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5x5 inches | acetone, toner & paper on metal

Kate Sanderson, printmaking

9/17/24 - Class participants have the opportunity to create an original linocut. They learn carving techniques for printmaking, how to color separate their artwork, and how to hand press their own prints at the Savage branch of Howard County Library System.

The Bennifer annual card making enters its 8th (?) year. Getting the ink levels just right took quite a few tries.

Printmaking Studios 2013

Photo by Eliot Wright

BFA Thesis Exhibition

"Reflections of Vulnerability"

 

Imaging Arts & Printmaking

 

2 plate collagraph

 

Printmaking Studios 2013

Photo by Eliot Wright

The blocks used to make all the colorful prints!

Blogged - gillianleesmith.wordpress.com/ yesterday was a play day - I have not had the chance to do much printmaking before but it is one of my goals for this year. most if not all of these are fairly scrappy but my intention was not to create 'finished pieces' but to experiment and have fun!

3 examples of printmaking using various materials and ink. I enjoy working with texture and colour, and I find print making is a good way to do this. Its a lot of funny and you can get a bit messy and play around!

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

Monoprint. Enigmatic and illusive, the hare is a mystical creature that is symbolic of many things. Graceful in flight yet ungainly at play, the hare conjures up images of a metaphysical nature whilst at the same time evoking tales of whimsy and mischief. From Lewis Carol to Joseph Beuys, the hare is a dichotomy. A metaphor for wisdom and irreverence.

intaglio, collagraph

24" by 24"

Printmaking Studios 2013

Photo by Eliot Wright

etching, drypoint, collagraph

18" by 24"

8x10" Encaustic Monotype on rice paper

 

the beginning of O Fortuna from the Carmina Burana in lead type with a little ship ornament and an ornamental "O." Edition of 30

 

Four monotypes that I created during the exploratory stage of my Foundation Art & Design Diploma. I began by inking up a metal plate and arranging objects (of many different textures) on top. Next, I put it through the printing press. After I'd created my first print, I removed the objects from the plate and inked up the plate in a different colour. Then I placed the objects back onto the plate before putting it through the press once more.

handle for stylus and roulettes from Praha

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