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New collar old disc, this was her pink puppy disc we must replace it she has outgrown the "pretty in pink".
Esta revolucionária máscara nasal de pano supera os 5 piores problemas de quem dormer com cpap para o tratamento da AOS:
1. 1. Vazamento de ar reduzido:
A SleepWeaver é feita de pano e não tem partes rígidas, que entram em contacto com a pele. Ela infla para formar um balão de ar que empurra suavemente contra a face do paciente para formar uma vedação. Como o tecido é flexível e segue a forma exata da face de cada paciente, o vazamento de ar é reduzido.
2. 2. Pressão reduzida para fixar a máscara:
Muito pouca tensão é necessária no arnês para alcançar uma boa vedação, que é formada pela pressão de ar no interior da máscara.
Como a necessidade de apertar continuamente a máscara para alcançar uma boa vedação é eliminada, os utilizadores SleepWeaver não terão mais feridas de pressão sobre a ponte do nariz ou outras partes do rosto.
3. 3. Mais posições do sono
SleepWeaver permite que os pacientes durmam de costas, ou de lado, pois não possui fivelas rígidas, clipes ou placas frontais para machucar a sua pele. A máscara é leve e macia, e fica posicionada durante toda a noite, mesmo com mudanças nas posições durante o sono do paciente. Usuários relatam acordar no meio da noite e se perguntando se ele ainda está no seu rosto.
4. 4. Irritação da pele
O material de pano é muito suave e respirável. Assim, enquanto que forma uma vedação muito boa, ela não fica pegajosa sobre a pele e não cria reações alérgicas. Não há nada que vai dentro do nariz para irritar ou secar os tecidos da mucosa dentro do nariz. A máscara não contém látex ou silicone.
5. 5. Menos ruído
O ruído do uso do CPAP vem de três fontes: da válvula de exalação, de vazamentos e da turbulência dentro da máscara.
O SleepWeaver tem uma série de orifícios de exalação de pequeno porte que eliminar "whooshing" ar "ou assobiando".
A máscara diminui a turbulência do ar no interior da máscara, reduzindo a última fonte de ruído da máscara.
Ao eliminar esses incômodos a máscara SleepWeaver permite que os pacientes com apnéia do sono fiquem confortavelmente para executar sua terapia CPAP e tirar o sono profundo e restaurador de que necessitam.
Azul Cod. 100274
Bege Cod. 100332
Camuflada Cod. 100281
Leopardo Cod. 100285
Rosa Cod. 100277
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Check out that soil pipe - there's going to be a blockage before too long - fluids do not flow up-hill ...
I was very critical about the Gnan earlier but now I have experienced deeply that this Gnan really works. My husband also noticed a vast change in me and this is really a great sign. Even the problem that was there since the last 30 years of our partnership has started dissolving.
To know more visit here at:
In English: www.dadabhagwan.org/self-realization/
In Hindi: hindi.dadabhagwan.org/self-realization/
In Gujarati: www.dadabhagwan.in/self-realization/
This is less of a surprise to anyone who knows me well because they've seen me struggeling with this for the last year and if they're close to me they've probably asked about it. It's more of a confession for my April 365 Project group's for the monthly confession photo challenge. I suggested it, so I'm going to do it every month and it's the first of June, so may as well get it out of the way.
I've been altering my skin tone on my pictures because I've got a skin condition. Mostly on my face, but sometimes elsewhere, and probably Psoriasis tho my Aunt says it sounds like Rosacia. It's embarrassing, frustrating, and it goes everywhere I go. I don't let it get in the way of my life, but it's a good thing I'm not on the prowl because I do not feel hot. Sometimes it looks like I have facial dandruf, other times it looks scaley like I'm a lizard who is shedding, and other times it just looks sort of bumpy or like red bumps. Somtimes people assume I have really bad acne, but it's actually not acne at all, it's just getting ready to peel when it's red like that. I've been putting it on the back burner for the last year while I had and recovered from about 9 bazillion surgeries. But now that I have a break I'm going to the dermatologist. For some reason going to the dermatologist just sounds wrong LOL but no other doctors seem to know what to do about it and I've tried everything they said so tomorrow I'm going to someone who specializes in skin and hoping they have a solution.
Edit: Oh I just realized this was day 42. I was going to do something related to Douglas Adams today but oh well :) Guess it wasn't meant to be
The problem: new lenses seem to be as prescribed, but I can't see well with them. Either something is wrong with my eyes, or I just can/t see well. What shall I do? Dare more? Or fear more?
Right: -1.00 cyl:-1.00 @ 90degree
Left: -1.00 cyl:-0.75 @ 65degree
reading part +2.00
In common with all the other groups, the Life Sciences group were tasked with providing real, specific, measurable and practical responses to the question "Which Big Data hardware- and networking-related technical weaknesses or problems prevent you from carrying out your business or keep you up at night?"
The reason we were putting up with this tonight was because my son wanted desperately to see the Alice in Wonderland exceprt in the middle of this show. When that came on finally, he was so disappointed he turned the television off.
Photo Credit: Barbara Kinney / Clinton Global Initiative.
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There is no shortage of proven solutions to many of the world’s most seemingly intractable problems. Yet rather than scaling up existing programs with established track records, many funders and founders continue to launch new organizations and spearhead new initiatives in search of the next game-changing startup or breakthrough idea. How can social innovators better recognize opportunities to join forces with organizations that possess the existing infrastructure and similar theories of change? If measurable impact is the ultimate goal, should students focus less on starting up and more on scaling up? Are solutions to illiteracy, climate change, or HIV/AIDS truly transferable from one location or community to another in the way that a fast food franchise can expand across a region? This session will bring together grassroots entrepreneurs, NGO leaders, and private sector representatives to explore the challenges, costs, and benefits of scaling up successful solutions..
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Moderator:.
Chelsea Clinton, Vice Chair, Clinton Foundation.
Participants:.
Bill Drayton, Chief Executive Officer, Ashoka.
Katie Smith Milway, Partner, Head of Knowledge, The Bridgespan Group.
Deogratias Niyizonkiza, Founder and Chief Executive Officer, Village Health Works.
Rosario Pérez, President and Chief Executive Officer, Pro Mujer
The problem being how is he going to get his lips around that opening? I guess the hat will make a suitable "whiskey boat" serving device in a pinch!
I have the experience of my screen flickering and failing about twenty minutes into using ny NikonJ1. I decided to see if I could video this happening to share it with Nikon and you. The screen flickers and then goes blank. The camera is very warm on the left side when this happens. Turning it off for a few minutes allows the screen to work again. Then the flicker and failure happens again. It happens with the camera set to 50hz and 60hz flicker reduction. ...and Yes, I am using a memory card from the approved memory card list.
Have you had this experience too?
Thanks!
Gegen den hohen Spritverbrauch vom neuen Golf 7 und für mehr Klimaverantwortung von Volkswagen protestierten am 4. September 2012 50 Greenpeace-Aktivisten bei der Golf-Premiere vor der Neuen Nationalgalerie in Berlin. „Der neue Golf – Klimaziel verfehlt!“ ist die Botschaft an VW.
Mehr zu Klimaschutz und Volkswagen: bit.ly/sIsDhz
(c) Gordon Welters / Greenpeace
I was sewing at a friend's house last night and I forgot my specs, so I was forced to sew very simple designs. This is the result.
Mixed media: Calico, stitch and paint.
A new risky test (due to quality problems) of Svema films, here the OTO 200, in Lyon France, December 26, 2022.
I used my Zorki 4K camera (year 1977) equipped the 42-mm shade hood of my Focaflex and a FOCA anti-UV filter.
Svema (Свема) OTO 200 is a super-panchromatic film coated on a very thin polyester flat base that looks very closed to the aerial film Agfa Aviphot 200. The film an extended sensitization in the red to the near IR at 780 nm,
The film was exposed for 200 ISO using a Minolta Autometer III and its 10° finder for selective measurements privileging the shadows zones of the scenes.
Typically, and due to the poor light conditions, exposures was at 1/125s or 1/60s from f/4.5 to full aperture (f/2 of the KMZ Jupiter 8 lens)
Parc de la Tete d'Or, December 26, 2022
69006 Lyon
France
After exposures the film was processed using Adox Adonal (equivalent to Agfa Rodinal) developer at dilution 1+25, 20°C for 7min (the Rollei Superpan 200 required 8min in the same conditions) according to data found on www.digitaltruth.com).
The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg. The negative views have of poor density and the film suffers from 2 major other problems :
1- The film is shorter than indicated since I made only 33 views instead for the given 36 exposures.
2 - Aside the first 6 views, the emulsion is damaged by darker zones and density "punctures" indicated that the stock film is likely from a stock that was poorly preserved, maybe exposed to chemical vapors or outdated (contrary to the indicated expiry date in April 2024 (batch #33). The same damages were observed the previous FOTO 400 film test indicating quality problems for these Svema films.
As for the Agfa Aviphot 200 (Rollei Superpan 200) the film is backed with a water-soluble anti halation coat that need to be removed prior to development. Three bathes of 1min with water at the same development temperature was necessary to remove the black and dark blue layer.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
“El Papa Francisco está pidiendo que pongamos todos los medios para solucionar el problema del paro”
Yes, I know. I live in Queensland, so unless I feel like travelling quite far, i'll probably NEVER see snow. But I like to pretend. I thought the drops just looked too pretty!
Holy Innocents should be no problem to get into, but on each of the last three visits, it was either locked or having a new floor being laid.
And being on a roll, with both St Martin and St Paul in Canterbury being open, I thought that a trip through Wingham and then to Addisham might put the cherry on the cake, as it were.
Addisham is quite a large village, as I was to find out, and is on the Dover to Canterbury railway line, and has a station. The village itself is about a quarter mile from the station and main road, but the church can be seen on a rise.
I parked on the old main road, walked to the door, and found it locked as usual. But there was a list of keyholders, but without a mobile, I would have to remember the address and knock on the door.
Just my luck that both keyholders were at the other end of The Street, so a ten minute walk until I came to what much have been the old Post Office. I knocked, and they were in, and after explaining I just wanted to photograph the church, I was given a small bunch of modern keys, so I walked back.
Holy Innocents is a large church, cruciform in shape. The modernisation, well, the replacement of the floor and removal of the old pews give that part of the church a hall-like atmosphere, But there is enough in the east and south parts of the church to hold interest. Access to the bells is via a very rickety set of steps, which winds its way round the northern part of the church.
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A stately cruciform church that enjoyed wealthy patronage throughout the medieval period. In this case the monks of Christ Church Canterbury held the advowson. Much rebuilding took place under their influence in the thirteenth century, typified by the run of lancet windows in the chancel. The outside walls show very definite evidence of `building lifts`, especially notable in the south transept. Inside are two wooden screens and a rare Reredos bought here from Canterbury Cathedral.
www.kentchurches.info/church.asp?p=Adisham
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LOCATION:
On an east facing slope, just east of the Court Lodge on the Upper Chalk c. 150 feet above O.D. It is above the site of a large (now filled in) pond that is at the N end of the village and is a crossroads.
DESCRIPTION:
The earliest visible part of the fabric is the early to mid 12th century first stage of the tower. There are four round-headed windows here; the north and south ones blocked up completely.
All the external faces of the windows were covered by the later, higher roofs. There are visible remains, however, on all four faces of the original lower gables, showing that from the mid 12th century the church was already cruciform. Of this earliest visible phase is the Purbeck Marble font with a square arcaded bowl on a cluster of 5 shafts (now in the middle of the nave).
In the second phase, probably of the late 12th century, the four crossing piers were cut back and enlarged to allow four slightly pointed arches with square soffits (slightly recessed) to be created. They sit on new square scalloped capitals. The outer arch order is carried on plain shafts in the corners. At probably the same time the nave was rebuilt (and possibly enlarged). A lancet on the north side of the nave dates from this period (It was probably reopened in 1869 when wall-paintings were found on either side of the internal diagonal face. This window was probably blocked in the 4th phase when the enlarged N transept was built). The late 12th century nave almost certainly had 3 lancets on either side. 3 of these (2 on the south one on the north) were replaced in the 14th century by larger windows, but two more (in the centre on the N and at the west end on the S.) were just blocked up and their positions can just be made out in the knapped flint infill on the external walls.
A new enlarged chancel was built in the third phase (c. mid 13th century). This has five large lancets on either side and three in the east wall. All have internal rere-arches (unlike the smaller late 12th century lancet), and there is an internal string course all the way round. On the south side of the chancel is a fine contemporary double piscina with a richly moulded trefoil head and detached Purbeck Marble shafts (with caps and bases). There is another piscina (perhaps contemporaneously built) in the N. wall just E. of the later doorway. At this time the central crossing tower was heightened with four new lancets to project above the nave and chancel (and subsequently above the later transept) roofs.
In the 4th phase, which was probably only a very short time after the 3rd phase, a new enlarged N. transept (with W. 'aisle') was built. It also has large lancets with rere-arches and an internal string course (on the E. and N.). The central of the 3 lancets on the E. wall is slightly taller and inside this window (below it) is a centrally placed piscina. The easternmost lancet (of 3) in the N. wall was later replaced (see below).
An even wider high lancet was built (? a little later) in the west wall of this transept.
The N. door to the nave, with its hood-mould on tufts of trefoil leaves, is also perhaps mid 13th century, as is the arch cut through into the nave from the W end of the N transept. This has simple stopped chamfers on all four arises.
In the next (5th) phase of c. 1300, the enlarged south transept was built. This has angle buttresses to the S.E. and S.W. and a gabled shallow E. chapel extension (cf Wingham and Ickham churches). To the east and west are similar trefoil-headed 3- light windows with hood-moulds. In the south wall there is a 4- light window with a diagonally placed quatrefoil just above two trefoils, which in turn are above the two pairs of trefoil headed lights. There is no hood mould. This chapel like the N. transept breaks across the horizontal string course in the tower, showing it is later than the nave and chancel. When the S. transept was built a new N. window of 3 lights was inserted into the N transept which appears to have acquired its gable end at this time. This window does have a hood mould.
The 6th and final main phase was the insertion of new 2-light windows in the nave with ogee hood-moulds and finials. The ends of the hood-moulds have carved heads on them, while the top lights in the windows are hexafoils. The new west doorway and the 5 light window above it with 3 octafoils in its head, though heavily restored must be of the same date (Glynne called it 'a very bad modern one'). This final phase is early 14th century, and all the six main phases of the building were probably erected within two centuries. There can be no doubt that this church is in this form because of the Archbishop (the patron) and the Monks of Christ Church Priory, Canterbury who owned the manor and were directly farming it.
by Alfredo Fernandes
Alfi Art Production, Divar
41st Tiatr Competition A group Of Kala Academy supported by TAG
13.10.2015
more here
joegoauk-tiatr.blogspot.in/2015/10/41st-tiatr-competition...
Tracilla Gonsalves
Waxy1 = Plugged up edger disks: after about a minute/ 1 ft.; after 2 or 3 ft; at point where it starts leaving smears of hot finish; after burning the finish for about 5 minutes.
Leroy Brookens
D9009 (55009) Alycidon on 1Z55 London Kings - Edinburgh A1 Steam Rail Tours
However on its way up from London Kings Cross - Edinburgh its had a Very Small Fire on the Loco and had a Radio problem between Cab 1 and Cab 2 . Taken at Doncaster
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