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Credits: Marine Money and John Galayda.

using the edge of the frame- the wood is positioned at the edge of the frame

Objective 3: Elements and Principles of Design

The principles of design demonstrated (describe the use):

Contrast - This picture creates contrast from the two different types of texture Soft(the metal and glass) and rough (the Sand)

The elements of design demonstrated (describe the use):

Line - The horizontal line gives this picture a feeling of clam.

Texture - The texture in the sand looks to be grainy rough and warm while if you look at the metal and the glass they look soft hard and cold

 

Objective 4: Lighting

Type of lighting and why: The lighting in this picture is hard direct lighting. This is because i was outside around noon when the sun is at its highest/hardest.

 

Objective 5: Post Production (Post production was done on my computer at home using photoshop CS6)

Corrections/adjustments made:

Brightness/Contrast - I Added contrast to the sand to make it darker and to help the shadows stand out more

Vibrance - I used vibrance to bring some of the colour back into the sand making it a more orangish brown then the grayish brown that it was

Levels - I used the Levels to brighten up the whole picture

Other - I used the spot healing brush tool to fix some of the glare that showing up in the sand no where near the glass. It acted more as a distraction rather then adding to the picture. I also resized and added my signature once I thought the picture was done

 

Objective 7: Photographic Styles

Type/style of photography: Still Life

The camera mode (P, Tv, Av, M): AV

f stop used: F 10

shutter speed used: 1/800 sec

ISO used: 200

Exposure compensation: -2/3

Focal length: 55 mm

 

Image from 'Parisian Sights and French Principles, seen through American spectacles. [By J. J. Jarvis.]', 002777736

 

Author: JARVES, James Jackson.

Page: 27

Year: 1852

Place: New York

Publisher: Harper & Bros.

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

Open the page in the British Library's itemViewer (page: 000027)

Download the PDF for this book

  

This picture shows great emphasis because it has a great view, and has high contrast.

Principles of Persuasion Open Workshop on March 20-21, 2009 in Seoul,

 

2009년 3월 20일과 21일에 걸쳐 서울 프레이저 플레이스에서 열린 POP_설득의 심리학 오픈 워크샵

Credits: Marine Money and John Galayda.

An assignment asked for a guard house specially designated for the Local Student Hostel.

SME Academy – Understanding and implementing the principles of Accountancy by ACCA

SME Academy – Understanding and implementing the principles of Accountancy by ACCA

For the “Principles of Design” assignment, we decided to take a picture depicting the element of “focus”. The subject we chose was the flower and the bee. Initially, we had difficulty with placing the focus directly on the bee and the flower. Thus, it made the timing of the shot very important. Overall, the picture exemplifies a mood of calmness and serenity. In addition, the colours are very complementary to each other. In conclusion, we are very satisfied with the outcome. We believe the element we were trying to portray was shown very clearly. In future assignments, we would probably experiment with the camera’s functions beforehand, to prevent any impromptu shots.

 

-Jasleen Sidhu, Erika Ferris-Baker

WHITE, John A.; CASE, Kenneth E.; PRATT, David B.. Principles of engineering economic analysis. 6 ed. Hoboken: Wiley, 2012. xviii, 908 p. Inclui índice; il. color. graf. tab. quad.; 26x21x3cm. ISBN 1118163834.

 

Palavras-chave: ENGENHARIA ECONOMICA; INVESTIMENTOS/Análises.

 

CDU 658.15 / W585p / 6 ed. / 2012

I chose this picture because the picture on the right is a higher contrast. When it has a higher contrast, the highlights become more extreme and that is what this picture represents.

Formal Compositional Principles: [24 images] Explore each of the formal compositional principles below. In some cases, several principles may be involved in the composition of the image. This is fine, but the principle you choose should be what you feel is the PREDOMINATE one in the look of the image. Submit one image for each principle below.

 

-Aspect Ratio: submit an image in a SQUARE frame

-Framing

-Assymmetry

-Symmetry

-Balance

-Centred Position

-Off-centred Position

-Contrast

-Cropping

-Diagonals

-Perspective

-Figure/Ground

-Negative Space

-Spot

-Line

-Shape

-Form

-Scale

-Lighting

-Multiplicity

-Pattern

-Point of View

-Rule of Thirds

-Texture

 

 

Image from 'Manual of Geology: treating of the principles of the science with special reference to American geological history ... Revised edition', 000858020

 

Author: DANA, James Dwight.

Page: 255

Year: 1864

Place: Philadelphia

Publisher: Theodore Bliss & Co.

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

Open the page in the British Library's itemViewer (page: 000255)

Download the PDF for this book

  

point of view- the camera is pointed up at the high branches of the tree

GFF22: Industry Focus Programme - Screenplay Principles with Sophia Wellington

 

Photo by Ingrid Mur

 

Credits: Marine Money and John Galayda.

WORC's Principles of Community Organizing Training in La Grande, Oregon. March 2010.

Photo: Ruth Sotnik, AntiVJ & Principles of Geometry soundcheck, KUMU auditoorium, 26.09.09

This five card is an example of unity and variety.

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