Intaglio etching (8 by 10 inches). Light blue-gray ink and dark blue-gray ink on Stonehendge "Pearl Gray" paper.

2 color, Screenprint

The art supply store had some block printing stuff on sale.

with Hester Coc - Spring 2019

Printmaking

For more information on my work, please check out my profile: www.flickr.com/people/azuregrackle/

1921, drypoint (you can find this in "Printmaking: Print & Process" by Saff & Sacilotto)

This motorized lithography press is from the manufacturer Takach in Albuquerque, New Mexico. This press was specially ordered by Tamarind Institute alumna Judith Solodkin for her shop Solo Impression of New York City. It is marked type 4696 with a serial number 1 and a date of November 1982. The press has a 1" thick aluminum plate bonded to the standard rock maple press bed, is painted in Judith's color of purple, and has black pinstripes.

The working history of this press include projects by Louise Bourgeois.

For more information:

www.artorg.info

Interim 2021

Detail fo woodcut rebus element.

This is a project I designed, hand cut, and printed based on a classic song that everyone should know and love. The blue ink is a relief print from a woodcut design. The white lithography printed portion (yes, white on white) is a clue as to what the song is if you can't figure it out from the images. If you can't figure out the song, send me an e-mail and I will give you a hint.

Using the dry point technique with netting and ink paint this was the print

During the "Printmaking in the Age of Rembrandt" exhibition at the Currier Museum of Art, Manchester, NH (on view September 29, 2012- January 6, 2013) visitors were invited to carve prints throughout October. Those plates will then be inked and printed during a "Steamroller Printmaking" event on Sunday, November 4 where we'll use an actual steamroller (yes, we mean the road construction vehicle) to produce multiple large-scale prints. These prints will be displayed in the museum's Community Gallery and Art Center.

silkscreen, seriagraph. arcata ca.

The block always looks much more interesting once it's had a bunch of colors of ink put on it.

Checking the levels.

Printmaking

Printmaking class project.

three colors screen printed.

Printmaking session with the Blackstone Valley Art Association in Northbridge, MA on 1/17/2016 using Gelli plates

4"x6" Woodblock Print

Detail of woodcut rebus element.

This is a project I designed, hand cut, and printed based on a classic song that everyone should know and love. The blue ink is a relief print from a woodcut design. The white lithography printed portion (yes, white on white) is a clue as to what the song is if you can't figure it out from the images. If you can't figure out the song, send me an e-mail and I will give you a hint.

Claude Mellan, the napkin of st. veronica, ALL ONE LINE (view original size...)

Printmaking Workshop led by Maggie White, Machine Project A.I.R. at Hammer Museum, 7.24.2010

These are my first metal etchings. Crazy.

The top is on copper and the bottom is on zinc.

mcad.edu Photograph ©Erin Nicole Johnson for the Minneapolis College of Art and Design

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

with Lauren Scanlon

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

from the series Impropiaciones (woodlike edition)

edition of 8

linocut on amate paper

17x17cm

2012.

Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.