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Resident artist Tatiana Klacsmann’s style and imagery are deeply influenced by 15th century Gothic printmaking, though she finds ways to pull traditional archetypal figures and scenes into the 21st century.
“Dürer may have had an atelier of assistants,” Tatiana says wryly, “but I have a computer.”
Read more about Tatiana's residency on our blog: bit.ly/klacsmann
Artist's book, “mami wata (or how to know a goddess when you see one),” a collaborative project between Alison Saar and poet Evie Shockley. Each in a unique found box with 3 poems–one on cloth, one two-part ad sewn, one folded and tied–3 woodcuts, and a colophon (digital print)
Experimental Printmaking Institute (EPI).
At Lafayette College, Grossman Gallery, September 17-December 17, 2016, Alison Saar, “Breach.”
Photo by John Wynn
The Bennifer annual card making enters its 8th (?) year. Getting the ink levels just right took quite a few tries.
Blogged - gillianleesmith.wordpress.com/ yesterday was a play day - I have not had the chance to do much printmaking before but it is one of my goals for this year. most if not all of these are fairly scrappy but my intention was not to create 'finished pieces' but to experiment and have fun!
3 examples of printmaking using various materials and ink. I enjoy working with texture and colour, and I find print making is a good way to do this. Its a lot of funny and you can get a bit messy and play around!
Monoprint. Enigmatic and illusive, the hare is a mystical creature that is symbolic of many things. Graceful in flight yet ungainly at play, the hare conjures up images of a metaphysical nature whilst at the same time evoking tales of whimsy and mischief. From Lewis Carol to Joseph Beuys, the hare is a dichotomy. A metaphor for wisdom and irreverence.