View allAll Photos Tagged PermanentCollection,
Danubiana Meulensteen Art Museum is the Slovak-Dutch museum of post-war visual art situated on the Danube river outside Bratislava, established in 2000
James Lovera
Wide Bowl, 1997-98
Porcelain/Stoneware
TSCPL Permanent Collection, 1998.042
Vernon Brejcha
Atmospheric, 1994
Glass
TSCPL Permanent Collection, 1994.037
Heather Kearns
Geode Bowl, 1999
Ceramic
Gift of the artist, 2009.019
Georg Minne 'Die heiligen drei Frauen' (Three Saints), 1896, Kunsthalle (Museum of Art), Hamburg, Germany
School of Caravaggio (17th century)
St. John the Baptist
oil on canvas
Permanent Collection of the National Gallery, Athens, Greece.
---
Σχολή του Καραβάτζα (17ος αιώνας)
Αγιος Ιωάννης ο Βαπτιστής
λάδι σε μουσαμά
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Emil Nolde 'Herr und Dame‘ (im Roten Saal) – 'Man and Woman' (In Red Salon), 1911, Kunsthalle (Museum of Art), Hamburg, Germany
Detail from:
Jordaens Jacob (1593 - 1678)
The Adoration of the Shepherds, π. 1615 - 1616
Oil on canvas, 147 x 168 cm (Inv. no: Π.189)
Permanent Collection of the National Gallery, Athens, Greece.
---
Λεπτομέρια από:
Jacob Jordaens (1593 - 1678)
Η προσκύνηση των ποιμένων, π. 1615 - 1616
Λάδι σε μουσαμά, 147 x 168 cm
Κληροδότημα Αλεξάνδρου Σούτζου, Αρ. έργου: Π.189
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Jordaens Jacob (1593 - 1678)
The Adoration of the Shepherds, π. 1615 - 1616
Oil on canvas, 147 x 168 cm (Inv. no: Π.189)
Permanent Collection of the National Gallery, Athens, Greece.
---
Jacob Jordaens (1593 - 1678)
Η προσκύνηση των ποιμένων, π. 1615 - 1616
Λάδι σε μουσαμά, 147 x 168 cm
Κληροδότημα Αλεξάνδρου Σούτζου, Αρ. έργου: Π.189
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Detail from:
Adam Frans van der Meulen (1632-1690)
Battle Scene
oil on canvas
Permanent Collection of the National Gallery, Athens, Greece.
---
Λεπτομέρια από:
Ανταμ Φρανσ βαν ντερ Μόιλεν (1632-1690)
Σκηνή μάχης
λάδι σε μουσαμά
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Karas Christos (1930 )
Three Graces, 1974
Oil on canvas, 154 x 234 cm
---
Χρήστος Καράς (1930)
Τρεις χάριτες, 1974
Λάδι σε μουσαμά, 154 x 234 cm
CLOCKWISE FROM TOP:
76/150: Lasker Award, Albert Lasker Group Award to the Menninger Foundation, 1955, The American Public Health Association; For a sustained and rightly productive attack against mental disease bearing fruit in better hospitals, better trained staffs and greatly improved care of the patient.
75/150: Albo Glass, Untitled (raspberry vessel), 2004, glass, Gift of the Biofeedback Society of Kansas to honor Patricia Norris, PhD and Steven Fahrion PhD, for their contributions to the field of psychophysiology and biofeedback.
83/150: Dr. Cotter Hirschberg, How to Talk about… book, How the Body Works. Cotter Hirschberg was a child psychiatrist at the Menninger Clinic, and wrote a series of these books about talking with children. They included anger, fear, going to doctors, and body functions.
82/150: C. F. Menninger’s peony jar, Gift of the Menninger Foundation
78/150: Menninger Bulletin, Mary Huntoon’s articles on art therapy 1949 “The Creative Arts in Therapy” in Bulletin of the Menninger Clinic, 13:198-203 (reviewed by a psychoanalytical journal in Calcutta)
79/150: Menninger Bulletin, Mary Huntoon, 1953 “Art therapy for patients in the acute section of Winter VA Hospital.” VA Department of Medicine and Surgery Information Bulletin, 10, 29-32.
80/150: Menninger Bulletin, Dr. C. F. Menninger, Karl A. Menninger, William C. Menninger: brochure on research on poliomyelitis, 1923
81/150: Menninger Bulletin, C. F. Menninger, MD, The Modern Conception of Diabetes Mellitus, 1921
In October 2010 the MoA (Museum of Art Seoul National University) in Korea acquired FF Scala for its permanent collection, the ‘Design and Crafts’ collection. It was the first time the museum made an aquisition of a typeface.
The exhibition ‘MoA Invites 2011’ took place from 19 January 2011 untill 2 February 2011, showing all new aquisitions of last year, including FF Scala. One of the nice things is that the museum actually uses FF Scala in its printed matter: the english text in the catalogue is set in it.
Catalogue designed by Hongdesign
CLOCKWISE FROM TOP
49/150: WIBW Radio booklet with information on radio performers. The programs include radio schedules, 1946. The Topeka Room has the whole series.
50/150: WIBW Radio album
51/150: Topeka Performing Arts Center program, South Pacific, 1988-89
52/150: Margaret Hill McCarter, The Corner Stone, 1915
53/150: Margaret Hill McCarter, The Peace of the Solomon Valley, 1911. McCarter was a renowned Kansas author, who wrote books about the old west. She taught at Topeka High School, and married a dentist. She was invited to speak at the Republican national convention in 1920, the first woman to address a national political convention.
Frank Peers
The Peacock’s Tail: frontispiece for a novel, 1924
Woodcut
Gift of Ester L. Peers Trust
1979.017.055
These two woodcut prints were inspired by the Art Nouveau style and the illustrator Aubrey Beardsley.
Art Nouveau, as a style, used graceful,
curvilinear lines while having a sensuous and dreamlike feel. Many of the images are
romantic and naturalistic.
Beardsley’s work featured large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Much of Beardsley’s work had a mythical and romantic feel.
Peer’s prints have the same dreamlike quality and attention to detail, however you can see how Peer’s has started to simplify and streamline the forms and shapes. These are characteristics of the new modern style, Art Deco.
This is the West Wing at the Virginia Museum of Fine Arts located at 200 N Arthur Ashe Blvd, Richmond, VA.
This section of the Museum opened in 1985; it was designed by Hardy Holzman Pfeiffer Associates and features some beautiful late Brutalist architecture.
The West Wing was sponsored significantly in part by Sydney and Frances Lewis, who owned BEST Products. Hardy Holzman Pfeiffer Associates also designed the iconic headquarters building for BEST Products, located in neighboring Henrico County.
Detail from:
Theodoros Vryzakis (1819-1878)
The Exodus from Missolonghi, 1853
oil on canvas
---
Λεπτομέρια από:
Θεόδωρος Βρυζάκης (1819-1878)
Η έξοδος του Μεσολογγίου, 1853
λάδι σε μουσαμά
Gounaropoulos Giorgos (1890 - 1977)
Fish and Jug in a Seascape, π. 1937
Oil on plywood, 125 x 119 cm
Inv. no: Π.4731
Permanent Collection of the National Gallery, Athens, Greece.
---
Γεώργιος Γουναρόπουλος (1890 - 1977)
Ψάρι που τρυπά άλογο και γυναικεία μορφή πάνω σε βράχο, π. 1937
Λάδι σε κόντρα-πλακέ, 125 x 119 cm
Δωρεά του καλλιτέχνη, Αρ. έργου: Π.4731
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Elder's Regalia
Kenya, Maasai
Gary K. Clarke is Director Emeritus of the World Famous Topeka Zoo, and President-for-Life of Cowabunga Safaris. Gary led more than 139 photographic safaris to Africa, many of them to Kenya and Tanzania. In the process, he got to know the Maasai people of the region. In 2002, he took his 100th safari to the Oltukui Mara clan’s area. Because he had brought so many people to their region, this clan initiated Gary as an honorary elder, giving him the name “Ole Ishu“ (He Who Gives).
Items in this case are an elder’s regalia: a “knob carry”, used in the grasslands to brush away bush branches or use against animals, a rungu (ceremonial knob carry), a snuff bottle for tobacco, a calabash gourd for carrying milk, honey-beer, or cow’s blood, a fly whisk made from the tail hair of wildebeest, two necklaces, two bracelets, two shukas (over-the-shoulder garments), leather sandals and a stool.
Gift of Gary K Clarke
Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography
THE STRUGGLE FOR JUSTICE Permanent Exhibition
Paul Peck Gallery
Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html
Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project
Karavouzis Sarantis (1938 )
Farewell, Not Set
Oil on canvas, 168 x 112 cm
(Inv. no: Π.5927)
---
Σαράντης Καραβούζης (1938 )
Αποχαιρετισμός, Not Set
Λάδι σε μουσαμά, 168 x 112 cm
Δωρεά του καλλιτέχνη, Αρ. έργου: Π.5927
Detail from:
Jordaens Jacob (1593 - 1678)
The Adoration of the Shepherds, π. 1615 - 1616
Oil on canvas, 147 x 168 cm (Inv. no: Π.189)
Permanent Collection of the National Gallery, Athens, Greece.
---
Λεπτομέρια από:
Jacob Jordaens (1593 - 1678)
Η προσκύνηση των ποιμένων, π. 1615 - 1616
Λάδι σε μουσαμά, 147 x 168 cm
Κληροδότημα Αλεξάνδρου Σούτζου, Αρ. έργου: Π.189
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Jörg Immendorff 'Welt der Arbeit, Beben/Heben – Welt der Arbeit' (The Work of Labour, Trembling, Lifting – The World of Labour), 1984, Galerie der Gegenwart (Museum of Contemporary Art), Kunsthalle, Hamburg, Germany
Abstraction: Landscape
Jim Hagan
untitled
Watercolor, paper
Gift of the family of Patricia L. Stinson, 2010.026.002
How are these landscapes alike?
Do you see similar shapes in each artwork?
How are they different?
How does each one make you feel?
Which place would you like to visit?
Pablo Picasso 'Der Künsthandler Clovic Sagot' (Portrait of the Art Dealer Clovic Sagot), 1909, Kunsthalle (Museum of Art), Hamburg, Germany
Lytras Nikephoros (1832 - 1904)
Return from the Fair, π. 1865-1872
Oil on canvas, 100 x 66 cm
---
Νικηφόρος Λύτρας (1832 - 1904)
Επιστροφή απο το πανηγύρι, π. 1865-1872
Λάδι σε μουσαμά, 100 x 66 cm
Συλλογή Ιδρύματος Ε. Κουτλίδη, Αρ. έργου: Κ.106
Abstraction: Landscape
Duane Noblett
untitled, 1991
Graphite, paper
TSCPL Permanent Collection, 1991.014
How are these landscapes alike?
Do you see similar shapes in each artwork?
How are they different?
How does each one make you feel?
Which place would you like to visit?
DETAIL
Angela Lorenz
Soap Story, 1999
Fabric, silkscreen, lithograph, soap
Edition of 200; Bologna, Italy TSCPL Permanent Collection
This artist’s book tells the story of a young woman in Calabria, Italy during the 1950s, whose real life reads like a fairy tale, or soap opera, in six installments. In order to give lasting form to this oral history, the reader must release the text, silkscreened on linen pages, from six tiny bars of soap. After hanging to dry, ironing optional, the rags slot into six pages with oval die-cuts, through which the text remains visible. The pages are bound with a linen rag into a handmade, cloth-covered album. The book is housed in a matching cloth-covered box, lined with rags and sealed with a color-lithographed soap label.
The process confronting the reader reflects that which the protagonist must face, ultimately transforming her. You must merely transform the story, allowing the young woman to wash her hands of her sorrows.
The box is wrapped up in a reproduction of a page from a woman’s magazine, October 1956, titled “Mani di Fata” or “Hands of the Fairy.” This page, wrapping six pieces of soap, was an iron-on design for embroidery inserted as a gift in the same issue. The magazine itself was found on the floor of an abandoned villa in Calabria, not far from the town in the story. Wrapping up packets in recycled newspaper and twine is still the way fresh eggs or handmade soap travel from household to household. At the time of this story, the women used stones for washing the linen, silk and burlap they cultivated and wove for their own use.
Ernst Ludwig Kirchner 'Das Wohnzimmer' (The Livingroom), 1923, Kunsthalle (Museum of Art), Hamburg, Germany
Museum Boijmans Van Beuningen, Rotterdam
Intervention #3
Four Vegetative Sleeping Rooms
MY AUNT FROM BORNEO
With the time she got a bit dizzy and things have started to overgrow her mind. Com in and join her in this slowing down journey of biodiversity.
The painting is from Otto Marseus van Schrieck
The Swiss artists Gerda Steiner & Jörg Lenzlinger are interested in artificial gardens, natural growth processes and all cross-overs between nature and culture. During the 2003 Venice Biennale in the Roman Catholic church of San Stae on the Grand Canal, thousands of leaves and plants fluttered on branches from the ceiling. Visitors were able to lie on a large bed from which they could behold this miracle above. Under the auspices of the H+F Patronage, Museum Boijmans Van Beuningen has invited Gerda Steiner and Jörg Lenzlinger to create a new vegetative installation in the museum’s four so-called ‘four-leaf clover’ galleries. The intimate window front showcases play host to a bone tree, a jungle, a seed room and a pink crystal forest growing from urea. Visitors may enter and experience each of the rooms, from which emanates a sense of wellbeing and peace that transcends life and death and that removes you from the museum’s busy reality, which passes by like a film.
52/150: Margaret Hill McCarter, The Corner Stone, 1915
53/150: Margaret Hill McCarter, The Peace of the Solomon Valley, 1911. McCarter was a renowned Kansas author, who wrote books about the old west. She taught at Topeka High School, and married a dentist. She was invited to speak at the Republican national convention in 1920, the first woman to address a national political convention.
Alekos Fassianos (1935)
Woman at Kavouri, 1970
oil on canvas
Permanent Collection of the National Gallery, Athens, Greece.
---
Αλέκος Φασιανός (1935)
Γυναίκα στο Καβούρι, 1970
λάδι σε μουσαμά
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Jacques Lipchitz 'Sitzender Mann mit Klarinette II' (Man with Clarinet II), 1919, Kunsthalle (Museum of Art), Hamburg, Germany
Ferdinand Hodler 'Die Stockhorn-Kette am Thuner See' (The Thun Lake with the Stockhorn Range), ca, 1911, Kunsthalle (Museum of Art), Hamburg, Germany
Abstraction: Female Form
The goal of abstract art is to communicate the intangible, that which eludes the photograph and normal seeing.
— Curtis Verdun, painter
Jim Bass
Earth Slice Woman, 1988
Bronze, wood
Gift of Dr. Robert Keith, 2005.017
People have utilized abstraction throughout time. In order to communicate or express ideas, early artists used symbols and abstracted imagery to create petroglyphs, cave paintings and small portable totems, for example. These three female figures symbolically represent rebirth and fertility from a traditional tribal ceremonial piece to geometric modern interpretation to
contemporary realism. Each piece represents the ideas of the particular artist’s culture and time.
Yannis Moralis (1916-2009)
The Artist with his Wife, 1942-1943
oil on canvas
(Donation of the artist, inv. no. 7688)
Permanent Collection of the National Gallery, Athens, Greece.
---
Γιάννης Μόραλης (1916-2009)
Ο ζωγράφος με τη γυναίκα του, 1942-1943
λάδι σε μουσαμά
(Δωρεά του καλλιτένχη, αρ. έργου 7688)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Yannis Moralis (1916-2009)
The Table, 1947
Permanent Collection of the National Gallery, Athens, Greece.
---
Γιάννης Μόραλης (1916-2009)
Το Τραπέζι, 1947
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Frank Peers
Untitled Cityscape, c.1920s
woodcut
Gift of Ester L. Peers
Frank Peers was a Topeka printer who designed book plates, Christmas cards and various art prints.
In these prints it is easy to see the characteristic of the Art Deco style: sharply angular and geometric lines, often devoid of any decoration, suggestion of speed and movement, and an understated and restrained elegance.
Peers had stripped his female images down to simple lines and geometric shapes. There is a simple yet understated elegance to these forms.
In his cityscapes, Peers highlights a true Art Deco invention, the skyscraper. His angular lines and geometric forms combine to create a modern cityscape with a wonderful sense of movement.
DETAIL
Elder's Regalia
Kenya, Maasai
Gary K. Clarke is Director Emeritus of the World Famous Topeka Zoo, and President-for-Life of Cowabunga Safaris. Gary led more than 139 photographic safaris to Africa, many of them to Kenya and Tanzania. In the process, he got to know the Maasai people of the region. In 2002, he took his 100th safari to the Oltukui Mara clan’s area. Because he had brought so many people to their region, this clan initiated Gary as an honorary elder, giving him the name “Ole Ishu“ (He Who Gives).
Items in this case are an elder’s regalia: a “knob carry”, used in the grasslands to brush away bush branches or use against animals, a rungu (ceremonial knob carry), a snuff bottle for tobacco, a calabash gourd for carrying milk, honey-beer, or cow’s blood, a fly whisk made from the tail hair of wildebeest, two necklaces, two bracelets, two shukas (over-the-shoulder garments), leather sandals and a stool.
Gift of Gary K Clarke
Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography
THE STRUGGLE FOR JUSTICE Permanent Exhibition
Paul Peck Gallery
Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html
Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project
Parthenis Konstantinos (1878 - 1967)
Christ, c. 1900
Oil on canvas, 200 x 200 cm
(Inv. no: Π.522, inv. no. 522)
---
Κωνσταντίνος Παρθένης (1878 - 1967)
Ο Χριστός, π. 1900
λάδι σε μουσαμά
(Δωρεά Εθνικής Τράπεζας, αρ. έργου 522)
Theodoros Vryzakis (1819-1878)
The Exodus from Missolonghi, 1853
oil on canvas
---
Θεόδωρος Βρυζάκης (1819-1878)
Η έξοδος του Μεσολογγίου, 1853
λάδι σε μουσαμά
Detail from:
Theodoros Vryzakis (1819-1878)
The Exodus from Missolonghi, 1853
oil on canvas
---
Λεπτομέρια από:
Θεόδωρος Βρυζάκης (1819-1878)
Η έξοδος του Μεσολογγίου, 1853
λάδι σε μουσαμά
LEFT TO RIGHT
Lisa Hasegawa
Awkward, 2007
Paper, letterpress, machine stitching, thread
Edition of 50; Ilfant Press, Seattle, WA
TSCPL Permanent Collection
Walter Feldman
My Story, 2007
Text by Juan Ortiz
Paper, stamping, offset lithography, fabric
Edition of 50; Ziggurat Press, Providence, RI
TSCPL Permanent Collection