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Karl Schmidt-Rottluff 'Atelierpause' (Rest in the Studio) 1911, Kunsthalle (Museum of Art), Hamburg, Germany
Polychronis Lembesis (1848-1913)
The Boy with the Rabbits, 1879
oil on canvas
(Donation of Michael Salvagos)
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Πολυχρόνης Λεμπέσης (1848-1913)
Το παιδί με τα κουνέλια, 1879
λάδι σε μουσαμά
(Δωρεά Μιχαήλ Σαλβάγου)
Detail from:
Theodoros Vryzakis (1819-1878)
Greece in Gratitude, 1858
oil on canvas
(Maria Th. Ipsilanti Bequest)
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Λεπτομέρια από:
Θεόδωρος Βρυζάκης (1819-1878)
Η Ελλάς ευγνωμονούσα, 1858
λάδι σε μουσαμά
(Κληροδότημα Μαρίας Θ. Υψηλάντη)
Nikolaos Gyzis (1842-1901)
Peek-a-Boo, 1882
oil on canvas
(Anonymous donation in memory of Dimitrios Tzirakopoulos
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Νικόλαος Γύζης (1842-1901)
Κούκου, 1882
λάδι σε μουσαμά
(Δωρεά ανωνύμου στη μνήμη Δημητρίου Τζιρακόπουλου)
Virtuoso rendering of a portrait painter by a portrait painter. Carolus-Duran was the artist formerly known as Charles Auguste Émile Durand (1837-1917).
www.emergencyrooms.org/biennalist.html
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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
Yannis Moralis (1916-2009)
Two Friends, 1946
oil on canvas
(Donation of the artist)
Permanent Collection of the National Gallery, Athens, Greece.
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Γιάννης Μόραλης (1916-2009)
Δύο Φίλες, 1958-1968
λάδι σε μουσαμά
(Δωρεά του καλλιτένχη)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Detail from:
Tuscan Painter
Love Triumphant, c. 1620-1630
oil on canvas
(Stefanos Skouloudis Bequest)
Permanent Collection of the National Gallery, Athens, Greece.
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Λεπτομέρια από:
Ζωγράφος της Τοσκάνης
Έρωτας θριαμβευτής, π. 1620-1630
λάδι σε μουσαμά
(Κληροδότημα Στέφανου Σκουλούδη)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Commingling Contemporary: Selections from the Permanent Collection, April 12 - June 22, 2012, April 12 Opening reception, 6 pm, 103 Garland Hall, Selections from the Permanent Collection will be featured in this annual exhibit. The Sarah Moody Gallery of Art Permanent Collection was initiated in the late 1960s with an emphasis on modern and contemporary art, particularly in photography and works on paper. In recent years collecting has expanded to include painting and sculpture. Internationally known artists represented in the collection include Sally Mann, Elizabeth Murray, Chuck Close, Lee Krasner, Carrie Mae Weems, Wassily Kandinsky, Luis Jimenez, Samuel Mockbee,Robert Kushner, Jim Dine, Judy Pfaff , William Christenberry (UA MA 1966) and Walker Evans.
Detail from:
Theodoros Vryzakis (1819-1878)
Greece in Gratitude, 1858
oil on canvas
(Maria Th. Ipsilanti Bequest)
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Λεπτομέρια από:
Θεόδωρος Βρυζάκης (1819-1878)
Η Ελλάς ευγνωμονούσα, 1858
λάδι σε μουσαμά
(Κληροδότημα Μαρίας Θ. Υψηλάντη)
In October 2010 the MoA (Museum of Art Seoul National University) in Korea acquired FF Scala for its permanent collection, the ‘Design and Crafts’ collection. It was the first time the museum made an aquisition of a typeface.
The exhibition ‘MoA Invites 2011’ took place from 19 January 2011 untill 2 February 2011, showing all new aquisitions of last year, including FF Scala. One of the nice things is that the museum actually uses FF Scala in its printed matter: the english text in the catalogue is set in it.
Catalogue designed by Hongdesign
Grigoris Semitekolo (1935)
Imaginary Landscape, 1993
oil on canvas
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Γρηγόρης Σεμιτέκολο (1935)
Φανταστικό τοπία, 1993
λάδι σε μουσαμά
Detail from:
Tuscan Painter
Love Triumphant, c. 1620-1630
oil on canvas
(Stefanos Skouloudis Bequest)
Permanent Collection of the National Gallery, Athens, Greece.
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Λεπτομέρια από:
Ζωγράφος της Τοσκάνης
Έρωτας θριαμβευτής, π. 1620-1630
λάδι σε μουσαμά
(Κληροδότημα Στέφανου Σκουλούδη)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Yannis Moralis (1916-2009)
Funeral Composition III, 1958-1968
oil on canvas
(Donation of the artist, inv. no. 7704)
Permanent Collection of the National Gallery, Athens, Greece.
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Γιάννης Μόραλης (1916-2009)
Επιτύμβια σύνθεση Γ', 1958-1968
λάδι σε μουσαμά
(Δωρεά του καλλιτένχη, αρ. έργου 7704)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Nikolaos Ferekeidis (1862-1929)
The Reception of King Othon of Greece at Nafplion, 1901
(copy of a work by Peter von Hess, 1835)
oil on canvas
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Νικόλαος Φερεκείδης (1862-1929)
Η Υποδοχή του Βασιλειά Όθωνα της Ελλάδας στο Ναύπλιο, 1901
(αντίγραφο έργου του Peter von Hess, 1835)
λάδι σε μουσαμά
Michalis Tombros (1889-1974)
Two Friends, 1930
marble
(Donation of the Ministry of Education, inv. no. 2936)
Permanent Collection of the National Gallery, Athens, Greece.
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Μιχάλης Τόμπρος (1889-1974)
Δύο φίλες, 1930
μάρμαρο
(Δωρεά Υπουργείου Παιδείας, αρ. έργου 2936)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Detail from:
Hatzikyriakos-Ghikas Nikos (1906 - 1994)
Houses in a Dry Landscape, 1978
Acrylic on canvas, 139 x 175 cm
(Donation by the artist, Inv. no: Π.7346)
Permanent Collection of the National Gallery, Athens, Greece.
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Λεπτομέρια από:
Νίκος Χατζηκυριάκος Γκίκας (1906 - 1994)
Σπίτια σε ξηρό τόπο, 1978
Ακρυλικό σε μουσαμά, 139 x 175 cm
(Δωρεά του καλλιτέχνη, Αρ. έργου: Π.7346)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Doxaras Panayotis (1662 - 1729)
The Virgin Mary, π. 1700
Oil on canvas, 43 x 32,5 cm
Permanent Collection of the National Gallery, Athens, Greece.
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Παναγιώτης Δοξαράς (1662 - 1729)
Παναγία, π. 1700
Λάδι σε μουσαμά, 43 x 32,5 cm
Κληροδότημα Β. Ευδομαδόπουλου
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Art Therapy at Winters Veterans Hospital and the Menninger Clinic
Mary Huntoon (Mayme Parsons Hoyt) (1896 – 1970)
Born Mayme Parsons and christened Mary Huntoon Atkinson, Huntoon was a graduate of Topeka High School and Washburn College. She studied in New York at the Art Students League for six years with Joseph Pennell, George Bridgman and Robert Henri. She spent five years in Paris, where she chose Mary Huntoon as her professional name.
She joined the Menninger Foundation in 1934, remaining there through 1948. Huntoon was a pioneer in art therapy, calling those she worked with “students,” not “patients.” Her students’ work won prizes in the Topeka Free Fair. Eighty percent of her patients were discharged after one year. In 1946 she was named Director of the Art Department, Physical Medicine and Rehabilitation at the Winter Veterans Hospital.
Portrait of John Stone, first Business Manager for the Menninger Foundation (c 1938)
Gift of the Margaret L. Stone estate via Tim, Judson, Nancy and Judy Stone, 1984.13
Untitled (c 1930s)
Finger-paint on paper
Gift of the Menninger Foundation
2003.27.39
Art Therapy at Winters Veterans Hospital and the Menninger Clinic
Ruth Faison Shaw was an art therapist at the Menninger Foundation. She sent a young patient to wash his hands with iodine, but found him instead using it to paint on the walls. She realized the connection the hands have to emotions. Shaw would have her patients make fingerpaintings, then use the paintings to talk about their emotions and thoughts while they were making them. Observing that some patients ate the paints, she developed non-toxic water-based paints.
L to R: Spirit of the Times—4th Century by Daniel Essig; Tarantula paperweight by Gordon Smith; The Story of Sebastian and Amelia by Claudia Moniz
Georg Minne 'Kniender Jüngling' (Kneeling Youth), 1898, Kunsthalle (Museum of Art), Hamburg, Germany
Wilhelm Lehmbruck 'Kleiner Weiblicher Torso' (Small Female Torso), 1911, Kunsthalle (Museum of Art), Hamburg, Germany
Pewter was used and valued by the Chinese long before it appeared in Europe. Pewter is an alloy of tin and lead. It is soft and can be easily shaped, engraved and stamped. In China, pewter was used for keeping water hot in kettles and serving food, wine and tea. During the 19th century, Yixing clay was added as an interior liner for pewter teapots.
Snuff bottles were used by the Chinese to contain powdered tobacco. Smoking tobacco was originally illegal in China, but the use of snuff was allowed because the Chinese considered snuff to be a remedy for common illnesses such as colds, headaches and stomach disorders.
It was common to offer a pinch of snuff as a way to greet friends and relatives. Snuff bottles soon became an object of beauty and a way to represent status. The highest status went to whoever had the rarest and finest snuff bottle.
1. Double gourd flask
ca. 20th century
Pewter
97.40.115
The double gourd symbolizes the union of yin and yang, heaven and earth, and good omens.
2. Butterfly bowl
ca. 20th century
Porcelain
97.40.204
Butterflies are a symbol of long life, beauty and elegance.
3. Square vase
ca. 20th century
Pewter
97.40.132
4. Bamboo teapot
ca. 20th century
Pewter, jade, Yixing clay
97.40.29
This teapot is shaped like the bamboo plant.
5. Teapot with bamboo design
ca. 20th century
Pewter, jade, Yixing clay
97.40.38
Bamboo symbolizes longevity reliability, courage in adversity, and good breeding.
6. Pair of lotus blossom candlesticks
ca. 20th century
Pewter
97.40.75ab
The lotus flower, which grows out of the mud, is a symbol of purity and enlightenment.
7. Snuff bottle
ca. 20th century
Glass, inner painting
97.40.281
Goldfish are a symbol of success and wealth. The words for gold fish are phonetically identical to the two words meaning gold in abundance.
8. Teapot with lizard lid
ca. 20th century
Pewter
97.40.45
9. Lotus leaf dish with rooster
ca. 20th century
Porcelain
79.17.5d
10. Floral bracelet
ca. 20th century
Lacquer, cinnabar
97.40.320
Cinnabar (or vermilion) is the pigment used in Chinese red lacquer.
11. Snuff bottle with birds
ca. 20th century
Glass, red glass overlay, brass
97.40.271
12. Snuff bottle with Mandarin Ducks
ca. 20th century
Porcelain, enamel, turquoise, coral
97.40.237
Mandarin Ducks are a symbol of married bliss because they are believed to mate for life.
Pablo Picasso 'Tête de femme (Fernande)' (Head of a Woman), 1908, Kunsthalle (Museum of Art), Hamburg, Germany
Emil Nolde St. Mary of Egypt Among the Sinners, c.1910, Kunsthalle (Museum of Art), Hamburg, Germany
Hatzikyriakos-Ghikas Nikos (1906 - 1994)
Houses in a Dry Landscape, 1978
Acrylic on canvas, 139 x 175 cm
(Donation by the artist, Inv. no: Π.7346)
Permanent Collection of the National Gallery, Athens, Greece.
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Νίκος Χατζηκυριάκος Γκίκας (1906 - 1994)
Σπίτια σε ξηρό τόπο, 1978
Ακρυλικό σε μουσαμά, 139 x 175 cm
(Δωρεά του καλλιτέχνη, Αρ. έργου: Π.7346)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Volanakis Constantinos (1837 - 1907)
Collecting the Nets, 1871
Oil on canvas, 69 x 135 cm
Inv. no: Π.10380
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Κωνσταντίνος Βολανάκης (1837 - 1907)
Μαζεύοντας τα δίχτυα, 1871
Λάδι σε μουσαμά, 69 x 135 cm
Αρ. έργου: Π.10380
Abstraction: Female Form
The goal of abstract art is to communicate the intangible, that which eludes the photograph and normal seeing.
— Curtis Verdun, painter
Artist Unknown
(Abuja, Nigeria, Africa)
Female figure, ca. 1970
Stoneware
Gift of Angelo Garzio, 2001.035.008
People have utilized abstraction throughout time. In order to communicate or express ideas, early artists used symbols and abstracted imagery to create petroglyphs, cave paintings and small portable totems, for example. These three female figures symbolically represent rebirth and fertility from a traditional tribal ceremonial piece to geometric modern interpretation to
contemporary realism. Each piece represents the ideas of the particular artist’s culture and time.
LEFT TO RIGHT:
"Alice's Adventures in Wonderland: A Pop-up Adaptation"; Lewis Carroll, Robert Sabuda; Little Simon, New York, 2003. Alice's Adventures in Wonderland is Robert Sabuda's most amazing creation ever, featuring stunning pop-ups illustrated in John Tenniel's classic style. The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.
"The Chronicles of Narnia"; C.S. Lewis, Robert Sabuda; Harper Collins Publishers, New York, 2007. C. S. Lewis's classic Narnia books spring to life in the hands of award-winning paper engineer Robert Sabuda. Each of the seven books in the series has its own pop-up spread rendered in spectacular detail with stunning special effects. Experience a different adventure from Narnia on every spread in this beautiful addition to the Narnia library—sure to enchant fans of both C. S. Lewis and Robert Sabuda.
"Horton Hears a Who
Pop-Up!"; Dr. Seuss, David Carter. Random House, Inc., 2008. Unlike other pop-up adaptations that use text abridgments, this book contains the complete text of Horton Hears a Who! David A. Carter has skillfully followed Seuss’s signature pacing by
alternating five big, blow-out pop-ups with 11 booklets, pull tabs galore, and many special effects. In all, ten glorious spreads bring this classic to life in magnificent full color.
"One Red Dot"; David Carter; Little Simon, New York, 2004. Each of the ten magnificent pop-up sculptures challenges readers to find the one red dot. From the flip-flop flaps to the whimsical wiggle-wobble widgets, each page is an original piece of artwork
to cherish and admire.
Lefteris Kanakakis (1934-1985)
Interior, 1977
oil on canvas
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Λευτέρης Κανακάκης (1934-1985)
Εσωτερικό, 1977
λάδι σε μουσαμά
Workshop of Jacopo Tintoretto (1519-1594)
Saint Margaret, c. 1550
oil on canvas
(inv. no. 9455)
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Εργαστήριο Γιάκοπο Τιντορέτο (1519-1594)
Η Αγία Μαργαρίτα, π. 1550
λάδι σε μουσαμά
(αρ. έργου 9455)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Nikolaos Doxaras (1706/10 - 1775)
The Dormition of the Virgin Mary, c. 1753-1754
oil on canvas
Permanent Collection of the National Gallery, Athens, Greece.
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Νικόλαος Δοξαράς (1706/10 - 1775)
Η Κοίμηση της Θεοτόκου, π. 1753-1754
λάδι σε μουσαμά
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Workshop of Jacob Jordaens (1593-1678)
The Feast of the Epiphany, c. 1639-1640
oil on canvas
(Donation of the University of Athens, inv. no. 167)
Permanent Collection of the National Gallery, Athens, Greece.
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Εργαστήριο Γιάκομα Γιόργεανς (1593-1678)
Η εορτή των Επιφανείων, π. 1639-1640
λάδι σε μουσαμά
(Δωρεά Πανεπιστημίου Αθηνών, αρ. έργου 167)
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Detail from:
Jordaens Jacob (1593 - 1678)
The Adoration of the Shepherds, π. 1615 - 1616
Oil on canvas, 147 x 168 cm (Inv. no: Π.189)
Permanent Collection of the National Gallery, Athens, Greece.
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Λεπτομέρια από:
Jacob Jordaens (1593 - 1678)
Η προσκύνηση των ποιμένων, π. 1615 - 1616
Λάδι σε μουσαμά, 147 x 168 cm
Κληροδότημα Αλεξάνδρου Σούτζου, Αρ. έργου: Π.189
Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.
Detail from:
Nikolaos Gyzis (1842-1901)
Peek-a-Boo, 1882
oil on canvas
(Anonymous donation in memory of Dimitrios Tzirakopoulos
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Λεπτομέρια από:
Νικόλαος Γύζης (1842-1901)
Κούκου, 1882
λάδι σε μουσαμά
(Δωρεά ανωνύμου στη μνήμη Δημητρίου Τζιρακόπουλου)
Lytras Nikephoros (1832 - 1904)
Portrait of Marianthi L. Charilaou, π. 1895-1900
Oil on canvas, 155 x 78 cm
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Νικηφόρος Λύτρας (1832 - 1904)
Προσωπογραφία Μαριάνθης Λ. Χαριλάου, π. 1895-1900
Λάδι σε μουσαμά, 155 x 78 cm
Clarice Cliff
Newport Pottery England
Bizarre tea set, (crocus pattern), c.1928—1964
Porcelain
1980.019
Claire Cliff was one of the few women of during the 1920s to become a designer in the ceramics industry. She created a line called Bizarre ware. The Bizarre line was full of colorful hand painted abstract designs. The line was very popular and Cliff became one of the leading ceramic designers of her time.
Cliff was once asked “Why is it [the pottery] marked Bizarre?” To which she replied “I called it Bizarre because it is intended to surprise people. There is so much dowdy ware made in the Potteries that I decided to offer brightly colored pieces for the young housewives who I’m sure want something different!” (Griffin, Clarice Cliff: the Art of Bizarre, Pavilion Books Limited, London, 1999, pg.38)