View allAll Photos Tagged Position,
This car was designed by Giorgetto Giugiaro's using the Bizzarrini P538 to help launch his new "ItalDesign" studio.
This car featured "3-Across" seating with Center Steering Wheel/Driver's Position. This was in 1966, decades before McLaren.
Cars designed by Giotto Bizzarini were one of the featured Marques this year @ Pebble Beach Concours d'Elegance, 2016. This car was originally a Bizzarrini car which was then re-styled by Giugiaro.
Roundel positions. The two at the rear have their rounders in one of the 2 positions where these vehicles carried them. The M at the front has yet to have its rounded moved to the correct position.
UCLA, Anderson School of Management, Antonio Villaraigosa, Mayor of Los Angeles, Positioning Los Angeles as a World-Class Destination for Foreign Investment, Trade, and Tourism
Celebration of Tuva Day of Repulic. Kyzyl, Tuva, Siberia. Nikon FM3a. Photo by Vladimir Shibanov
Part of Tuva Rebulic, Siberia set www.flickr.com/photos/shibanov/sets/72157624715134461/
A Nikon SB-24 is camera left with a 12" snoot, set on 1/16 power and 85mm zoom. Not too sure of camera settings guessing around 1/250 and f/18 (ish)?!?!
I'm much more happy with the position of the headlamps now and they really start to make the car look like I'm heading the right direction towards completion
Positioned along track to Church Farm, this FW3/28 Type 28 anti-tank gun house is sited facing north to defend the river crossing at Jude's Ferry Bridge. The gun emplacement was fitted with a pedestal and nine-bolt holdfast for a 6-pounder anti-tank gun.
The FW3/28 Type 28 is a rectangular shellproof gun house designed to house either a 2pdr or 6pdr Hotchkiss anti-tank gun. The smallest Type 28 gun house, is a single chamber design built to a shellproof standard, with external walls approximately 3ft 6in thick whilst the roof is 12in thick. Overall it approximately measures 20ft by 19ft and internally the chamber measures 13ft by 12ft. At the front of the Type 28 gun house is the low and wide embrasure for the 2pdr or 6pdr anti-tank gun. With the 2pdr gun in position the shield of the gun would have covered most of the embrasure, which measures 2ft 6in internally, stepping out to 3ft 2in by 11ft 6in on the outside, the maximum traverse of the 2pdr gun was limited to a 60° sweep.
Getting the 2pdr gun inside the gun house was through a rear opening of 6ft wide, which would be closed in with sandbags as there were no doors fitted. The large unobstructed entrance did allow the 2pdr gun to maintain it’s mobility, by allowing the gun to be moved in and out rapidly. Below the gun embrasure are three recesses in the floor, the 2pdr gun, would have been wheeled into position, then its wheels removed and the trail legs unfolded and located into the floor recesses. In cases were the Hotckiss quick fire anti-tank gun was used a pedestal with a nine bolt holdfast was added to mount the gun, in a more permanent position adding sandbags around the embrasure for added protection.
Normally each side wall has an infantry embrasure, to provide some limited protection from the enemy. However, the lack of all-round small arms fire meant that the gun house would be very vulnerable to enemy attack. The lack of forward-firing Infantry embrasures meant that it would not be possible to support the 2pdr gun with small arms fire. So to overcome the problem of the limited infantry fire support the FW3/28 gun house design was modified to produce the FW3/28a. This modification consisted of a second chamber being added to the anti-tank gun chamber, the second chamber was an infantry chamber with up to three infantry embrasures, firing to the front, rear and side. Generally, the gun houses were positioned to allow the gun to fire along fixed lines, such as enfiladingss an anti-tank ditch or a bridge. In these positions the limited traverse of the gun creates no real disadvantage and the small size of the embrasure provides greater protection for the gun and its crew.
Eastern Command: Corps and Command Stop Lines – One of three Eastern Command Corps stop lines, this one running from the River Colne in Essex via Wakes Colne and Bures, along the River Stour to Sudbury and Long Melford, and thence to Bury St. Edmunds and the River Lark at Mildenhall. Its final stretch (known now as the Command Line) was via Littleport along the line of the River Great Ouse to King's Lynn.
Ministers assemble for the family photo in between two sessions during the High-level Dialogue for Ukraine in Rzeszów, Poland on 30 March 2023, organised by the Ministry of Infrastructure of Poland and the International Transport Forum.
Fumigant applicator in position. Bend Nursery, Oregon.
Photo by: John T. Wortendyke
Date: September 1971
Credit: USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection.
Source: Division of Timber Management, Insect and Disease Control Branch Collection; Regional Office, Portland, Oregon.
Image: ID-873
Image provided by USDA Forest Service, Pacific Northwest Region, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
A horse became stranded in a horsebox which ended up in a precarious position after the bed of the recovery truck failed. The Hi-ab crane on the Heavy Rescue Unit was used to stabilise the horse box which was eventually brought down to road level so the horse could be unloaded and transferred to a second horse box.
Strobist lighting 102 varying the position and angle of light.
Single 580ex II at 1/32 power normally about 30cm from subject. Aperture varying from f8-f11.
See if you can reverse engineer the lighting.
This is a mannequin in a store window in downtown Visalia. She's sitting in a rather unappealing and unattractive, yet familiar position.
Not for use outside of The Consumerist.
Anthony, one of the strippers from Secrets, at the end of the Capital Gay Pride Parade. Thomas Circle NW, Washington, DC.
Arduino Uno measuring the resistance of my broken rotator pot and converting to azimuth for display on an ex-mobile phone 128x128 pixel colour LCD.
A telegraph pole, signal gantry and concrete post , possibly from an old footpath, frame Freightliner's 66564 as it works the 6C75 1055 Immingham Bulk Term (Fhh) to Scunthorpe Coal Plant Fhh west. The location was just east of Melton Ross in Lincolnshire, on 28/12/18.
With the Trent SON RC7327 lined up with the Ford 7V, Guy LUF SARO demonstrator LJW336 was eased into position by former LUF owner John. Looking even more like a museum now - AMRTM.
Link and Frank are already upstairs. When Jimmy Dean wants to go upstairs he stands like this, looking upstairs, waiting for me to lift him and carry him. He has never done stairs in the house.
Following the strobist.com Lighting 102 lessons.
Strobist information:
1st shot: ISO 400, f/5.0, 1/200, Sunpak PZ42X @ 1/8 shot through an umbrella at about 6-8 feet away
2nd shot: ISO 400, f/5.0, 1/200, Sunpak PZ42X @ 1/32 shot through an umbrella at about 2-3 feet away
2nd shot: ISO 400, f/5.0, 1/200, Sunpak PZ42X @ 1/64 shot through an umbrellaat about 1 foot away
Very interesting, learned a lot from this exercise. Probably could have seen more of a dramatic difference between the shots if I had a larger house.
Comments?
Ithaca student Ashley Alicea, along with teammates Corey Jeffers and Evan Marinaro, pitch their HTML5 game where you are tasked with keeping a human fetus alive for the gestation
This is a photograph from the second running of the newly situated Irish 3/4 Marathon (formerly the Athlone 3/4) which was held in Longwood, Enfield, Co. Meath, Ireland on Sunday 8th of October 2017 at 10:00. The event is positioned perfectly in the calendar as a key training race before the Dublin City Marathon at the end of the month. This year was the second year that the event was held in Longwood, Co. Meath which is now well known for its hosting of the Longwood 10KM/5KM annual races and a host venue for East of Ireland Marathon series marathons on a bi-annual basis. The race started and finished at Longwood GAA club just outside the village of Longwood. It followed an anti-clockwise course around the beautiful picturesque countryside of south Meath. The course went through the townlands of Longwood, Castlerickard, Killyon, Hill-of-Down, Anneville and Ashfield Clonard, Blackshare, Stoneyford and back to Longwood. The river Boyne and Blackwater were crossed as was the Royal Canal and the Dublin-Sligo Railway line at Hill-of-Down. Overall this was a very different course to the previous years in Athlone. The overall elevation of the course works out at 3/4 of the total elevation of the Dublin Marathon course. What most stood out about today's race was the course and how the countryside around it looked on a beautiful almost perfect Autumn morning. There was a large local effort with stewarding and many local people watched from their gardens as the race passed by. The organisation of the race was first class with every detail taken care of from the start until the finish. There was some rain showers from about 13:00 onwards but these soon passed.
There is a large set of photographs from today's race - taken at the start in Longwood village and the 25KM mark outside near our home.
They are available on our Flickr photostream at the following set. www.flickr.com/photos/peterm7/albums/72157687694983023
Photographs from 2016's race are available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157673672195732
NOTE: These are completely unofficial photographs are not connected commercially with the Irish 3/4 marathon event photography. Please check the Official Website www.irish3quartermarathon.ie/ for official photographs and other media.
USING OUR PHOTOGRAPHS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Strobist 102 - Position - Distance
Light has DOF
Top left: At f4.5, we see that the light switch and surrounding area are evenly exposed, and note the distant from the flash is further.
Top right: At f8.0, the switch is dimmer now. We see that roughly middle of the frame is evenly exposed. Distant from flash is shorter now.
Bottom pics: Area of exposure is further reduced and distant from flash is shortest.
Larger size: here
My favourite alleyway in bath. It doesn't go anywhere - there's just mysterious a dead end, but it looks as though it should, and it's all a bit medieval. It was also good for getting some peace and dark, until some busybody gated it off, creating a fire-escape hazard annoying people who like hanging around dark alleyways (like me) and people who don't like hauling their wheelie bin up four flights of stairs.
I had to get in an awkward, and moderately dangerous, position to take this shot: Hanging onto a railing and sticking my arm out as far as I can.
I have a lanyard attached to my phone, so I can't drop it.
Taken Friday 5th February 2010, 1638GMT
With G Tug Mississippi assisting on the bow and Nebraska on the stern, the Algorail gets into position to unload its cargo at the Andersons E Elevator in Toledo, Oh.
Parent's night at Hinu's ballet class today. Her Oma has been taking her to ballet since she was two and she was even in the big Nutcracker performance this year for the first time. I'm so proud of her and so grateful to her Oma for doing this for her.
It was hard to get pictures - the full benches along one wall faced the windows (where noone sat) and the back wall faced the mirrors. Which meant either funky light, or lots of photos with lots of background people in them. I happened to line up just behind the teacher here. It would be so much fun to get some good captures - but nearly impossible on Parent's Day. But next year I'll have a better lens! ;) And that will hopefully mean I can do more close-ups thereby circumventing the background-people-problem.
{Project 365 - Day 7}