of achievement.
1ª Fase
Foto: Marcos Solivan
Confira a matéria no portal da UFPR:
www.ufpr.br/portalufpr/noticias/mais-de-51-mil-candidatos...
Ly Hong Leang Cassava processing Factory.
Credit: ©2014CIAT/GeorginaSmith
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: ciat-comunicaciones@cgiar.org
Afff deu muito muito trabalho pra o pente entrar.Fiz duas hidratações onde ela passou mais de 24hrs com a cabeça mergulhada no amaciante
Interaktives Gestalten/Konzeptuelles Gestalten
WS 2007/2008
Im Garten der Information
Gestalten mit „processing“
Florian Jenett (processing)
Prof. Philipp Pape
Prof. Anna-Lisa Schönecker
Informationen aus Datenquellen werden mit Hilfe von processing in lebendige Visualisierung umgesetzt, die dem Betrachter einen erlebbaren Zugang zu diesen Daten bietet bzw. neue Verknüpfungen erkennbar macht.
Studienarbeiten von:
Gernot Baars
Alex Balzien
Daniel Becker
Helena Fischer
Marcel Fleischmann
Nils Holland-Cunz
Stefanie Jellen
Susanne Kehrer
Sabrina Koehler
Nora Korn
Martha Richter
Kristina Klinkmüller
Christopher Adjei
So I've always loved when creatives talk about their process. So, with that in mind, I'd like to talk about mine. Just more in a "learn from my mistakes kind of way"
My home photography setup is small. often it's about doing the best I can with very little. Desk lamps, some cardboard, and the kitchen table. All in the short few moments I have between other things. Sometimes there's a bit of touch up in photoshop, but you get the idea.
So the left side is exactly that. Trying to get the best shot I could, tweaking where I could in photoshop, and still feeling that it's just not good enough.
The shot on the right is after I gave up with the first images, took a peice of corrugated card outside into the sunlight and took a few shots outside. Zero additional touch up in photoshop.
All this is a long way of saying - Pro tip, real sunlight every time.