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The "London By Design" exhibit at the "Transported By Design" Festival, July 2016. This is a still image from video.
Printing demonstration 3 - placing the blank paper over the metal characters.
Using my finger to make the birdie footprints fade away on the paper, an effect i just can't get with a roller.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
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Wooden Keychain | Wooden Items | Wooden Frames | Wall Hanging Cloth | Tiles | Stone Printing | Caps | Soft Toys Printing | Mugs Printing | Metal Keychains | Glass Frames | Table Tops | Cushions | Crystals | Acrylic Crystals | Mobile Cover
I did eventually manage to finish the printing frame. It works well, and is a nice addition to my toolset. I think I ought to see about replacing the felt on the hinged back, though, as the original stuff is pretty well shot.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
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Artist Nancy Cohen in residency at Bullseye Resource Center New York, 2016-2017. Cohen working on screen printing on glass with glass powders, using glass frit and stringers, slumping in ceramic molds, slumping over unique plaster/silica forms, and working with chemical reaction in glass. AF0064.
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I experimented with several of these screen prints, each different size's and shades. Some have blue layered on top, and others don't. I really like how when I was processing these, I didn't really know how they'd work out and what they'd look like. This was exciting and made them original.
Process; Screen printing
Size; 35cm x 35cm
Date; Dec '12