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block print on fabric class

watercolour based woodblock print

Vincent Desplanche

The fractal has been transferred to the block of wood using carbon paper, and I've started to carve away the non-printing parts. The wood is green because I already used it to print a solid rectangle of color which will eventually be the background.

mixing inks with thermochromic and UV activated powders prior to pulling the cameleon print

懷舊字體配上手工刻印的芭樂枝印章.

這是手作的復興時代喔!

mcad.edu Photograph ©Erin Nicole Johnson for the Minneapolis College of Art and Design

So... I'm in a printmaking class and I'm having far too much fun taking process photos.

 

This is what happens when I try to make a hard-line minimalist woodblock print: Frusturation as ink gets in the beautiful white space, followed by the construction of complex masks to make the ink behave.

Multiple layered lino cuts.

Jill Evans MEP invites you to attend an exhibition presenting 8 contemporary Welsh printmakers 18th - 22nd March 2013.

published by Cannonball Press

stone lithograph with stamp additions, drawing, and gouache

Here's the Takach shown with the smaller Ettan Press below.

Business Link at UCLan International Agent Conference, Feb 2013

New facilities at the University of Gloucestershire 2011 - Printmaking at Francis Close Hall

watercolour based woodblock print

Vincent Desplanche

An exhibition of printmaking in Medical Uniwersity of Warsaw

 

Otwarcie wystawy grafiki z kręgu Wydziału Grafiki ASP w Warszawie na Uniwersytecie Medycznym

Xylene transfer over gelatin prints.

Printmaking Department @ National College of Arts

The wood block printed with no ink, but lots of pressure. I did a couple of these before I started covering the thing with ink again. Fabriano paper, 9" x 7".

I seem to have injured my wrist from crocheting abundance and i've just about gone NUTS from not being able to craft. i tried sewing, just weaving in ends, etc- no dice. so i thought i'd print some linoleum blocks.

The Learning Connexion - Block Week

Close-up of a Plexiglas plate I'm working at with scratching tools (classical drypoint technique, although working on zinc or copper is of course more traditional). Will be printed intaglio. I have more revealing shots but I guess I don't want to give any bigger hints on the image until I've had a chance to print. That thrill--the first time printing a new plate--pull back the paper to reveal the image and ... ?!

Stamps designed and made by teachers.

The master of "Mezztint" in Japan.

Printmaking

Palmer Gallery

Wednesday April 21-Monday April 27

Opening receptiion, Wednesday April 21, 5-6

 

Artist: Rudy Martinez '09

 

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