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Sorry these are poor quality, taken on my phone. These are some prints I have created within the last month. Looking into Aged buildings and general structures.
We held photo club at the print making studio, which gave a couple of us some time to do our assignments for that class.
Tissue paper, handmade paper and toile de jouy wrapping paper under linocut. Adhesive: PVA brushed on.
Vagrants, burglars, petty thieves, forgers and various other unlucky yeggs.
Again, all of these guys are drawn from mugshots collected by Mark Michaelson and published in Least Wanted.
Denise Rehm-Mott's printmaking class in the Doudna Fine Arts Center on the campus of Eastern Illinois University in Charleston, Illinois on February 1, 2012. (Jay Grabiec)
Denise Rehm-Mott's printmaking class in the Doudna Fine Arts Center on the campus of Eastern Illinois University in Charleston, Illinois on February 1, 2012. (Jay Grabiec)
Print-made beer mats produced from drawings from my sketchbook. Drinking game on the reverse sides to encourage drinking.
linocut and handset type printed on the adana letterpress 100% recycled cotton paper
2009
www.etsy.com/shop/rubyvictoria
www.rubyvictoria.blogspot.com for these and other hand carved prints book plates and other letterpress and hand printed goodies
'Alternative self-portrait' prints using various information including fingerprints, drawings of myself, polaroids and my signature.
Printmaking session with the Blackstone Valley Art Association in Northbridge, MA on 1/17/2016 using Gelli plates
I wondered why I was trying to reproduce this as a print when I got to this stage. This is the results of printing two plates - the black plate over the colour. I like the colours and the strong black abstract lines but I'm not sure why I was trying to reproduce the watercolour so closely and the proportions of the groynes and the lighthouse do not work either. One thing I have learnt is not to make collograph plates out of `grey board' - even when coated liberally with shellac they are still to absorbent.
Looking at this image again a month or so after I completed it I think I'll have another go at producing a new print plate. I've got another project involving a view along the coast to Staithes ongoing at the moment and it feels like the drypoint/collograph combination is much more in keeping with my style and I like the quality of line that I can get with this process.