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Each new generation discovers Mathias J. Alten (1871-1938), who made Grand Rapids his home, rather than to move to one of the bustling cities like Cleveland, Detroit, Chicago or NYC. His parents came from the western border of German first. He joined them at age 17 (1888). Thanks to the collected Alten paintings by a Michigan donor to GVSU, there are now dozens (of his lifetime 3000) of paintings on permanent display on the ground floor and the next floor of the university's downtown Grand Rapids campus in Building E.
This photo shows a statue of the painter in the prime of life with tools of his trade, on his way to or from a location for him to portray in oils on canvas.
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On the top floor of the GRAM are selected piece rotated from the permanent collection of the art museum. While the main halls lie on the other side of the opening in the wall, several pieces reside here in the corridor where the wide staircase brings self-powered visitors to the galleries. Those riding the elevator emerge in the distance, to the left of this photo.
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Part of the permanent exhibition (3rd Floor of the G.R.A.M.) is beauty found in the design of furniture and other parts of work or home life. This raises the question of 'beauty'. By putting things on a pedestal with studio spot lighting, and perhaps a security box surrounding it, visitors are invited to regard the 3-D pieces as a special kind of sculpture; one that is beautify to the eyes, but also succeeds (or fails) in its functional uses. The practical and the aesthetically pleasing should amplify each other, increasing the delight of use and the delight of looking. More often, though, one aspect outweighs the other: more beauty as an object than as a practical tool or furnishing. Or the reverse: more value in its pleasure of use than in the look of the thing.
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