Detail of one etching

offset lithograph

Had a fabulous day today! I led two printmaking classes at my old middle school. One of these girls made a "Loser" stamp to stamp on people. I lead the second part of the activity on Monday and she said she's going to make one that says "Pimp"-the kids these days. . . haha I sound old. One boy made this really intricate eye and another is making a collection of reversible symbols. I wish I could be there everyday (and next week I basically will)

PS-how much does the one in the middle look like Jaime Lynn Spears?

I wanted to have a digital documentation of the finals mono prints that I did for my 2-D art course fall semester. I really enjoyed our little printmaking section. It was really fun working with the inks and the press.

I figured I should share!

Plaise, Pleuronectes Platessa. Linoleum cut, 6" x 4". Part of a series of family portraits.

watercolour based woodblock print

Vincent Desplanche

The alphabet quilt project continues. The quilt will be 4 x 7 rectangles: 26 for the alphabet and two corner rectangles which will show the entire alphabet. This is the 1st rectangle with the entire alphabet printed in various colours with my collection of vintage letterpress type.

block print on fabric class

silkscreen, seriagraph/ eureka, ca.

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

with Hester Cox

Printmaking workshop with Tamara Becerra Valdez

With Hester Cox - 6 week course

Here's the red background by itself.

A side view of the Takach 18x36 etching press.

Monotype technique one, relief ink.

Madison Wray '15

block print on fabric class

watercolour based woodblock print

Vincent Desplanche

The fractal has been transferred to the block of wood using carbon paper, and I've started to carve away the non-printing parts. The wood is green because I already used it to print a solid rectangle of color which will eventually be the background.

With Hester Cox - 6 week course

mixing inks with thermochromic and UV activated powders prior to pulling the cameleon print

懷舊字體配上手工刻印的芭樂枝印章.

這是手作的復興時代喔!

mcad.edu Photograph ©Erin Nicole Johnson for the Minneapolis College of Art and Design

So... I'm in a printmaking class and I'm having far too much fun taking process photos.

This is what happens when I try to make a hard-line minimalist woodblock print: Frusturation as ink gets in the beautiful white space, followed by the construction of complex masks to make the ink behave.

Multiple layered lino cuts.

Jill Evans MEP invites you to attend an exhibition presenting 8 contemporary Welsh printmakers 18th - 22nd March 2013.

published by Cannonball Press

stone lithograph with stamp additions, drawing, and gouache

Here's the Takach shown with the smaller Ettan Press below.

New facilities at the University of Gloucestershire 2011 - Printmaking at Francis Close Hall

Printmaking

The master of "Mezztint" in Japan.

blogged

printoftheweek.blogspot.com/2012/02/la-art-show-2012.html

New facilities at the University of Gloucestershire 2011 - Printmaking at Francis Close Hall

watercolour based woodblock print

Vincent Desplanche

An exhibition of printmaking in Medical Uniwersity of Warsaw

Otwarcie wystawy grafiki z kręgu Wydziału Grafiki ASP w Warszawie na Uniwersytecie Medycznym

with Hester Cox

Printmaking Department @ National College of Arts

The wood block printed with no ink, but lots of pressure. I did a couple of these before I started covering the thing with ink again. Fabriano paper, 9" x 7".

I seem to have injured my wrist from crocheting abundance and i've just about gone NUTS from not being able to craft. i tried sewing, just weaving in ends, etc- no dice. so i thought i'd print some linoleum blocks.

The Learning Connexion - Block Week