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Film transport problems that were likely entirely my fault this time.
168/366
Pentax MX, Pentax SMC 50 mm f1.7 lens, f1.7, Kodak 2238 @EI EI 6
D-76 1+1, 7½ min
This image is protected by copyright and may not be used in any way, for any purpose, without my written permission. Please contact me if you would like to use any of my photos.
[20-056-011]
I’m so fucking happy all time
Also, I’m really good at telling lies
My friends they always call me for advice
But they don’t know
I’ve been crying
For the past seven nights
This happens every single time I’m drinking
Like I can finally hear the thoughts I’m thinking
Fake bitch, fake bitch
Running from her problems
But she makes it look so good when she ignores them
And she puts them on a shelf
And she whispers to herself
It’s okay, bitch
Don’t ever change, bitch
Sorry that I didn’t say goodbye
Life’s a bitch, but so am I
★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★
DIABLITO - Bloody Bone Knuckle
NEW GROUP GIFT!
★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★ ☆ ★ ★ ★
This was a mistake in exposure as I am having problems with the connection between my Canon 5DSR and the Sigma Art lens and it overexposed the shot quite dramatically. I did intend to bin the shot but then played around and quite liked it - very much a Marmite shot!!
Forest City - Iowa
This is the north end of main street on a very foggy early Saturday morning. This is quite unusual for it to be this vacant and lonely looking!
It was during our warmer and foggy weather after Christmas. Climate change . . . always a great debate!
Copyright 2025
Buck Brannaman says "The horse is a mirror to your soul."
This is not my horse.
I won't elaborate. But, I will say this:
It's not his fault...
www.youtube.com/watch?v=5ZrZI6OmezE
I’m your dream girl
This is real love
But you know what they say about me…
That girl is a problem
Girl is a problem
Girl is a problem problem
Oh baby
You so bad boy
Drive me mad boy
But you don’t care when they say about me…
That girl is a problem
Girl is a problem
Girl is a problem problem
Taken at Backdrop City
We are having computer problems (haven't been able to get on all day), but it seems to be working at the moment. I think it is time for an upgrade. I will try and come back later on my hubby's laptop and catch up with you all.
I am glad when it rains, for even if I weren’t, it still would rain.
Mă bucur când plouă, pentru că și dacă nu m-aș bucura, tot plouă.
All of humanity's problems stem from man's inability to sit quietly in a room alone.
― Blaise Pascal, Pensées
_MG_5674-c - Ferdinand Porsche is said to have helped fix initial handling problems with this design. Despite officially working for another team.
Alle bisherigen Versuche, das Snowball-Problem chemisch in den Griff zu bekommen, brachten nicht den erhofften Erfolg. Der Spezialentwickler für Fomatone hatte mit einigen früheren Chargen funktioniert, mit den letzten Chargen kam die Frustration zurück.
Versuche der letzten Tage deuten darauf hin, dass die aktuellen Chargen eine starke Überbelichtung nicht mehr verkraften. Um den Grad der Überbelichtung zu bestimmen, ist der erste Schritt ein konventionell entwickelter Print (normalerweise schätze ich die Belichtungszeit für Lithprints).
Von links nach rechts.
Nr. 1 Fomatone 132 (Charge 080348-01) in Meritol.
Nr. 2 eine mindestens 25 Jahre alte Charge Fomatone (014326/1 exp. X.2002) Überbelichtung für Lith 3,5 Blenden, (15+15+5+700 ml) Entwicklungszeit 8 Minuten.
Nr. 3 Fomatone 132 (Charge 080348-01) Überbelichtung +1,5 Blenden (30+30+10+600 ml) Entwicklungszeit 6,5 Minuten – Ergebnis: etwas farbiger als Meritol, aber kein wirklicher Litheffekt. Ein stärker verdünnter Entwickler (wie bei Nr. 2) würde zu einer längeren Entwicklungszeit mit erwartbarer Snowball Bildung führen.
Für eine höhere Farbigkeit wird eine längere Belichtungszeit benötig, was dann aber eine höhere Entwicklerverdünnung erfordert oder mehr bremsendes D.
NR. 4 Überbelichtung +2 Blenden (30+30+10+800 ml ) Entwicklungszeit 7 Minuten – Ergebnis: heftige Snowballs.
Fazit: Fomatone-Lithprints mit hoher Farbigkeit, wie früher selbstverständlich, sind zur Zeit nicht möglich.
Aus aktueller Fertigung bleibt also nur noch Foma Retrobrom für farbige Lithprints.
Nr. 5 Retrobrom 152 Überbelichtung 3 bis 3,5 Blenden (30+30+10+800 ml) Entwicklungszeit 10 Minuten – auch bei diesem Papier können sich Snowballs zeigen, allerdings erst bei längeren Entwicklungszeiten, oder stärkerer Überbelichtung.
All previous attempts to chemically solve the snowball problem have not been as successful as hoped. The special developer for Fomatone worked with some earlier batches, but with the latest batches, frustration returned.
Tests conducted over the last few days indicate that the current batches can no longer cope with severe overexposure. To determine the degree of overexposure, the first step is to produce a conventionally developed print.
From left to right.
No. 1 Fomatone 132 (batch 080348-01) in Meritol.
No. 2 A batch of Fomatone at least 25 years old (014326/1 exp. X.2002) Overexposure for lith 3.5 f-stops, (15+15+5+700 ml) Development time 8 minutes.
No. 3 Fomatone 132 (batch 080348-01) overexposure +1.5 f-stops (30+30+10+600 ml) development time 6.5 minutes – result: slightly more colourful than Meritol, but no real lith effect. A more diluted developer (as in No. 2) would result in a longer development time with expected snowball formation.
A longer exposure time is required for higher colour saturation, but this then requires a higher developer dilution or more slowing Lith D.
No. 4 Overexposure +2 f-stops (30+30+10+800 ml) development time 7 minutes – Result: severe snowballs.
Conclusion: Fomatone lith prints with high colour saturation, as was once commonplace, are currently not possible.
This leaves only Foma Retrobrom for colour lith prints from current production.
No. 5 Retrobrom 152 Overexposure 3 to 3.5 f-stops (30+30+10+800 ml) development time 10 minutes – snowballs can also appear with this paper, but only with longer development times or stronger overexposure.
Analogica, Pentax S1A ( 1963 ), Super Takumar 55mm F 1.8 Fujicolor C 200 asa, sviluppo con Tetenal. La foto è brutta ma serve solo a spiegare questo problema che hanno anche altri fotografi analogici. Queste macchie sulla destra ( che appaiono anche nelle foto in bianco e nero ) sono dovute al contatto della pellicola sul vetro dello scanner ma non capivo perchè ci fosse questo contatto. Da quando il mio gatto Orazio aveva distrutto un negativo nel bagno di casa avevo messo i negativi a asciugare dopo lo sviluppo nel magazzino dove la temperatura in inverno è fredda. I negativi si asciugavano ma non venivano bene distesi ma arrotolati e convessi, gli ultimi due negativi li ho stesi di nuovo nel bagno che è riscaldato ( con la porta chiusa per non fare entrare Orazio ) e il problema sembra risolto...in pratica, non si devono asciugare i negativi al freddo
"That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these,
Like rats, oft bite the holy cords atwain
Which are too intrinse t' unloose; smooth every passion
That in the natures of their lords rebel,
Bring oil to fire, snow to their colder moods;
Renege, affirm, and turn their halcyon beaks
With every gale and vary of their masters,
Knowing naught (like dogs) but following.
A plague upon your epileptic visage!
Smile you my speeches, as I were a fool?
Goose, an I had you upon Sarum Plain,
I'ld drive ye cackling home to Camelot."
-Earl of Kent, "The Tragedy of King Lear"
Taken at Burgundy in Blood
ONR train 207 rerailed after hitting a rural road crossing thick with packed down snow and ice jumping a unit off the rails.
Vanwege problemen met de normale 189'ers uit de 28x reeks van TXL werden er bij uitzondering Italiaans geschikte 189'ers ingezet. Voordeel van deze serie is dat er een aantal leuke exemplaren tussen zitten zoals de Paardenloc 189 997. Op zondag reed de 189 989 de Numushuttle zoals we hier zien bij Haaften.
▽ Dirty Princess Soul Crusher Princess boots for @The Fantasy Collective Event
▽ Rouly Montana Set top & denim shorts
▽ Aurealis Naked lipstick 004 for @Equal10 Event
▽ Vanity Soul Sista hair
▽ Creatica Sparkly body glitter
I've already uploaded this shot, but I can't view it, and I can't delete it, so I'm uploading it again. The shot is not an HDR.
The problem with the Midjourney image I previously posted (click to see here: imgur.com/xIZQ7Vv) is that it looks too much like the imitation of an old baroque oil painting. And it is incoherent. Where is the missing leg? The clothing is a mixture of current styles and 17th century styles.
This is how I recreated the scene of a budding 17th century scholar using Procreate and Stable Diffusion. I used an online mannequin app to create a more coherent pose and imposed it using Controlnet. Then I made a number of changes to the composition in Procreate. I repainted the clothing and background. Made some image adjustments in Luminar Neo.
Now I have an image of a husbandman's son, stealing a few minutes away from the drudgery of his work to enter and explore an imaginary world beyond the one he is apprenticed to. More photoreal. Better composition. Better lighting. Well, you may not agree that this is a better image. The Midjourney image is beautiful, if incoherent. But this image is my style.
- Virginia Satir.
|| insta || blog || photostream ||
During my preparations for a trip to Bryce Canyon, I chanced upon a hidden gem, Red Canyon. Nestled en route to Bryce, this lesser-known state park boasts a handful of hiking trails and a cozy campground. The particular trail that caught my eye was described as a showcase of Utah's unique red rock formations. Having already visited Bryce, I anticipated a similar sight, albeit with a twist.
Little did I know that Red Canyon would be a delightful surprise. The rocks here, a striking shade of red, outshine even the famed hues of Bryce, which lean more towards orange. The trails, though steep and technical, offered a thrilling adventure. Arriving well past sunrise, I had to be cautious not to overexpose the vibrant reds in my photos. In fact, it was a rare instance where I had to desaturate my images during post-processing.
If I want to pack up and run away
It's my business if I feel the need to
Smoke and drink and sway
It's my problem, it's my problem
If I feel the need to hide
And it's my problem if I have no friends
And feel I want to die
As we walked out into King Gillette it followed closely behind (no fear of humans it seemed). I can understand the temptation people had to feed this little one, but it may well have done serious harm. I tried to correct the problem - - - - -
It can be worrying to see someone struggling as they get older. One of the best things you can do is talk it over together with the person you're worried about, discussing your concerns and listening to each other.
Having those conversations isn't always easy. Family and friends can be deeply unsettled by signs that suggest a loved one isn't coping. Sometimes people find it difficult to have open conversations because they don't want to cause offence, or have strong emotions of their own, not wanting to acknowledge that a loved one is getting older.
Despite the problems with the computer,
Have a lot of pictures taken lately.
I have a big backlog with figuring out,
edit, selecting and place!
Go place older and newer photos on Flickr.
Ondanks de problemen met de computer,
heb ik toch veel foto's gemaakt.
heb dus een flinke achterstand met uitzoeken,
bewerken en posten!
Ga wat oudere en nieuwe foto's door elkaar plaatsen op Flickr.
Thanks for your visit and comments, I appreciate that very much!
Please don't use this image on websites, blogs or other media without my explicit written permission.© all rights reserved.
Regards, Bram van Broekhoven (BraCom)