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Brochure Design & Printing
Brochure Sizes: 4.25"x5.5" , 4.25"x11" , 5.5" x 8.5" , 14"x8.5" , 9"x12" , 11"x17" , 24.5"x11" , 33.75"x11"
Paper Stock : 100, 130, 170 , 250 gms gloss/matt paper
Folding Options: Single, Double , tri fold.
Fabrication : Gloss/ Matt Lamination is suggested for light color jobs
Ready for despatch within 3-5 days
Printing option:
Full-color both sides
We pulled several prints of this poster today. The plate is HUGE, from the 50s, and carved by hand out of wood. It's a two color plate, so tomorrow we'll go ink up the second color {black} and print that.
For this first color we used a combination of yellow and orange, and tried to create interesting effects. Andrew helped me, and it was his very first time printing!
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Multiple printing darkroom technique; one infrared negative and one black&white negative -printed onto the same sheet to creat one blended image
Printing onto 18" x 18" cloth.. didn't do a very good job.. dots didn't align nicely and there are some missing dots! Gotta learn how to do proper registration!
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Din A1, 3 colour silkscreen print of our flower poster.
In collaboration with Christina.
more: www.conzatti.net
Jikji is the title of a Korean book from the region which is the earliest extant book printed using metal movable type.
Unfortunately, the book is in the possession of the Bibliotheque nationale de France.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
The on-campus newspaper printing press. The best thing about these monsters is that if the paper breaks (which it did often the night I was there), the printers have to spend 5 minutes re-threading the paper and praying it doesn't snap again.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.