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I did a mini workshop on rust printing today. I'm super excited about it! The rust metal actually goes into the fabric. It's not a stain, it's the actual metal in the fabric!
www.specialized-print.co.uk/label-printing/
We can produce plain and printed personalised labels to most standard sizes for use with thermal transfer printers, lasers or dot matrix printers.
Specialized Print Ltd
SPL House
Station Road Corner
Haverhill
Suffolk
CB9 0EU
Our cards are printed on a top quality 300gsm greetings card board,
from eco friendly certified sustainable sources, and come complete with envelopes.
Your greetings cards will be printed in full colour on the outside, and black on the inside and supplied flat.
However; folding and full colour printing on the inside, to accommodate for any corporate colours or logos, can also be offered at an extra cost.
The "London By Design" exhibit at the "Transported By Design" Festival, July 2016. This is a still image from video.
Printing demonstration 3 - placing the blank paper over the metal characters.
Using my finger to make the birdie footprints fade away on the paper, an effect i just can't get with a roller.
#Certificate #Printing and Designs
Make Customized Corporate Certificate with Photo & Text Printed at Best Price.
Find great Printing Machinery and Service for your need!
Contact:
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Sathiya Ramanan - 9600919690
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
Made in USA, but unknown manufacturer
Size: 6 1/4″×2″
Ungraduated bottom, and the knee is held in place by a screw.
My first batch of yellow prints drying. I did roughly thirty prints but also had a lot of misprints due to a blunt squeegee blade. It kept pulling ink under the screen and giving an awful bleed on prints. Time for a new squeegee, as I don't particularly like that squeegee regardless of the blade.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
Rollers on a smaller machine used for Leaflet Printing
particularly A5 leaflets in full colour.
an A5 leaflet for a customer..
Printing and installation by Grafics Unlimited, Inc.
Designs and or logos are the property of the company, or individual created for, they are not to be copied, reproduced or distributed in any way.
Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.
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Ever wondered how fishermen recorded the size and species of their catches before the invention of photography?
The old Japanese printing technique of Gyotaku or ‘fish rubbing’ provided a solution. This session was led by artists Eleanor Morgan and Sam Curtis of the Centre for Innovative and Radical Fishmongery.
This event was part of the Grant Musuem's current exhibition called Glass Delusions.
In this exhibition of prints, drawings, videos and objects, Artist in Residence Eleanor Morgan explores the slippery boundary between living and non-living materials. Her work is inspired by the Grant Museum's collection of intricate glass sponges – animals that naturally build themselves out of glass – they are formed of 90% silica.